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Reproduction of the original: The Vanishing Race by Joseph K. Dixon
The early twentieth-century roots of modern American Indian protest and activism are examined in We Are Not a Vanishing People. It tells the history of Native intellectuals and activists joining together to establish the Society of American Indians, a group of Indigenous men and women united in the struggle for Indian self-determination.
"The Vanishing Race" is a record in picture and story of the last great Indian council, participated in by eminent Indian chiefs from nearly every Indian reservation in the United States. This book also includes the story of their lives as told by themselves, their speeches and folklore tales, their solemn farewell, and the Indians' story of the Custer fight. Contents: Indian Imprints a Glimpse Backward The Story of the Chiefs Chief Plenty Coups Chief Red Whip Chief Timbo Chief Apache John Chief Running Bird Chief Brave Bear Chief Umapine Chief Tin-tin-meet-sa Chief Runs-the-enemy Chief Pretty Voice Eagle Folklore Tales—sioux Chief White Horse Folklore Tales—yankton Sioux Chief Bear Ghost Chief Running Fisher Bull Snake Mountain Chief Mountain Chief's Boyhood Sports Chief Red Cloud Chief Two Moons The Story of the Surviving Custer Scouts White-man-runs-him Folklore Tale—crow Hairy Moccasin Curly Goes-ahead-basuk-ore The Indians' Story of the Custer Fight The Last Great Indian Council Indian Impressions of the Last Great Council The Farewell of the Chiefs
It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken beauty. Mourning her mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. It's not serious-- until the pregnancy. As years move by, Nadia, Luke, and her friend Aubrey are living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently?
Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudevill stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent's original inhabitants before the old ways disappeared.
Having built his reputation on his photographs of the Dells' steep gorges and fantastic rock formations, H. H. Bennett turned his camera upon the Ho-Chunk, and thus began the many-layered relationship. The interactions between Indian and white man, photographer and photographed, suggested a relationship in which commercial motives and friendly feelings mixed, though not necessarily in equal measure.
Cover -- Title -- Copyright -- Contents -- Introduction: A Nation's Park, Containing Man and Beast -- Chapter 1. Surviving Progress -- Chapter 2. Preserving the Frontier -- Chapter 3. A Line of Unbroken Descent -- Chapter 4. The Last of Her Tribe -- Chapter 5. Dead of Its Own Too-Much -- Epilogue: De-Extinction -- Notes -- Acknowledgments -- Index
By the 1890s, white Americans were avid consumers of American Indian cultures. At heavily scripted Wild West shows, Chautauquas, civic pageants, expositions, and fairs, American Indians were most often cast as victims, noble remnants of a vanishing race, or docile candidates for complete assimilation. However, as Lucy Maddox demonstrates in Citizen Indians, some prominent Indian intellectuals of the era--including Gertrude Bonnin, Charles Eastman, and Arthur C. Parker--were able to adapt and reshape the forms of public performance as one means of entering the national conversation and as a core strategy in the pan-tribal reform efforts that paralleled other Progressive-era reform movements.Maddox examines the work of American Indian intellectuals and reformers in the context of the Society of American Indians, which brought together educated, professional Indians in a period when the "Indian question" loomed large. These thinkers belonged to the first generation of middle-class American Indians more concerned with racial categories and civil rights than with the status of individual tribes. They confronted acute crises: the imposition of land allotments, the abrogation of the treaty process, the removal of Indian children to boarding schools, and the continuing denial of birthright citizenship to Indians that maintained their status as wards of the state. By adapting forms of public discourse and performance already familiar to white audiences, Maddox argues, American Indian reformers could more effectively pursue self-representation and political autonomy.
Bestselling author Astrid Scholte returns with a thrilling adventure in which the dead can be revived . . . for a price. Now in paperback. Ever since her sister, Elysea, drowned, seventeen-year-old Tempe's been looking for answers. And for a price, Tempe will finally get them . . . from her dead sister. On the nearby island of Palindromena, the research facility, once paid, will revive the dearly departed for a period of twenty-four hours before returning them to death. It isn't a heartfelt reunion that Tempe is after, though. Elysea died keeping a terrible secret, one that has ignited an unquenchable fury in Tempe: finally, she'll know the truth about their parents' deaths. Instead of answers, Elysea persuades Tempe to break her out of the facility to embark on a dangerous journey to discover the truth and mend their broken bond before Elysea's time runs out. Complicating matters, they're pursued every step of the way by two Palindromena employees desperate to find them before the secret behind the revival process and the true cost of restored life is revealed.