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Published by CUSTOM BOOK PUBLICATIONS Classic Imprint....Against the pulsating back drop of a New York City in social and economic change, young Travis Kane struggles with his passion to be an artist painter, and the conservative demands of his strict grandfather, Barclay Kane. His mother, unable to come to terms with tragedy, has taken Travis's infant sister and abandons him, leaving their house in Gramercy Park, and Travis to be raised by the grandfather he adores. Travis enters a New York speakeasy, with a unique idea, that will change his life, leading him on an exciting journey, meeting Manhattan's privileged, studying in art in Paris and, finding his way to Broadway. Meanwhile, Lindsay Wayne's mother, seamstress, has a secret, and a passion. Her daughter will become a famous stage actress, and this is her focus.Lindsay and Travis's worlds collide. Their lives will never be the same again.
From the oyster huts of Whitstable to the music halls of Victorian London, Tipping the Velvet is the glorious first novel from this much-loved author 'Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.' A saucy, sensuous and multi-layered historical romance, Tipping the Velvet follows the glittering career of Nan King - oyster girl turned music-hall star turned rent boy turned East End 'tom'. 'Erotic and absorbing... Written with startling power' New York Times Book Review 'An unstoppable read, a sexy and picaresque romp through the lesbian and queer demi-monde of the roaries Nineties' Independent on Sunday 'Waters is an extremely confident writer, combining precise, sensuous descriptions with irony and wit' Observer
The Velvet Prison is the first instalment of The Chronicles of Samek, a boy brought into the world at the start of the 29th century, a world utterly different from our own after the Chaos. He learns to move objects and people through space, and eventually takes the fearful leap to hurl himself back through space and time.
An eerily brilliant and spooky tale of spiritualism and deception 'Now you know why you are drawn to me - why your flesh comes creeping to mine, and what it comes for. Let it creep.' From the dark heart of a Victorian prison, disgraced spiritualist Selina Dawes weaves an enigmatic spell. Is she a fraud, or a prodigy? By the time it all begins to matter, you'll find yourself desperately wanting to believe in magic. 'Refined, repressed and simmering... a delicious tale of Victorian spiritualism' Independent on Sunday 'Spooky, spellbinding, exquisitely written' Val Hennessy 'Beautifully, atmospherically written, this is a tale to thrill your very soul' Metro 'Sexy, spooky, stylish... a wonderful book' Guardian
From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world. In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her. She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed. The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the women who were their victims.
Incarceron is a prison so vast that it contains not only cells and corridors, but metal forests, dilapidated cities, and wilderness. It has been sealed for centuries, and only one man has ever escaped. Finn has always been a prisoner here. Although he has no memory of his childhood, he is sure he came from Outside. His link to the Outside, his chance to break free, is Claudia, the warden's daughter, herself determined to escape an arranged marriage. They are up against impossible odds, but one thing looms above all: Incarceron itself is alive . . .
Hawa is a child of the grinding hardship of a Palestinian refugee camp. She has had to survive the camp itself, as well as the humiliation and destruction of an abusive family life. But now, later in life, something most unexpected has happened: she has fallen in love. Velvet unfolds over a day in Hawa’s life, as she makes plans for a new beginning that may take her out of the camp. She sifts back through her memories of the past: the stories of her family, her childhood, and her beloved mentor, who invited her into the glamorous world of the rich women of Amman. This is a novel of enormous power and great beauty. Rich in detail, it tells of the women of the camp, and the joy and relief that can be captured amid repression and sorrow.