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"The vengeance of mothers" explores the bonds among family and community, the search for identity and belonging, during a time of tumultous change in our nation's history. What is a "native" American? Are all men and their wives created equal? How far wil Margaret and her countrywomen go to fight for what's theirs, and what's already gone?
Strongheart is the final installment to the One Thousand White Women trilogy, a novel about fierce women who are full of heart and the power to survive. In 1873, a Cheyenne chief offers President Grant the opportunity to exchange one thousand horses for one thousand white women, in order to marry them with his warriors and create a lasting peace. These women, "recruited" by force in the penitentiaries and asylums of the country, gradually integrate the way of life of the Cheyenne, at the time when the great massacres of the tribes begin. After the battle of Little Big Horn, some female survivors decide to take up arms against the United States, which has stolen from the Native Americans their lands, their way of life, their culture and their history. This ghost tribe of rebellious women will soon go underground to wage an implacable battle, which will continue from generation to generation. In this final volume of the One Thousand White Women trilogy, Jim Fergus mixes with rare mastery the struggle of women and Native Americans in the face of oppression, from the end of the 19th century until today. With a vivid sense of the 19th century American West, Fergus paints portraits of women as strong as they are unforgettable.
Based on an actual historical event but told through fictional diaries, this is the story of May Dodd—a remarkable woman who, in 1875, travels through the American West to marry the chief of the Cheyenne Nation. One Thousand White Women begins with May Dodd’s journey into an unknown world. Having been committed to an insane asylum by her blue-blood family for the crime of loving a man beneath her station, May finds that her only hope for freedom and redemption is to participate in a secret government program whereby women from “civilized” society become the brides of Cheyenne warriors. What follows is a series of breathtaking adventures—May’s brief, passionate romance with the gallant young army captain John Bourke; her marriage to the great chief Little Wolf; and her conflict of being caught between loving two men and living two completely different lives. “Fergus portrays the perceptions and emotions of women...with tremendous insight and sensitivity.”—Booklist “A superb tale of sorrow, suspense, exultation, and triumph.” —Winston Groom, author of Forrest Gump
From the award-winning author of One Thousand White Women, a novel in the tradition of Little Big Man, tracing one man's search for adventure and the wild Apache girl who invites him into her world When Ned Giles is orphaned as a teenager, he heads West, hoping to leave his troubles behind. He joins the 1932 Great Apache Expedition on their search for a young boy, the son of a wealthy Mexican landowner, who was kidnapped by wild Apaches. But the expedition's goal is complicated when they encounter a wild Apache girl in a Mexican jail cell, victim of a Mexican massacre of her tribe that has left her orphaned and unwilling to eat or speak. As he and the expedition make their way through the rugged Sierra Madre mountains, Ned's growing feelings for the troubled girl soon force him to choose allegiances and make a decision that will haunt him forever. In this novel based on historical fact, Jim Fergus takes readers on a journey of magnificent sweep and heartbreaking consequence peopled with unforgettable characters. With prose so vivid that the road dust practically rises off the page, The Wild Girl is an epic novel filled with drama, peril, and romance, told by a master. This is the novel your reading group will be talking about long past your discussion!
Emotional support for those wishing to overcome an alcoholic mother's destructive influences and create a happy, fulfilled life.
My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?
NOW A MAJOR TV SERIES The electrifying, untold story of the women born into the most deadly and obscenely wealthy of the Italian mafias – and how they risked everything to bring it down. The Calabrian Mafia—known as the ’Ndrangheta—is one of the richest and most ruthless crime syndicates in the world, with branches stretching from America to Australia. It controls seventy percent of the cocaine and heroin supply in Europe, manages billion-dollar extortion rackets, brokers illegal arms deals—supplying weapons to criminals and terrorists—and plunders the treasuries of both Italy and the European Union. The ’Ndrangheta’s power derives from a macho mix of violence and silence—omertà. Yet it endures because of family ties: you are born into the syndicate, or you marry in. Loyalty is absolute. Bloodshed is revered. You go to prison or your grave and kill your own father, brother, sister, or mother in cold blood before you betray The Family. Accompanying the ’Ndrangheta’s reverence for tradition and history is a violent misogyny among its men. Women are viewed as chattel, bargaining chips for building and maintaining clan alliances and beatings—and worse—are routine. In 2009, after one abused ’Ndrangheta wife was murdered for turning state’s evidence, prosecutor Alessandra Cerreti considered a tantalizing possibility: that the ’Ndrangheta’s sexism might be its greatest flaw—and her most effective weapon. Approaching two more mafia wives, Alessandra persuaded them to testify in return for a new future for themselves and their children. A feminist saga of true crime and justice, The Good Mothers is the riveting story of a high-stakes battle pitting a brilliant, driven woman fighting to save a nation against ruthless mafiosi fighting for their existence. Caught in the middle are three women fighting for their children and their lives. Not all will survive.
