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The Venus FlawMurder and corruption in the Maltese government combine with the concealment of a horrific secret in a minefield of intrigue and violence.When Dan and Wendy Griffin find a cave full of prehistoric artwork on the coast of Malta they are plunged into a living nightmare. Someone is trying to keep something hidden, but who? And what?Unable to trust the police or the British Embassy and with no clues other than the cave itself and the fact that one of the men trying to keep them from it works for the National Security Service, they must try to figure out what is going on before one or both of them are killed. The Venus Flaw was inspired by the mysterious events that have plagued Maltese archaeology since the early 1950s. Theft, lies, violence and vandalism, have been integral to a campaign of misinformation that has reached all the way to the top levels of government. Such a concerted and extensive campaign strongly suggests that something is being hidden. But what? Why are archaeologists being discouraged from the island and the public from its caves? And, with these often illegal activities being instigated when Malta was still well and truly a part of the British Empire, who is behind it all?
In 1976 Gelya Frank began writing about the life of Diane DeVries, a woman born with all the physical and mental equipment she would need to live in our society--except arms and legs. Frank was 28 years old, DeVries 26. This remarkable book--by turns moving, funny, and revelatory--records the relationship that developed between the women over the next twenty years. An empathic listener and participant in DeVries's life, and a scholar of the feminist and disability rights movements, Frank argues that Diane DeVries is a perfect example of an American woman coming of age in the second half of the twentieth century. By addressing the dynamics of power in ethnographic representation, Frank--anthropology's leading expert on life history and life story methods--lays the critical groundwork for a new genre, "cultural biography." Challenged to examine the cultural sources of her initial image of DeVries as limited and flawed, Frank discovers that DeVries is gutsy, buoyant, sexy--and definitely not a victim. While she analyzes the portrayal of women with disabilities in popular culture--from limbless circus performers to suicidal heroines on the TV news--Frank's encounters with DeVries lead her to come to terms with her own "invisible disabilities" motivating the study. Drawing on anthropology, philosophy, psychoanalysis, narrative theory, law, and the history of medicine, Venus on Wheels is an intellectual tour de force.
A novel of extraordinary power from a writer to watch. In a small flat in London, a young man is turning to gold. But before he dies, before his skin and eyes and tongue harden into a golden death mask, he wants to share the amazing story of his life. Born and raised on the barren Orkney Islands off the coast of Scotland, his childhood is a brutal one, devoid of tenderness. It is a miracle when he meets Tracy, falls in love, and discovers his true gift: the merest touch of him is enough to induce visions of angels and orchids. The physical heights he is able to reach-and to which he can bring others-go far beyond any normal sensual pleasure. Armed with this inexplicable talent, he makes his way to London, where he falls in with a group of teens forced to make a living on the street. Luke Sutherland's modern-day myth about the power of love veers from stratosphere to gutter, from visions of heaven to the all-too-mortal yearning for even one glimpse of it. With Venus as a Boy Sutherland has written a moving, poetic novel that manages to imbue the harsh realities of life on the street with a mesmerizing and ethereal beauty.
Winner of the Katherine Anne Porter Prize in Short Fiction, 2012. The short stories in this rich debut collection embody in their complexity Alice Munro's description of the short story as "a world seen in a quick, glancing light." In chiseled and elegant prose, Lieberman conjures wildly disparate worlds. A middle aged window washer, mourning his wife and an estranged daughter, begins to grow attached to a young woman he sees through the glass; a writer, against his better judgment, pursues a new relationship with a femme fatale who years ago broke his heart; and the daughter of a Holocaust survivor struggles with the delicate decision of whether to finally ask her aging mother how it was that she survived. It is all here--the exigencies of love, of lust, the raw, unlit terrain of grief. Whether plumbing the darker depths or casting a humorous eye on a doomed relationship, these stories never force a choice between tragedy and redemption, but rather invite us into the private moments and crucibles of lives as hungry and flawed as our own.
