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The author of Empire of the Sun and other acclaimed novels and stories, British science fiction writer J. G. Ballard is here given a penetrating analysis, his work being explored in terms of its internal coherence, its continuity and development, and its mythic and metaphysical aspects. Ballard's fiction is widely considered to be a critique of our secular, rational, technological culture, but this study departs from earlier ones that label him a fatalistic or nihilistic writer obsessed with entropy, devolution, and dissolution in showing him, instead, to be most deeply concerned with the redemption and regeneration of the human psyche. With Ballard's focus so much on visionary perception and mystical transcendence, Gregory Stephenson argues for his placement in the Romantic visionary tradition. A comprehensive examination of Ballard's work, this study traces his output and accomplishments over four decades, exploring their thematic development. Ballard is considered in relation to a number of British and American writers of the post-World War II era--within and beyond the often too-rigidly applied categorization of science fiction, as well as to poets and novelists of the past.
Peter Brigg examines the life and work of British author J.G. Ballard, from his science fiction to his mainstream fiction. Starmont Reader's Guide 26.
You can run, but you can't hide... The thinking outdoorsman's handbook to the heebie-jeebies, this third volume of our Campfire Collection gathers thirteen terrifying tales of alien abductions, encounters, and freakish forays into the unknown. Perfect to read aloud around a fire or in the comfort and "relative safety" of a cozy armchair, Thrilling, Chilling Tales of Alien Encounters offers stories from such masters of fright as Stephen King, Philip K. Dick, Damon Knight, and more. Designed with rounded corners, a durable cover, and large type for easy reading by campfire or flashlight, this rugged companion is more than trail-ready for any excursion. With an unnerving introduction by Michael Berry, science fiction and fantasy book reviewer for the San Francisco Chronicle, this creepy collection confirms that sinking feeling that something is just...not...quite...right....
Named a Best Book of the Year by the Washington Post, the Boston Globe, the Los Angeles Times, and the San Francisco Chronicle A collection of 98 enthralling and pulse-quickening stories, spanning five decades, venerates the remarkable imagination of J. G. Ballard. With a body of work unparalleled in twentieth-century literature, J. G. Ballard is recognized as one of the greatest and most prophetic writers in the world. With the much-hailed release of The Complete Stories of J. G. Ballard, readers now have a means to celebrate the unmatched range and mesmerizing cadences of a literary genius. Whether writing about musical orchids, human cannibalism, or the secret history of World War III, Ballard's Complete Stories evokes the hallucinations of Kafka and Borges in its ability to render modern paranoia and fantastical creations on the page. Includes the story "The Garden of Time," the inspiration for the 2024 Met Gala Dress code.
"[A] chilling . . . tale about humans who gamely follow their own worst instincts.”—Chicago Tribune Led by a charismatic and slightly unhinged woman, a group of environmentalists wrest control over a small South Pacific island in hopes of cultivating it into their own private Eden. But paradise is not quite what it seems in this “searing” (Kirkus Reviews) send-up of environmentalism, feminism, and extremism of all sorts.
First published in 1978, this collection of nineteen of J. G. Ballard's best short stories is as timely and informed as ever. This collection includes “The Garden of Time,” the inspiration for the 2024 Met Gala–fashion’s biggest night. His tales of the human psyche and its relationship to nature and technology, as viewed through a strong microscope, were eerily prescient and now provide greater perspective on our computer-dominated culture. Ballard's voice and vision have long served as a font of inspiration for today's cyber-punks, the authors and futurists who brought the information age into the mainstream.
Presenting highlights from five years of the field journal Digital Creativity , this volume republishes twenty-seven contributions from international artists and scientists.
Aliens, flying saucers, ESP, the Bermuda Triangle, antigravity ... are we talking about science fiction or pseudoscience? Sometimes it is difficult to tell the difference. Both pseudoscience and science fiction (SF) are creative endeavours that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. Yet like SF, and unlike real science, pseudoscience is driven by a desire to please an audience – in this case, people who “want to believe”. This has led to significant cross-fertilization between the two disciplines. SF authors often draw on “real” pseudoscientific theories to add verisimilitude to their stories, while on other occasions pseudoscience takes its cue from SF – the symbiotic relationship between ufology and Hollywood being a prime example of this. This engagingly written, well researched and richly illustrated text explores a wide range of intriguing similarities and differences between pseudoscience and the fictional science found in SF. Andrew May has a degree in Natural Sciences from Cambridge University and a PhD in astrophysics from Manchester University. After many years in academia and the private sector, he now works as a freelance writer and scientific consultant. He has written pocket biographies of Newton and Einstein, as well as contributing to a number of popular science books. He has a lifelong interest in science fiction, and has had several articles published in Fortean Times magazine