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Step into a world shrouded in mystery and adventure as Ayush Agarwal takes you on an extraordinary journey through the pages of "The Veiled Tapestry: Unveiling India's Hidden Secrets." Brace yourself for a spellbinding tale that blends history, mythology, and intrigue, unveiling the enigmatic tapestry that lies at the heart of India's rich cultural heritage. In this epic story, Agarwal weaves together a captivating narrative that spans across centuries and traverses the diverse landscapes of India. From the ancient temples of Varanasi to the bustling bazaars of Old Delhi, from the magnificent palaces of Rajasthan to the serene backwaters of Kerala, every page unravels a hidden secret that intertwines the past and the present. Meet our fearless protagonist, Rajiv Sharma, an intrepid archaeologist whose insatiable curiosity drives him to uncover the truth behind the mystical tapestry. As he embarks on an expedition filled with danger and discovery, Rajiv encounters a host of fascinating characters—a wise sage with ancient knowledge, a spirited historian with a hidden agenda, and a mysterious woman whose secrets hold the key to unlocking the tapestry's power. Together, they unravel cryptic riddles, decode ancient scriptures, and navigate treacherous trials, all while racing against time to prevent a malevolent force from harnessing the tapestry's hidden powers for their nefarious purposes. Along the way, they encounter mythical creatures, encounter forgotten legends, and confront their deepest fears. "The Veiled Tapestry: Unveiling India's Hidden Secrets" is a mesmerizing tale that invites readers to embark on an unforgettable adventure. With vivid descriptions, rich cultural references, and a seamless blend of fact and fiction, Ayush Agarwal creates a literary masterpiece that celebrates the beauty of India's heritage while exploring the timeless quest for truth. Prepare to be enthralled as you traverse the ancient temples, decipher ancient prophecies, and ultimately uncover the profound secrets that lie within "The Veiled Tapestry." Get ready to lose yourself in a world where the past and present intertwine, and where the hidden secrets of India come alive with every turn of the page. Are you ready to unveil the tapestry's mysteries?
"Whispers of Midnight: The Haunted Indian Palace" takes readers on a mesmerizing journey into the heart of Rajasthan, where an ancient palace, Jagat Singh Mahal, stands as a silent witness to centuries of mysteries and tragedies. Authored by Ayush Agarwal, this captivating tale is a fusion of mystery, supernatural intrigue, and cultural richness.
"By-Ways of Bombay" by S. M. Edwardes. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Why were urban women veiled in the early 1900s, unveiled from 1936 to 1979, and reveiled after the 1979 revolution? This question forms the basis of Hamideh Sedghi's original and unprecedented contribution to politics and Middle Eastern studies. Using primary and secondary sources, Sedghi offers new knowledge on women's agency in relation to state power. In this rigorous analysis she places contention over women at the centre of the political struggle between secular and religious forces and demonstrates that control over women's identities, sexuality, and labor has been central to the consolidation of state power. Sedghi links politics and culture with economics to present an integrated analysis of the private and public lives of different classes of women and their modes of resistance to state power.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Provides insight into the lost history of the Giza Plateau and how Temple priests of the Great Pyramid preserved the evidence of life beyond death.
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