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The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched. EXCERPT In 1966, some studios, like Abbey Road, had technicians in white lab coats, and even the less formal studios usually had actual engineering graduates behind the consoles. Studios were still more about science than art. Clients who dared make technical suggestions were treated with bemusement, derision, or hostility. The Velvets were a young band under constant critical attack, and the pressure to conform in order to gain acceptance must have been tremendous. Most bands of that era compromised with their record companies, through wholesale revamping of their image from wardrobe to musical style, changing or omitting lyrics, creating drastically edited versions for radio airplay, or eliminating songs entirely from their sets and records. With Andy Warhol in the band's corner, such threats were minimized.
Swingers and swappers, strippers and streetwalkers, sadists, masochists, and sexual mavericks of every persuasion; all are documented in this legendary expose of the diseased underbelly of '60s American society. The legendary sexology book that lent its name to the seminal New York rock'n'roll group THE VELVET UNDERGROUND, led by Lou Reed, whose songs were to mirror its themes of depravity and social malaise. Subjects range from mail-order pornography and prostitution to bondage and SM parties, orgies, and clandestine sex clubs. In 1966 the book was picked up on by Lou Reed, a young New York musician who had just formed a band, The Falling Spikes. Reed immediately changed the band's name to The Velvet Underground, became Andy Warhol's house band, wrote a raft of songs based on sleaze and the demi-monde, and the rest is history...
Compiled from archival ephemera, unpublished photographs, films, album covers, posters, fanzines, letters, testimonies, and poems, this monograph gathers anew the Velvet Underground Experience exhibition that opened in Paris in 2016 for a US audience, recreating the sound, visual, and emotional experiences of the underground scenes in New York, where extravagances were always allowed.
A comprehensive history of the influential cult band draws on dozens of new interviews and previously undiscovered archive sources, tracing their initial lack of success before they inspired and were championed by such artists as David Bowie. Original.
A musical love letter from Southern California, That Lucky Old Sun continues the awe-inspiring concept album journey that Brian Wilson first began with The Beach Boys' 1966 classic, Pet Sounds & has continued to evolve during his solo career, highlighted by his 2004 critically-acclaimed Brian Wilson Presents SMiLE. The four transitional narratives, co-written with Van Dyke Parks and spoken by Wilson, offer cameos on life and the heartbeat of Los Angeles which propels the album's musical story.
'Forever Changes' may be thirty-six years old at the time of this writing, but its hermetic fusion of the personal and the political feels more relevant than ever. It speaks to the present in ways that, say, a Jefferson Airplane record never could, whatever the parallels between the late U60s and our contemporary morass.
The Velvet Underground and Nico has influenced the sound of more bands than any other album. And remarkably, it still sounds as fresh and challenging today as it did upon its release in 1967. In this book, Joe Harvard covers everything from Lou Reed's lyrical genius to John Cale's groundbreaking instrumentation, and from the creative input of Andy Warhol to the fine details of the recording process. With input from co-producer Norman Dolph and Velvets fan Jonathan Richman, Harvard documents the creation of a record which - in the eyes of many - has never been matched.
The Question-and-Answer interview was one of Andy Warhol's favorite communication vehicles, so much so that he named his own magazine after the form. Yet, never before has anyone published a collection of interviews that Warhol himself gave. I'll Be Your Mirror contains more then thirty conversations revealing this unique and important artist. Each piece presents a different facet of the Sphinx-like Warhol's ever-evolving personality. Writer Kenneth Goldsmith provides context and provenance for each selection. Beginning in 1962 with a notorious interview in which Warhol literally begs the interviewer to put words into his mouth, the book covers Warhol's most important artistic period during the '60s. As Warhol shifts to filmmaking in the '70s, this collection explores his emergence as socialite, scene-maker, and trendsetter; his influential Interview magazine; and the Studio 54 scene. In the 80s, his support of young artists like Jean-Michel Basquait, his perspective on art history and the growing relationship to technology in his work are shown. Finally, his return to religious imagery and spirituality are available in an interview conducted just months before his death. Including photographs and previous unpublished interviews, this collage of Warhol showcases the artist's ability to manipulate, captivate, and enrich American culture.
An account of the rock group Velvet Underground, tracing the band's history from its formation by John Cale and Lou Reed in the mid-1960s to its notoriety after being adopted by Andy Warhol to its ignominious end.
The Velvets straddled art and rock, changing popular music forever, and sowing the seeds for punk, grunge and thousands of countercultural four-chord wonders. The Velvet Story: How Lou Reed, Sterling Morrison, John Cale and co emerged from the New York scene, their successes and excesses and what happened to each in their solo years. Velvet Music: all there recordings plus all of Lou Reed's solo work. Velvetology includes Andy Warhol, Edie Sedgwick, David Bowie, Delmore Schwaretsz and Brian Eno and the Velvets' on screen and in New York, their influences, covers, websites and more.