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Following the Great Economic Collapse the future looked bleak. Escalating crime, homelessness, poverty, and fear ravage the country. A new global depression has devastated every industrialized nation, leaving the entire planet crippled. This is the world John Cohen and his friends Carmen and Nosmo knew until the night of October 28, 2026. In a flash of strange emerald light the three friends are dragged into a world of powerful beings, known as the Variants. Teamed with a homeless assassin and a forgetful immortal, they soon find themselves involved in a brave new world of strange abilities, monsters, and aliens. As they try to adjust to this new life something else is stirring in the darkness. And the fate of everything hangs in the balance
Michael Drescher analyzes national mythologies in American and German literature. He focuses on processes of mythological resignification, a literary phenomenon carrying significant implications for questions of identity, democracy, and nationalism in Europe and America. Precise narratological analyses are paired with detailed, transnational readings of Hawthorne's The Scarlet Letter, Gutzkow's Wally, die Zweiflerin, Brown's Clotel, and Heine's Deutschland. Ein Wintermärchen. The study marries literature, mythology, and politics and contributes to the study of American and German literature at large.
Eurasian Philosophy and Quantum Metaphysics (Theology Reconsidered) By: Juan Valdez The science of our modern age is able to neither address nor solve our current global problems. Author Juan Valdez believes we should study humanity’s ancient wisdom and philosophy texts to develop a new intellectual paradigm that can respond and support our current needs. Eurasian Philosophy and Quantum Metaphysics (Theology Reconsidered) is an in-depth study of the origins and meanings of ancient philosophies before they were fractured into mythology and religions and attacked by modern science. Beginning with creation mythology in Eurasia through the development of philosophical thought, to the Scientific Revolution to our own modern Quantum Era, the progression – and abandonment – of ancient wisdom is carefully studied. Valdez reviews and analyzes the ancient texts themselves to understand what they truly say and not what later historians have said about them. The Indo-Aryan Vedas, the Torah, Rene Descartes’ Discourse on the Method and Principles of Philosophy, Neils Bohr’s Atomic Theory, and more, are all respectfully and critically assessed. As enlightened as we may consider ourselves, Valdez calls attention to how limited modern thought has become. By reviewing past wisdom, we can not only rediscover the roots of modern thought but place Wisdom itself at the top of intellectual pursuits. Eurasian Philosophy and Quantum Metaphysics (Theology Reconsidered) is a rich and nuanced study on how humanity has thought of itself.
This volume is the first to discuss the canon of Pope’s verse in relation to Early British Enlightenment thinking about mythology and mythography. Pope did not merely use classical (along with non-classical) mythology in his verse as a traditional, richly diverse medium through which to represent the diversity of private and civic life in his day, but he was an ambitious translator as well as refashioner of myth. It is a medium that he shapes anew and variously across all his major poems. This volume enhances appreciation of myth as a mode of apprehension as well as expression throughout Pope’s verse. In doing so it illuminates how, in early eighteenth-century Britain, understandings of what myth is and what it does were taking new directions – not least in response to Baconian thought and its legacy.
Human life is susceptible of changing suddenly, of shifting inadvertently, of appearing differently, of varying unpredictably, of being altered deliberately, of advancing fortuitously, of commencing or ending accidentally, of a certain malleability. In theory, any human being is potentially capacitated to conceive of—and convey—the chance, view, or fact that matters may be otherwise, or not at all; with respect to other lifeforms, this might be said animal’s distinctive characteristic. This state of play is both an everyday phenomenon, and an indispensable prerequisite for exceptional innovations in culture and science: contingency is the condition of possibility for any of the arts—be they dominantly concerned with thinking, crafting, or enacting. While their scope and method may differ, the (f)act of reckoning with—and taking advantage of—contingency renders rhetoricians and philosophers associates after all. In this regard, Aristotle and Blumenberg will be exemplary, hence provide the framework. Between these diachronic bridgeheads, close readings applying the nexus of rhetoric and contingency to a selection of (Early) Modern texts and authors are intercalated—among them La Celestina, Machiavelli, Shakespeare, Wilde, Fontane.
The three treatises making up this volume stand for a process of inquiry which began to take written form in the 1870s. It set out with a certain scientific principle and a certain historical purpose: the principle being that Christian origins should be studied with constant precaution against the common assumption that all myths of action and doctrine must be mere accretions round the biography of a great teacher, broadly figured by "the" Gospel Jesus; while the practical purpose was to exhibit " The Rise of Christianity, Sociologically Considered." To that end thr author was prepared to assume a primitive cult, arising in memory of a teacher with twelve disciples. But the first independent explorations, the first rigorous attempts to identify the first Jesuists, led to a series of fresh exposures of myth. " Jesus of Nazareth " turned out to be a compound of an already composite Gospel Jesus, an interposed Jesus the Nazarite, and a superimposed Jesus born at Nazareth. And none of the three aspects equated with the primary Jesus of Paul. Each in turn was, in Paul's words, " another Jesus whom we have not preached." And the Twelve Apostles were demonstrably mythical.
Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century. Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond. A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
This is the third edition of Daniel Harms' popular and extensive encyclopedia of the Cthulhu Mythos. Updated with more fiction listings and recent material, this unique book spans the years of H.P. Lovecraft's influence in culture, entertainment and fiction. The voluminous entries make The Cthulhu Mythos Encyclopedia invaluable for anyone knowledgeable about the Cthulhu Mythos and necessary for those longing to learn about the Cosmic Horrors from past and present decades. Also includes appendix about the history of H.P. Lovecraft's infamous Necronomicon.
With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants, and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering ‘savage worlds’.
Humans have long been captivated by mythology and theorized about the lessons embedded in their tales. In The Ancient Mythology of Modern Science, Gregory Schrempp brings a mythologist's critical eye to popular science writing, a flourishing genre that forms a key link between science and popular consciousness. Schrempp argues that the defining and appealing characteristic of this genre is not simplification or "dumbing-down," but the attempt to parlay scientific findings into aesthetically and morally compelling visions that offer guidance for humanity. Schrempp argues that in striving for inspirational visions, popular science invariably reproduces - with ingenious invention - the structures, strategies, and cosmic imagery that infuse traditional mythological views of the cosmos. His claim challenges the widespread tendency to separate myth and science. Schrempp considers both the intellectual history of mythography and concrete examples from world mythologies including ancient Greek, Oceanic, and Native American. Schrempp's explorations span a range of fields, including astronomy, evolutionary biology, and cognitive science. In a world informed, transformed, and sometimes mesmerized by science, this book offers the first in-depth study of popular science writing from a mythologist's perspective.