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Sixty of the celebrated marine artist's paintings capture the rich heritage of the golden era of commercial sailing and the ships, steamboats, whalers, and colorful ports of nineteenth-century America
[1.] Prologue in Burma: Shooting an elephant -- A hanging -- From Burmese days -- [2.] The thirties: From Down and out in Paris and London -- How the poor die -- From A clergyman's daughter -- From Keep the aspidistra flying -- From The road to Wigan Pier -- From Homage to Catalonia -- From Coming up for air -- [3.] World War II and after: From The lion and the unicorn : socialism and the English genius -- England your England -- Rudyard Kipling -- Politics vs. literature : an examination of "Gulliver's travels"--Lear, Tolstoy and the Fool -- In defense of P.G. Wodehouse -- Reflections on Gandhi -- Second thoughts on James Burnham -- Politics and the English language -- The prevention of literature -- "I write as I please": Decline of the English murder ; Some thoughts on the common toad ; A good word for the vicar of Bray -- Why I write -- From Nineteen eighty-four -- "Such, such were the joys ..."
_____________________________________________________________________________________________ 'Deliverance is an intriguing, strangely comforting book that shines a light into a world that's little talked about' - The Mail on Sunday ___________________________________________________________________________________ I turned towards the door. It was closed, but I sensed there was something - someone - standing on the other side, staring straight at me. A prickling sensation ran through me... I was absolutely terrified, rooted to the spot and unable to breathe. His name is Jason Bray. He's your quintessential vicar: that guy in the long dress and poncho who stands at the front of the church and tells you God loves you. He's the person who will baptise your children, take your wedding, and conduct your Auntie Beryl's funeral. But then he's also the person you will call in when Auntie Beryl still keeps appearing on the landing in her nightie, or when things go bump and rattle and your shoes start moving on their own, or when you think your mother-in-law might be possessed. Jason is a deliverance minister, and this is a story of oppression and possession, of ghosts, poltergeists and other paranormal phenomena, and how to deal with them. He is the first Anglican deliverance minister to write a book about this ministry for the general reader. A warm, sympathetic and humorous character who sees it as his mission to serve the community and help families in distress, each true-life adventure is like a detective story. At times, it's a case of mental illness. At others, an energy or memory that has latched itself onto a place or property. Sometimes, he's even encountered fraud! Welcome to his world.
The recent celebration of the 350th anniversary of the 1662 Book of Common Prayer has helped to stimulate a renewed interest in its teaching and fundamental contribution to Anglican identity. Archbishop Cranmer and others involved in the English Reformation knew well that the content and shape of the services set out in the Prayer Book were vital ways of teaching congregations biblical truth and the principles of the Christian gospel. Thus the aim of this series of booklets which focus on the Formularies of the Church of England and the elements of the different services within the Prayer Book is to highlight what those services teach about the Christian faith and to demonstrate how they are also designed to shape the practice of that faith. As well as providing an account of the origins of the Prayer Book services, these booklets are designed to offer practical guidance on how such services may be used in Christian ministry nowadays. In this overview of the Book of Common Prayer, Peter Adam brings us back again and again to its emphasis on the 'very pure word of God', setting the gold standard and hallmark of all our liturgy. Peter Adam served as Vicar of St Jude's Carlton, and as Principal of Ridley College in Melbourne Australia. He is currently Vicar Emeritus of St Jude's, and Canon of St Paul's Cathedral Melbourne.
In the fifty years between 1530 and 1580, England moved from being one of the most lavishly Catholic countries in Europe to being a Protestant nation, a land of whitewashed churches and antipapal preaching. What was the impact of this religious change in the countryside? And how did country people feel about the revolutionary upheavals that transformed their mental and material worlds under Henry VIII and his three children? In this book a reformation historian takes us inside the mind and heart of Morebath, a remote and tiny sheep farming village on the southern edge of Exmoor. The bulk of Morebath’s conventional archives have long since vanished. But from 1520 to 1574, through nearly all the drama of the English Reformation, Morebath’s only priest, Sir Christopher Trychay, kept the parish accounts on behalf of the churchwardens. Opinionated, eccentric, and talkative, Sir Christopher filled these vivid scripts for parish meetings with the names and doings of his parishioners. Through his eyes we catch a rare glimpse of the life and pre-Reformation piety of a sixteenth-century English village. The book also offers a unique window into a rural world in crisis as the Reformation progressed. Sir Christopher Trychay’s accounts provide direct evidence of the motives which drove the hitherto law-abiding West-Country communities to participate in the doomed Prayer-Book Rebellion of 1549 culminating in the siege of Exeter that ended in bloody defeat and a wave of executions. Its church bells confiscated and silenced, Morebath shared in the punishment imposed on all the towns and villages of Devon and Cornwall. Sir Christopher documents the changes in the community, reluctantly Protestant and increasingly preoccupied with the secular demands of the Elizabethan state, the equipping of armies, and the payment of taxes. Morebath’s priest, garrulous to the end of his days, describes a rural world irrevocably altered and enables us to hear the voices of his villagers after four hundred years of silence.
Roses, pleasure and politics: a fresh take on Orwell as an avid gardener, whose political writing was grounded in his passion for the natural world. 'I loved this book... An exhilarating romp through Orwell's life and times' Margaret Atwood 'Expansive and thought-provoking' Independent Outside my work the thing I care most about is gardening - George Orwell Inspired by her encounter with the surviving roses that Orwell is said to have planted in his cottage in Hertfordshire, Rebecca Solnit explores how his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power. Following his journey from the coal mines of England to taking up arms in the Spanish Civil War; from his prescient critique of Stalin to his analysis of the relationship between lies and authoritarianism, Solnit finds a more hopeful Orwell, whose love of nature pulses through his work and actions. And in her dialogue with the author, she makes fascinating forays into colonial legacies in the flower garden, discovers photographer Tina Modotti's roses, reveals Stalin's obsession with growing lemons in impossibly cold conditions, and exposes the brutal rose industry in Colombia. A fresh reading of a towering figure of the 20th century which finds solace and solutions for the political and environmental challenges we face today, Orwell's Roses is a remarkable reflection on pleasure, beauty, and joy as acts of resistance. 'Luminous...It is efflorescent, a study that seeds and blooms, propagates thoughts, and tends to historical associations' New Statesman 'A genuinely extraordinary mind, whose curiosity, intelligence and willingness to learn seem unbounded' Irish Times