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Excerpt from The Venus of Milo: Its Discovery, the Theories Concerning It, Its Subsequent History There were also near the spot, ancient tombs that had been hollowed in the rocks of the moun tain side; so that from the sequel we have every reason to suppose that Georges, although a peas ant, had ever ih his mind the expectation of some day finding that which would repay his labor far better than years of toil, as a till-er of the Soil. If it was so his time had at last arrived. He continued his excavations until he reached a wall and opened to view the top of a niche, which he explored for some seven or eight feet below the surface of the earth. There was this statue, in several pieces, and mixed with them three heads, or hermae, one of Bacchus, one of Mercury, and one of Hercules. Although the peasant was ignorant of the value of his discovery, he never theless knew that this was for him a prize worth. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work examines four Latin American writers--Jorge Luis Borges, Juan Rulfo, Cesar Vallejo, and Ricardo Piglia--in the context of their respective national cultural traditions. The author proposes that a consideration of tragedy affords new ways of understanding the relation between literature and the modern Latin American nation-state. As an interpretive index, this tragic attunement sheds new light on both the foundational works of modern Latin American literature and the counter-foundational literary critiques of modernization and nation-building. Topics include Borges's short story "El Sur" in relation to the Argentine "civilization and barbarism" debate, Juan Rulfo's novella "Pedro Paramo in the context of post-revolutionary reflection on national identity in Mexico, and the lyric poetry of Cesar Vellajo's "Trilce. The reading is based on a juxtaposition of aporetically incompatible terms: mourning, the avant-garde, and Andean indigenism or messianism. The final section of the book investigates two novels by Ricardo Piglia, "Respiracion artificial and "La ciudad ausente, in the dual context of dictatorship and the market. Piglia's writing both echoes and marks a limit for tragedy as an interpretive paradigm.
In the spring of 1820, on the Aegean island of Melos, an unsuspecting farmer was digging for marble building blocks when he unearthed the statue that would come to be known as the Venus de Milo. From the moment of its discovery a battle for possession ensued and was won, eventually, by the French. Touted by her keepers in the Louvre as the great classical find of the era, the sculpture gained instant celebrity–and yet its origins had yet to be documented or verified. From the flurry of excitement surrounding her discovery, to the raging disputes over her authenticity, to the politics and personalities that have given rise to her mystique, Gregory Curtis has given us a riveting look at the embattled legacy of a beloved icon and a remarkable tribute to one of the world’s great works of art.