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Vanessa Redgrave, CBE (born 30 January 1937) is an English actress of stage, screen and television, as well as a political activist. Redgrave rose to prominence in 1961 playing Rosalind in As You Like It with the Royal Shakespeare Company and has since made more than 35 appearances on London's West End and Broadway, winning both the Tony and Olivier Awards. On screen, she has starred in more than 80 films; including Blowup (1966), Isadora (1968), Mary, Queen of Scots (1971), The Devils (1971), Julia (1977), The Bostonians (1984), Howards End (1992), Mission: Impossible (1996) and Atonement (2007). Redgrave was proclaimed by Arthur Miller and Tennessee Williams as "the greatest living actress of our times," and she remains the only British actress ever to win the Oscar, Emmy, Tony, Cannes, Golden Globe, and the Screen Actors Guild awards. She was also the recipient of the 2010 BAFTA Fellowship "in recognition of an outstanding and exceptional contribution to film." A member of the Redgrave family of actors, she is the daughter of the late Sir Michael Redgrave and Lady Redgrave (the actress Rachel Kempson), the sister of the late Lynn Redgrave and the late Corin Redgrave, the mother of Hollywood actresses Joely Richardson and the late Natasha Richardson, and the aunt of British actress Jemma Redgrave. This book is your ultimate resource for Vanessa Redgrave. Here you will find the most up-to-date information, photos, and much more. In easy to read chapters, with extensive references and links to get you to know all there is to know about Vanessa Redgrave's Early life, Career and Personal life right away. A quick look inside: Vanessa Redgrave, A Man for All Seasons (1966 film), A Man for All Seasons (1988 film), A Month by the Lake, A Picture of Katherine Mansfield, A Quiet Place in the Country, A Rumor of Angels, A Wall of Silence, Academy Award for Best Actress, Academy Award for Best Supporting Actress, Agatha (film), Agatha Christie, Annette Crosbie, Anonymous (film), As You Like It, BAFTA Academy Fellowship Award, BAFTA Award for Best Actress in a Supporting Role, BIFA Award for Best Supporting Actress, Bear Island (film), Behind the Mask (1958 film), Bella Mafia, Best Actress Award (Cannes Film Festival), Blowup, Breath of Life (1990 film), British Academy Television Award for Best Actress, British Independent Film Awards 2006, Broadcast Film Critics Association Award for Best Supporting Actress, Camelot (film), Carlo Gabriel Nero, Cars 2, Central School of Speech and Drama, Consuming Passions, Corin Redgrave, Cradle Will Rock...and more pages! Contains selected content from the highest rated entries, typeset, printed and shipped, combining the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mission.
One of the greatest (and most controversial) actresses of our time tells her story. With great intelligence, passion and intensity, Vanessa Redgrave writes about her childhood, her marriage and love affairs, the craft of acting, and her commitment to social justice. 16 pages of black-and-white photos.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Never produced until this year (1998), NOT ABOUT NIGHTINGALES (1938), portrays a shocking prison scandal in which convicts leading a hunger strike in prison were locked in a steam-heated cell and roasted to death. Williams himself later said that he had never written anything to compare with it in violence and horror. The play indelibly presages the great plays he was later to write. Copyright © Libri GmbH. All rights reserved.
From the landmark films of Tony Richardson to the untimely death of Natasha Richardson – this is the saga of one of the greatest dynasties in British film and theatre. In 1928, at the end of a production of Hamlet at the Old Vic, Laurence Olivier strode to the front of the stage to hush the audience and announced, pointing at his co-star Michael Redgrave, 'Tonight a great actress has been born. Laertes has a daughter.' He meant Vanessa Redgrave. That is where this dramatic book’s story begins. It concludes in 2009, with the sudden and tragic death in a skiing accident of Vanessa’s daughter Natasha Richardson – and further family sorrow soon to follow with the deaths of both Corin and Lynn Redgrave. The story of this amazing family is explosive throughout - from the tangled private life of Tony Richardson, Natasha’s father, who directed major films such as Look back in Anger, to Vanessa and Corin’s complicated involvement with the Workers’ Revolutionary Party, to the emergence of a fourth generation of fine actors with Natasha and Joely.? There is truly never a dull moment – but plenty of scandal, melodrama, tragedy and intrigue – in the story of this remarkable dynasty, whose contribution to British drama and film has been immense.
THE STORY: David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their tenuous relationship develops, she reveals details about her complicated post-war past that test their ideas of what it means to be a family.
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From one of America’s iconic writers, a stunning book of electric honesty and passion that explores an intensely personal yet universal experience: a portrait of a marriage—and a life, in good times and bad—that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later—the night before New Year’s Eve—the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion’ s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself.
This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.
Michelangelo Antonioni's 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the director's questioning of the relationship between reality and perceptions. This book provides a fresh and stimulating study of Antonioni's masterpiece. It reassembles and re-tells - through onset stills and the original blow-ups - the film's key narrative and pictorial strands in a focused visual investigation that is complemented by the authors' analytical essays. These texts draw on new research and effectively situate the film in the social and creative contexts that informed Antonioni's screenplay and art direction - on the one hand through an account of the milieu of fashionable photographers and models and the media through which they became so vivid a phenomenon, and on the other hand through the revelation of the artistic and literary reference points that so pervasively enrich the film.
At the height of the Great Depression, ruthless financier Gregor Antonescu's business is dangerously close to crumbling. In order to escape the wolves at his door, Gregor tracks down his estranged son Basil in the hopes of using his Greenwich Village apartment as a base to make a company-saving deal. Can this reunion help them reconcile? Or will this corrupt father use his only son as a pawn in one last power play? A gripping story about family, success and what we're willing to sacrifice for both.