She can be anyone you want her to be. Vivian was raised with one purpose in life: to exact revenge on behalf of her mother. Manipulative and cruel, Mother has deprived Vivian not only of a childhood, but of an original identity. With an endless arsenal of enticing personalities at her disposal, Vivian is a veritable weapon of deception. And she can destroy anyone. When it’s time to strike, she enrolls in a boarding school on the English moors, where she will zero in on her target: sweet and innocent Ben, the son of the man who broke Mother’s heart twenty years ago. Anyone…except for the woman who created her. With every secret she uncovers, Vivian comes one step closer to learning who she really is. But the more she learns about herself, the more dangerous this cat and mouse game becomes. Because Mother will stop at nothing to make sure the truth dies with her.
"Chilling...this terrific novel is...propelled by an iron-tight plot that becomes increasingly tense." --New York Times Book Review "It’s a nerve-shredding, emotionally harrowing ride. Don’t miss it.” —Megan Abbott, New York Times bestselling author The USA Today bestselling and Edgar Award–winning author of Never Look Back and If I Die Tonight asks how far a grieving mother will go to right a tragic wrong in this propulsive novel of psychological suspense. Camille Gardener is a grieving—and angry—mother who, five years after her daughter’s death, is still obsessed with the privileged young man she believes to be responsible. When her rash actions draw the attention of a secret group of women—the collective— Camille is drawn into a dark web where these mothers share their wildly different stories of loss as well as their desire for justice in a world where privilege denies accountability. Fueled by mutual rage, the collective members devise and act out retribution fantasies via precise, anonymous, highly coordinated revenge killings. As Camille struggles to comprehend whether this is a role-playing exercise or terrifying reality, she must decide if these women are truly avenging angels or monsters. Becoming more deeply enmeshed in the group, Camille learns truths about the collective—and about herself—that she may not be able to survive
“A juice box of suburban satire laced with Alfred Hitchcock” (The Washington Post)—a novel of art, motherhood, and the intensity of female friendships, set in the posh hills above Los Angeles, from the New York Times bestselling author of California NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • The Boston Globe • San Francisco Chronicle • New York Observer • Huffington Post • The Millions • Nylon • Vulture • Bustle High in the Hollywood Hills, Lady Daniels has separated from her husband. She’s going to need help with their toddler son if she’s going to finish the memoir she can’t stand writing. From a Craigslist ad, she hires S, a magnetic young artist, to live in the guesthouse behind the pool, take care of Lady’s young son, and keep an eye on her older, teenage one. S performs her job beautifully and quickly draws the entire family into her orbit—but she isn’t exactly who she seems. As Lady and S grow closer, old secrets and new betrayals come to light, jeopardizing what they hold most dear. Praise for Woman No. 17 “Woman No. 17 is propulsive and moving, and considers vital questions with empathy and sly intelligence. . . . A winning novel. ”—The New York Times Book Review “Lepucki’s exploration of personal relationships takes on an increasingly noirish tone: Much like Chekhov’s gun, a swimming pool introduced early in the book takes on the shadows of a floating body long before the reader realizes this might be a possibility.”—Elle “Edan Lepucki’s Woman No. 17 is part family melodrama, part twisty self-reflection. . . . Very funny.”—GQ “While Woman No. 17 does possess all the trappings of a frothy page-turner—stormy arguments, showy melodrama, and (oops!) an affair—there are some quiet, serious moments, too. It’s the intersection between the two that makes this read both scintillating and thought-provoking.”—San Francisco Chronicle