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Are the “culture wars” over? When did they begin? What is their relationship to gender struggle and the dynamics of class? In her first full treatment of postcolonial studies, a field that she helped define, Gayatri Chakravorty Spivak, one of the world’s foremost literary theorists, poses these questions from within the postcolonial enclave. “We cannot merely continue to act out the part of Caliban,” Spivak writes; and her book is an attempt to understand and describe a more responsible role for the postcolonial critic. A Critique of Postcolonial Reason tracks the figure of the “native informant” through various cultural practices—philosophy, history, literature—to suggest that it emerges as the metropolitan hybrid. The book addresses feminists, philosophers, critics, and interventionist intellectuals, as they unite and divide. It ranges from Kant’s analytic of the sublime to child labor in Bangladesh. Throughout, the notion of a Third World interloper as the pure victim of a colonialist oppressor emerges as sharply suspect: the mud we sling at certain seemingly overbearing ancestors such as Marx and Kant may be the very ground we stand on. A major critical work, Spivak’s book redefines and repositions the postcolonial critic, leading her through transnational cultural studies into considerations of globality.
Straddling temperate forests and grassland biomes and stretching along the coastline of two Great Lakes, Wisconsin contains tallgrass prairie and oak savanna, broadleaf and coniferous forests, wetlands, natural lakes, and rivers. But, like the rest of the world, the Badger State has been transformed by urbanization and sprawl, population growth, and land-use change. For decades, industry and environment have attempted to coexist in Wisconsin—and the dynamic tensions between economic progress and environmental protection makes the state a fascinating microcosm for studying global environmental change. The Vanishing Present brings together a distinguished set of contributors—including scientists, naturalists, and policy experts—to examine how human pressures on Wisconsin’s changing lands, waters, and wildlife have redefined the state’s ecology. Though they focus on just one state, the authors draw conclusions about changes in temperate habitats that can be applied elsewhere, and offer useful insights into future of the ecology, conservation, and sustainability of Wisconsin and beyond. A fitting tribute to the home state of Aldo Leopold and John Muir, The Vanishing Present is an accessible and timely case study of a significant ecosystem and its response to environmental change.
This book negotiates and engages with the ideas and influence of one of the leading theoreticians in social science research-Gayatri Spivak. It discusses the impact of her arguments on postcolonialism, cultural studies, ethnography, feminist studies, and anthropology.
A down-to-earth search for everyday Zen mindfulness from well-known master of formal poetry.
From the author of the "wrenching and exhilarating" All Things Cease to Appear comes a gripping literary thriller about a man reckoning with the mysterious death of his former roommate (Wall Street Journal). Julian Ladd and Rye Adler cross paths as photography students in the exclusive Brodsky Workshop. When Rye needs a roommate, Julian moves in, and a quiet, compulsive envy takes root, assuring, at least in his own mind, that he will never achieve Rye’s certain success. Both men are fascinated with their beautiful and talented classmate, Magda, whose captivating images of her Polish neighborhood set her apart, and each will come to know her intimately – a woman neither can possess and only one can love. Twenty years later, long after their paths diverge, Rye is at the top of his field, famous for his photographs of celebrities and far removed from the downtrodden and disenfranchised subjects who’d secured his reputation as the eye of his generation. When Magda reenters his life, asking for help only he can give, Rye finds himself in a broken landscape of street people and addicts, forcing him to reckon with the artist he once was, until his search for a missing boy becomes his own desperate fight to survive. Months later, when Julian discovers Rye’s obituary, the paper makes it sound like a suicide. Despite himself, Julian attends the funeral, where there is no casket and no body. This sudden reentry into a world he thought he left behind forces Julian to question not only Rye’s death, but the very foundations of his life. In this eerie and evocative novel, Elizabeth Brundage establishes herself as one of the premiere authors of literary fiction at work today.
Into the Wild meets Walden—a lyrical memoir for nature lovers and for anyone who has wondered what it would be like to disconnect from our hyper-connected culture and seek more meaningful connections After losing vision in one eye and becoming estranged from his family and friends, a young man spent two years searching for identity in self-imposed solitude in the backwoods of northern Vermont, where he embarked on a project of stripping away facades and all social ties--and learned to face himself. On a clear May afternoon at the end of his junior year at Harvard, Howard Axelrod played a pick-up game of basketball. In a skirmish for a loose ball, a boy’s finger hooked behind Axelrod’s eyeball and left him permanently blinded in his right eye. A week later, he returned to the same dorm room, but to a different world. A world where nothing looked solid, where the distance between how people saw him and how he saw had widened into a gulf. Desperate for a sense of orientation he could trust, he retreated to a jerry-rigged house in the Vermont woods, where he lived without a computer or television, and largely without human contact, for two years. He needed to find a more lasting sense of meaning away from society’s pressures and rush. Named one of the best books of the year by Slate, Chicago Tribune, Entropy Magazine, and named one of the top 10 memoirs by Library Journal
In Erased, Omer Bartov uncovers the rapidly disappearing vestiges of the Jews of western Ukraine, who were rounded up and murdered by the Nazis during World War II with help from the local populace. What begins as a deeply personal chronicle of the Holocaust in his mother's hometown of Buchach--in former Eastern Galicia--carries him on a journey across the region and back through history. This poignant travelogue reveals the complete erasure of the Jews and their removal from public memory, a blatant act of forgetting done in the service of a fiercely aggressive Ukrainian nationalism. Bartov, a leading Holocaust scholar, discovers that to make sense of the heartbreaking events of the war, he must first grapple with the complex interethnic relationships and conflicts that have existed there for centuries. Visiting twenty Ukrainian towns, he recreates the histories of the vibrant Jewish and Polish communities who once lived there-and describes what is left today following their brutal and complete destruction. Bartov encounters Jewish cemeteries turned into marketplaces, synagogues made into garbage dumps, and unmarked burial pits from the mass killings. He bears witness to the hastily erected monuments following Ukraine's independence in 1991, memorials that glorify leaders who collaborated with the Nazis in the murder of Jews. He finds that the newly independent Ukraine-with its ethnically cleansed and deeply anti-Semitic population--has recreated its past by suppressing all memory of its victims. Illustrated with dozens of hauntingly beautiful photographs from Bartov's travels, Erased forces us to recognize the shocking intimacy of genocide.
It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken beauty. Mourning her mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. It's not serious-- until the pregnancy. As years move by, Nadia, Luke, and her friend Aubrey are living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently?
From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?
In this major intervention into the “Asian Century,” Gayatri Chakravorty Spivak challenges the reader to re-think Asia, in its political and cultural complexity, in the global South and in the metropole. Among the chapters in this volume are: “Foucault and Najibullah,” in which she looks at Afghanistan in its own historical and gendered narrative “Moving Devi,” in which she addresses the authority of autobiography and writes as a diasporic “Responsibility,” in which she examines the limits of “theory” upon the floodplains of Bangladesh “Megacity,” where she reads cyberliteracy in Bangalore. Other chapters focus on, among other things, Human Rights, and the turbulent “present” of the Caucasus.