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"Concentrating on the friendship between impresario Larry Parnes, Beatles manager Brian Epstein, and showbiz solicitor David Jacobs, the book details how they shaped the Swinging 60s, along with their associates including songwriter Lionel Bart (author of the hit musical Oliver!), record producer Joe Meek, Sir Joseph Lockwood (the head of EMI), Vicki Wickham (manager of Dusty Springfield and assistant producer on the influential TV show Ready Steady Go), songwriter and record label head Norman Newell, Simon Napier-Bell (manager of Marc Bolan), Kit Lambert (manager of the Who), playwright Joe Orton, and Robert Stigwood (manager of the Bee Gees and Cream). Drawing on rare and unpublished archive material, personal diaries, and new interviews from some of the survivors of that turbulent decade, The Velvia Mafia shows how--in the period leading up to the partial decriminalisation of homosexuality and the founding of the Gay Liberation movement--LGBT professionals in the music industry were working together, supporting each other and changing history."--Publisher description
I'LL LOCK HER IN A GILDED CAGE AND THROW AWAY THE KEY. The night we met, she thought she was tasting freedom.I devoured her once and left before I even knew her name. Four months later, Bratva business leads me to the house of my enemy with one objective:Burn it down and kill everyone inside. That's exactly what I plan to do...Until I find her cowering before me.The innocent girl from the club.My beautiful caged bird. I'm not here to save her--I'm here to ruin her.But something stops me in my tracks.Something I never expected. Did she say that's my baby in her womb? GILDED CAGE is the first book in the Kovalyov Bratva duet. Artem and Esme's story will conclude in Book 2, GILDED TEARS.
In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.
LGBT musicians have shaped the development of music over the last century, with a sexually progressive soundtrack in the background of the gay community’s struggle for acceptance. With the advent of recording technology, LGBT messages were for the first time brought to the forefront of popular music. David Bowie Made Me Gay is the first book to cover the breadth of history of recorded music by and for the LGBT community and how those records influenced the evolution of the music we listen to today.
A collection of 16 stories about gay men's 'obsessions' with mobsters, hit men and shadowy spirits from the other side, delivering powerful short fiction that explores the seedier side of gay sexual adventure.
What is it about cops that so excites gay men? Could it be the buzz cut and chiseled jaw, those bulging thighs under tight blue serge, the cool mirrored glasses that reflect unbridled lust in the eyes (and other body parts) of their beholders? Maybe it’s the promise of punishment at the end of a nightstick. Perhaps it’s the sheer pleasure of transgression — of getting down and dirty with a man who’s supposed to enforce the law but seems more interested in the perp than in his crime. Hot Cops: Gay Erotic Stories explores the hotter, wilder side of these masculine icons.
The wife of a Jewish gangster describes what it is really like to be married to the mob, including competing with mob "groupies," dinner with Meyer Lansky, and watching a man bleed to death in her bedroom. Reprint. K. AB.
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
Best known for being the editor of edgy gay fiction of the Velvet Mafia Web site, Meriwether has been writing short fiction and building up a body of his own work, collected for the first time in "The Silent Hustler."
After nearly a lifetime spent in the Industry, author and fashion insider Simon Doonan is ready to let you in on a little secret: his peers in this multibillion-dollar industry are just as nutty as the denizens of your local loony bin. In The Asylum, an unabashedly hilarious collection of autobiographical essays, Doonan, the creative ambassador for Barneys New York, tells the real-life stories of glamorous madness and stylish insanity. Doonan has witnessed models unable to work for fear of ghosts, gone deep-sea fishing with a couturier pal and his jailbird companion, and watched Anna Wintour remain perfectly calm while the ceiling fell—literally—in the middle of Fashion Week. Once you start looking, he says, you’ll notice telltale signs of lunacy everywhere. Style insiders see patterns and trends in everything; they suffer from outsize personality disorders and delusions of grandeur; and of course, they have a predilection for theatrical makeup and artfully destroyed clothing. No one is more suited to the asylum than the truly die-hard fashionista—after all, eccentricity and extremism are the foundations of great style. With his gimlet eye for the absurd and a love for eccentricity, Doonan’s personal and professional stories never fail to entertain. “The David Sedaris of the style universe” (The Boston Globe) gives us the scoop on the kooky, cutthroat—but always fabulous—fashion world, and proves himself one of the sharpest humorists writing today.