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American ruins have become increasingly prominent, whether in discussions of “urban blight” and home foreclosures, in commemorations of 9/11, or in postapocalyptic movies. In this highly original book, Nick Yablon argues that the association between American cities and ruins dates back to a much earlier period in the nation’s history. Recovering numerous scenes of urban desolation—from failed banks, abandoned towns, and dilapidated tenements to the crumbling skyscrapers and bridges envisioned in science fiction and cartoons—Untimely Ruins challenges the myth that ruins were absent or insignificant objects in nineteenth-century America. The first book to document an American cult of the ruin, Untimely Ruins traces its deviations as well as derivations from European conventions. Unlike classical and Gothic ruins, which decayed gracefully over centuries and inspired philosophical meditations about the fate of civilizations, America’s ruins were often “untimely,” appearing unpredictably and disappearing before they could accrue an aura of age. As modern ruins of steel and iron, they stimulated critical reflections about contemporary cities, and the unfamiliar kinds of experience they enabled. Unearthing evocative sources everywhere from the archives of amateur photographers to the contents of time-capsules, Untimely Ruins exposes crucial debates about the economic, technological, and cultural transformations known as urban modernity. The result is a fascinating cultural history that uncovers fresh perspectives on the American city.
The Vanishing reveals the plight and possible extinction of Christian communities across Syria, Egypt, Iraq, and Palestine after 2,000 years in their historical homeland. Some of the countries that first nurtured and characterized Christianity - along the North African Coast, on the Euphrates and across the Middle East and Arabia - are the ones in which it is likely to first go extinct. Christians are already vanishing. We are past the tipping point, now tilted toward the end of Christianity in its historical homeland. Christians have fled the lands where their prophets wandered, where Jesus Christ preached, where the great Doctors and hierarchs of the early church established the doctrinal norms that would last millennia. From Syria to Egypt, the cities of northern Iraq to the Gaza Strip, ancient communities, the birthplaces of prophets and saints, are losing any living connection to the religion that once was such a characteristic feature of their social and cultural lives. In The Vanishing, Janine di Giovanni has combined astonishing journalistic work to discover the last traces of small, hardy communities that have become wisely fearful of outsiders and where ancient rituals are quietly preserved amid 360 degree threats. Di Giovanni's riveting personal stories and her conception of faith and hope are intertwined throughout the chapters. The book is a unique act of pre-archeology: the last chance to visit the living religion before all that will be left are the stones of the past.
Bestselling author Astrid Scholte returns with a thrilling adventure in which the dead can be revived . . . for a price. Now in paperback. Ever since her sister, Elysea, drowned, seventeen-year-old Tempe's been looking for answers. And for a price, Tempe will finally get them . . . from her dead sister. On the nearby island of Palindromena, the research facility, once paid, will revive the dearly departed for a period of twenty-four hours before returning them to death. It isn't a heartfelt reunion that Tempe is after, though. Elysea died keeping a terrible secret, one that has ignited an unquenchable fury in Tempe: finally, she'll know the truth about their parents' deaths. Instead of answers, Elysea persuades Tempe to break her out of the facility to embark on a dangerous journey to discover the truth and mend their broken bond before Elysea's time runs out. Complicating matters, they're pursued every step of the way by two Palindromena employees desperate to find them before the secret behind the revival process and the true cost of restored life is revealed.
Once symbols of the past, ruins have become ubiquitous signs of our future. Americans today encounter ruins in the media on a daily basis--images of abandoned factories and malls, toxic landscapes, devastating fires, hurricanes, and floods. In this sweeping study, Miles Orvell offers a new understanding of the spectacle of ruins in US culture, exploring how photographers, writers, painters, and filmmakers have responded to ruin and destruction, both real and imaginary, in an effort to make sense of the past and envision the future. Empire of Ruins explains why Americans in the nineteenth century yearned for the ruins of Rome and Egypt and how they portrayed a past as ancient and mysterious in the remains of Native American cultures. As the romance of ruins gave way to twentieth-century capitalism, older structures were demolished to make way for grander ones, a process interpreted by artists as a symptom of America's "creative destruction." In the late twentieth century, Americans began to inhabit a perpetual state of ruins, made visible by photographs of decaying inner cities, derelict factories and malls, and the waste lands of the mining industry. This interdisciplinary work focuses on how visual media have transformed disaster and decay into spectacles that compel our moral attention even as they balance horror and beauty. Looking to the future, Orvell considers the visual portrayal of climate ruins as we face the political and ethical responsibilities of our changing world. A wide-ranging work by an acclaimed urban, cultural, and photography scholar, Empire of Ruins offers a provocative and lavishly illustrated look at the American past, present, and future.
"Previously unpublished images from glass-plate negatives taken by Walter Schneider capture the years of transition from agrarian to industrial society in America and beyond. Domestic scenes and festive crowds, rural tranquility and burgeoning industry, provide social commentary and nostalgia while documenting the emergence of the middle class"--Provided by publisher.
Forensic criminologist Lincoln Rhyme and his partner Amelia Sachs are pitted against an unstoppable "invisible" killer. As the fatalities rise and the minutes tick down, they must move beyond the smoke and mirrors to prevent a terrifying act of vengeance that could become the greatest vanishing act of all.