The final battle . . . Aphrodite is in big trouble this time. She's stranded on the island of the DAMNED--without powers and without her beloved Ares. Worse, she knows it's only a matter of time before the demigods figure out she's a goddess. If that happens, she'll wish she were dead. Help arrives in the form of an unlikely ally. But Medea has her own demands, and if Aphrodite wants to survive--not to mention find Hades and the weapons cache--she has to meet them. But all their plans take a back seat when they find themselves in even more pressing danger. When Medea moved the island, she rendered it unstable. Now it's breaking apart and sinking. In the chaos, the demigods have risen up, blaming the gods for their misfortune. Nobody is safe from the demigods . . . especially a Pantheon sympathizer like Aphrodite. And they've come up with a deadly test to uncover any imposters. Aphrodite knows she can't do this alone. It will take the whole Pantheon to get her out of this mess. Unfortunately, they'll have to find her first . . . Kaitlin Bevis spent her childhood curled up with a book and a pen. If the ending didn't agree with her, she rewrote it. Because she's always wanted to be a writer, she spent high school and college learning everything she could to achieve that goal. After graduating college with a BFA and Masters in English, Kaitlin went on to write The Daughters of Zeus series.
In this riveting, heartfelt debut, a young woman assumes a new name to escape her dark past and find the redemption she desperately seeks. “It’s impossible not to root for this strong, willful girl as she finds her place in the world and for her brother as he tries to make sense of it.”—Kirkus Reviews “Charming, touching, and a host of other adjectives not often associated with a murderous thirteen-year-old.”—Booklist Venus Black is a straitlaced A student fascinated by the study of astronomy—until the night she commits a shocking crime that tears her family apart and ignites a media firestorm. Venus refuses to talk about what happened or why, except to blame her mother. Adding to the mystery, Venus’s developmentally challenged younger brother, Leo, goes missing. More than five years later, Venus is released from prison with a suitcase of used clothes, a fake identity, and a determination to escape her painful past. Estranged from her mother, and with her beloved brother still missing, she sets out to make a fresh start in Seattle, skittish and alone. But as new people enter her orbit—including a romantic interest and a young girl who seems like a mirror image of her former lost self—old wounds resurface, and Venus realizes that she can’t find a future while she’s running from her past. In this gripping story, debut novelist Heather Lloyd brilliantly captures ordinary lives thrust into extraordinary circumstances. Told through a constellation of captivating voices, My Name Is Venus Black explores the fluidity of right and wrong, the pain of betrayal, and the meaning of love and family. Praise for My Name Is Venus Black “Fans of realistic coming-of-age fiction will enjoy Lloyd’s fast-paced first novel for the freshly drawn original characters, compelling story line, and beautiful tribute to the healing power of love. It’s bound to have crossover appeal to older YA readers.”—Library Journal “A dark but ultimately uplifting story about family, love, and forgiveness, and how to find your place in the world, My Name Is Venus Black is a powerful debut novel from a fresh voice in fiction.”—New York Times bestselling author Sarah Jio
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Venus: “After a few centuries of turning pumpkins into coaches and frogs into princes, I thought I was getting the hang of being a fairy godmother. Maybe soon Zeus would let me back onto Mount Olympus . . . then I met Rachel Greer. A goody-two-shoes do-gooder who ignored my advice—terrific advice, if I do say so myself—about men. And kept nagging me for spending too much time in the bathroom when everyone knows a goddess always needs to look her best. Rachel: “I had a decent job, friends, a loving family. My volunteer work, as a mentor for young women and a dog-walker at the local shelter, kept me hopping. Then this amazingly beautiful woman, who literally turns heads—men walk into walls when she passes by—announces she’s my fairy godmother, here to help me fall in love! Next thing I know, she’s moved into my apartment and kicked me out of my own bedroom. Of course I thought she was nuts . . . until the magic started to happen.”
The discovery of a 25,000-year-old archaeological treasure, a rekindled romance, and a suspicious suicide send Toronto antiques dealer Lara McClintoch on a quest to the city of Budapest. Reprint.
The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.