Download Free The Victim As Criminal And Artist Book in PDF and EPUB Free Download. You can read online The Victim As Criminal And Artist and write the review.

This greatly expanded third edition of the first full-length study of American prison literature contains much new material on current prison literature, with the Annotated Bibliography of Published Works by American Prisoners and Ex-Prisoners now twice its original size.
"This first history of prison literature, featuring the first extensive bibliography of works by American convicts, presents a revealing view of America as seen from the bottom. Franklin redefines American literature, its history, and literary criteria. Arguing that Afro-American culture is central rather than peripheral to our literature, Franklin traces the influence of slave songs and narratives from the convict work song through I am a Fugitive from a Georgia Chain Gang to the Autobiography of Malcolm X to the poetry of the Attica rebels. In addition to rediscovering dozens of first-rate unknown or forgotten authors, Franklin shows the impact of imprisonment on such major writers as Jack London, Chester Himes, Malcolm Braly, Julian Hawthorne, Agnes Smedley, and especially Herman Melville, whose fiction is given a striking reinterpretation. Here is a landmark work for anyone interested in American literature, Afro-American culture, Marxist theory, penology, and the relations between crime and art"--Jacket.
"Harrowing in their frank detail and desperate tone, the selections in this anthology pack an emotional wallop...Should be required reading for anyone concerned about the violence in our society and the high rate of recidivism."—Publishers Weekly. Includes work by: Jack London, Nelson Algren, Chester Himes,Jack Henry Abbott, Robert Lowell, Malcolm X, Mumia Abu-Jamal, and Piri Thomas.
This edition includes newly contributed and updated articles utilizing the latest research and studies in the areas of violence, abuse, and victims' rights from experts in the field. It has a stronger focus on emerging issues and policies in the field of victimology than other comparable texts. It utilizes the latest research and studies in the areas of violence, abuse, and victims, rights. It focuses on the emerging issues and policies in the fields of victim rights and crime prevention. New 3 Part organization with the more common victimizing crimes first, followed by responses to victimizations, and then newer issues and types of victimizations in Part 3. There is a new chapters on human trafficking and cyber crime. There is a major expansion of the human services response and school victimizations. It is updated throughout with new data and research.
A powerful, bracing and deeply spiritual look at intensely, troubled youth, Last Chance in Texas gives a stirring account of the way one remarkable prison rehabilitates its inmates. While reporting on the juvenile court system, journalist John Hubner kept hearing about a facility in Texas that ran the most aggressive–and one of the most successful–treatment programs for violent young offenders in America. How was it possible, he wondered, that a state like Texas, famed for its hardcore attitude toward crime and punishment, could be leading the way in the rehabilitation of violent and troubled youth? Now Hubner shares the surprising answers he found over months of unprecedented access to the Giddings State School, home to “the worst of the worst”: four hundred teenage lawbreakers convicted of crimes ranging from aggravated assault to murder. Hubner follows two of these youths–a boy and a girl–through harrowing group therapy sessions in which they, along with their fellow inmates, recount their crimes and the abuse they suffered as children. The key moment comes when the young offenders reenact these soul-shattering moments with other group members in cathartic outpourings of suffering and anger that lead, incredibly, to genuine remorse and the beginnings of true empathy . . . the first steps on the long road to redemption. Cutting through the political platitudes surrounding the controversial issue of juvenile justice, Hubner lays bare the complex ties between abuse and violence. By turns wrenching and uplifting, Last Chance in Texas tells a profoundly moving story about the children who grow up to inflict on others the violence that they themselves have suffered. It is a story of horror and heartbreak, yet ultimately full of hope.
"Concern for the victims of crime first emerged with the formation of the Criminal Injuries Compensation Board in 1964. This has continued with the increase in crime rates since the 1970s and 1980s and in the aftermath of a number of high profile trials. In this book Sandra Walklate offers an introduction to the key theoretical, methodological and substantive issues in victimology and criminal victimization. She situates the contemporary preoccupation with criminal victimization within the broader social and cultural changes of the last twenty-five years. Written in the context of post-September 11, and alongside the events in Madrid of 2004 and London in July 2005, it questions who can be considered a victim of crime and what the response to such victimization might look like." -- BOOK JACKET.
In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W.E.B. DuBois famously termed "the problem of the color line." A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: "we had to establish means for their control. Hence came the penitentiary." Such rampant racism contributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America's national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study.
"Seconds passed; minutes. She could hear movement now in the waiting room she had just left...it was the metal magazine rack she was sure, that crashed to the tile floor. Then quiet. She strained to hear in the darkness. Nothing more, and then... The air moved in the room and she knew. He was here." As a young psychology student, Hailey Dean's world explodes when Will, her fianc, is murdered just weeks before their wedding. Reeling, she fights back the only way she knows how: In court, prosecuting violent crime . . . putting away the bad guys one rapist, doper, and killer at a time. But dedicating her life to justice takes a toll after years of courtroom battles and the endless tide of victims calling out from crime scene photos and autopsy tables. Just as she grows truly weary, a serial killer unlike any other she's encountered begins to stalk the city of Atlanta, targeting young prostitutes, each horrific murder bearing his own unique mark. This courtroom battle will be her last. Hailey heads for Manhattan to pick up the pieces of the life she had before Will's murder, training as a therapist. In a vibrant new world, she finally leaves her ghosts behind. But then her own clients are brutally murdered one by one by a copycat using the same M.O. as the Atlanta killer she hunted down years before. As the body count rises across Manhattan, Hailey is forced to match wits not only against a killer, but the famed NYPD. Unless she returns to her former life and solves the case, still more innocent people will die at the hands of a killer who plans to get her, before she can get him!
This year more than 20 million Americans will become victims of crime. Very few will get the help they need to get their lives back on track. Parallel Justice for Victims of Crime presents a new approach, designed to help victims rebuild their lives now being piloted from Vermont to California by police chiefs, prosecutors, corrections officials, victim advocates and community leaders. Drawing on more than 30 years of criminal justice experience, including almost 8 years as executive director of the National Center for Victims of Crime, author Susan Herman explains why justice for all requires more than holding offenders accountable it means addressing victims' three basic needs: to be safe, to recover from the trauma of the crime, and regain control of their lives. With guiding principles and practical examples of how to respond to victims of any kind of crime, Parallel Justice for Victims of Crime provides a roadmap for everyone who wants to pursue this new vision of justice.
In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective. The Rescue Artist is a rollicking narrative that carries readers deep inside the art underworld -- and introduces them to a large and colorful cast of titled aristocrats, intrepid investigators, and thick-necked thugs. But most compelling of all is Charley Hill himself, a complicated mix of brilliance, foolhardiness, and charm whose hunt for a purloined treasure would either cap an illustrious career or be the fiasco that would haunt him forever.