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An unhappy Mark Ravenshaw lives with his parents and still smarts from a disastrous love affair. But he finds reprieve in an offer to work in Venice for his Uncle Jem, a respected art and antiquities dealer. Mark falls instantly under the city's spell, but is tormented by desire for Uncle Jem's young assistant, Piero ... who also shares Jem's bed. Mark soon finds himself obsessed by the amoral, beautiful Piero. Not even a sexual entanglement with Bruno, a former lover of Uncle Jem's, can assuage his longing. Unfortunately his beloved uncle stands in the path of Mark's desire. But for how long?
In 1203, the relative peace of the Byzantine Empire is imperiled when the ships of the Fourth Crusade show up outside the walls of Constantinople. Instead of traveling to the Holy Land to battle the infidels, the Crusade, having sailed out of Venice, has been subverted and is now besieging the city. The jester known as Feste, his wife Viola, and their compatriots within the city are faced with catastrophe as the peace the Fool's Guild has worked so hard to maintain is about to be shattered. With such a disaster looming, the death of one silk merchant in the Venetian Quarter of Constantinople seems insignificant. But Philoxenites, the Imperial Treasurer and one of the most power schemers at court, has taken a special interest in the case and wants Feste to investigate Venetian merchant's death. The merchant, of course, was not what he appeared to be and, if Constantinople is to have any hope of surviving the troops outside its gates, Feste must quickly uncover what forces were at work when the merchant lost his life.
It's the beginning of the 20th century; the age of scientific progress. But for Venice the future looks bleak. A conference of scientists assembles to address the problems, among whose delegates are the parents of twelve-year-old Teodora. Within days of her arrival, she is subsumed into the secret life of Venice: a world in which salty-tongued mermaids run subversive printing presses, ghosts good and bad patrol the streets and librarians turn fluidly into cats. A battle against forces determined to destroy the city once and for all quickly ensues. Only Teo, the undrowned child who survived a tragic accident as a baby, can go 'between the linings' to subvert evil and restore order.
Teodora has always longed to visit Venice, and at last she has her chance. But strange and sinister things are afoot in the beautiful floating city. Teo is quickly subsumed into a secret world in which salty-tongued mermaids run subversive printing presses, ghosts good and bad patrol the streets, statues speak, rats read, and librarians fluidly turn into cats. And where a book, The Key to the Secret City, leads Teo straight into the heart of the danger that threatens to destroy the city to which she feels she belongs. An ancient proverb seems to unite Teo with a Venetian boy, Renzo, and with the Traitor who has returned from the dark past to wreak revenge. . . . But who is the Undrowned Child destined to save Venice?
From the award-winning and bestselling author of Feed comes a raucous and slyly funny adult fiction debut. Based on a bizarre but true quest to steal the mystical corpse of a long-dead saint, Nicked is a fantastical, genre-defying, and delightfully queer historical romp "Miracles, marvels, saints, sinners, love, plague, and treachery! M. T. Anderson has laid out a medieval feast of a novel, stuffed with everything I could have wished for. If I could canonize him for it, I would. But I’ll settle for shouting about how much I love this book."—Kelly Link, author of The Book of Love "M. T. Anderson is one of our greatest and most precious voices. His books aren't just brilliantly witty and vastly entertaining, they're fixed stars of wisdom and sanity in our increasingly unhinged universe. When lost, I use them to steer by."—Lev Grossman, author of The Magicians Trilogy The year is 1087, and a pox is sweeping through the Italian city of Bari. When a lowly monk is visited by Saint Nicholas in his dreams, he interprets the vision as a call to serve the sick. But his superiors, and the power brokers they serve, have different plans for the tender-hearted Brother Nicephorus. Enter Tyun, a charismatic treasure hunter renowned for “liberating” holy relics from their tombs. The seven-hundred-year-old bones of Saint Nicholas are rumored to weep a mysterious liquid that can heal the sick, Tyun says. For the humble price of a small fortune, he will steal the bones and deliver them to Bari, curing the plague and restoring glory to the fallen city. And Nicephorus, the “dreamer,” will be his guide. What follows is a heist for the ages, as Nicephorus is swept away on strange tides, and alongside even stranger bedfellows, to commit sacrilegious theft. Based on real historical accounts, Nicked is a swashbuckling saga, a medieval novel noir, a meditation on the miraculous, and a monastic meet-cute, filled with wide-eyed wonder at the world that awaits beyond our own borders.
Shakespeare's Boys: A Cultural History offers the first extensive exploration of boy characters in Shakespeare's plays, examining a range of characters from across the Shakespearean canon in their original early modern contexts and surveying their subsequent performance histories on stage and screen from the Restoration until the present day.
The newest novel by the acclaimed author/illustrator of the Griffin & Sabine trilogy is part love story, part mystery, and part ghostly tale--an altogether bewitching brew of sensualtiy and lost treasures. A young woman's obsession with a drawing of Shiva, the Hindu god, leads to a curious job offer: to find the few remaining pieces of a 15-th century adventurer's renowed collection of Indian sculptures. 90+ color illustrations.
Previous studies of William Carlos Williams have tended to look only for the literary echoes in his verse. According to Bram Dijkstra, the new movements in the visual arts during the 1920s affected Williams's work as much as, if not more than, the new writing of the period. Dijkstra catches the excitement of this period of revolutionary art, reveals the interactions between writers and painters, and shows in particular the specific and general impact this world had on Williams's early writings.