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Charity bazaars were a key method women used to intervene in political, social, and cultural affairs. Bazaar Literature reorients our understanding of Victorian social reform fiction by reading it in light of the copious amount of literature generated for charity bazaars--which shaped the social, political, and literary movements of its time.
Domestic Manners of the Americans is an entertaining, witty, and often scathing account of Trollope's travels in America between 1827 and 1832 and her criticisms of American manners, from vulgarity to the treatment of slaves. One of the most influential travel books of the century, it also speaks to political debates on equality in England.
Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.
Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.
Nineteenth-century evangelicals have often been dismissed as anti-intellectual and philistine. This book draws on periodicals, memoirs, and letters to discover how far this was true of British evangelicals between 1790 and 1833. It examines their leisure pursuits along with their enjoyment of art, music, literature, and study, and concludes that they shared the thought and taste of their contemporaries to a far greater extent than is usually acknowledged. What is more, their theology encouraged such activities. Evangelicals regarded recreations which engaged the mind or which could be pursued within the safety of the home as more concordant with spirituality than "sensual" or "worldly" pleasures. Nevertheless, their faith did militate against culture and learning. Some evangelicals dismissed all non-religious pursuits as "vanity," since their deep-rooted otherworldliness made them suspicious of anything that did not contribute to eternal well-being. A new generation adopted a more rigid attitude to the Bible, which made them unwilling to examine new ideas. In the last resort, even the most cultured evangelicals were unable to reconcile their delight in the arts with their world-denying theology.
Nineteenth-century evangelicals have often been dismissed as antiintellectual and philistine. This book draws on periodicals, memoirs and letters to discover how far this was true of British evangelicals between 1790 and 1833. It examines their leisure pursuits along with their enjoyment of art, music, literature, and study, and concludes that they shared the thought and taste of their contemporaries to a far greater extent than is always acknowledged. What is more, their theology encouraged such activities. Evangelicals regarded recreations which engaged the mind, or which could be pursued within the safety of the home, as more concordant with spirituality than 'sensual' or 'worldly' pleasures. Nevertheless, their faith did militate against culture and learning. Some evangelicals dismissed all nonreligious pursuits as 'vanity', since their deep rooted otherworldliness made them suspicious of anything which did not contribute to eternal well-being. A new generation adopted a more rigid attitude to the Bible, which made them unwilling to examine new ideas. In the last resort, even the most cultured evangelicals were unable to reconcile their delight in the arts with their world-denying theology.