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Riveting study of vampirism in Europe — from vampires in Greek and Roman lore to their presence in Saxon England, Hungary, Czechoslovakia, Russia, Romania, Bulgaria, and even modern Greece.
From the earliest days of oral history to the present, the vampire myth persists among mankind's deeply-rooted fears. This encyclopedia, with entries ranging from "Abchanchu" to "Zmeus," includes nearly 600 different species of historical and mythological vampires, fully described and detailed.
A thrilling treasury of vampire lore! Since the seventeenth century, people have been frightened, mesmerized, and fascinated by the terrifying tales of vampires. In this book, you'll uncover the history and mystery behind these bloodthirsty monsters with folklore, mythology, and poetry from every tradition in the world. From the Bosnian Lampir, whose disease-ridden corpse spread infection and death throughout villages, to Bram Stoker's charming Dracula, who helped define modern-day vampires, the wicked stories surrounding these nocturnal beings are sure to captivate anyone who has ever wondered about these shadow-loving creatures. Whether you're interested in exploring the culture of vampires or just want to learn more about their supernatural abilities, you'll discover dozens of compelling tales, historical accounts, and haunting legends that shed some light on these sinister beings. Complete with detailed illustrations, Vampires reveals the dark allure and gruesome power of these creatures of the night.
The first definitive work on werewolfery incorporates an extensive range of historical documentation and folklore. Written in a Gothic style by a venerable author of occult studies, it's rich in fascinating examples and anecdotes and offers compelling fare for lovers of the esoteric.
While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories -- from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite -- have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.
Vampire . . . the word immediately conjures up bloodstained fangs, an aversion to sunlight, bats, garlic, and wooden stakes. These undead immortals have haunted our favorite books, television shows, and movies for decades. This exploration of a seemingly supernatural topic delves into past traditions around the world and how those traditions have affected our pop-culture modern-day monster. Explore belief systems as well as origins of various notions we all seem to have about vampires, and unearth the bloody dirt about this mystical creature. Discover differences and similarities between the realm of folklore and what modern media has taught us. Did villagers really use wooden stakes, garlic, and mirrors? What about vampires turning into bats or hypnotizing victims? Did they really cause disease, turn into dogs, and sleep in coffins? Topics are arranged by trait so that the reader can consider each characteristic before believing or dismissing it. So . . . if you're ready, let's hunt some vampires.
Surveys centuries of folklore about vampires and offers a scientific explanation for the origins of the legends.
Delves into the myths, legends, literature, and history surrounding that ever-frightening and yet strangely seductive creature, the vampire.
Since the publication of John Polidori’s The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an “undead” creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker’s 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire’s beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.