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The figure of the vampire has been around for centuries, and has lost none of its fascination. Although, the portrayal of the vampire in literature today has not much in common with its historical origins, the vampire belief is based on true events. Bram Stoker's novel ‘Dracula’ laid the foundation for the success story of the vampire. He created something sinister, a monster in the shape of a gentleman. The evil of the Victorian society was personified in the form of the revenant. Boundaries between good and evil, human and non-human, death and life are blurred and unrecognizable in his book. In contrast, Anne Rice creates a world where humans and vampires live next to each other. Her vampires resemble human beings not only in terms of their bodies, but also in terms of their minds. There is no horror detectable, but amazement and identification with the revenants by the reader. In this context, the differentiation of the constructed images of the vampires in the two novels, ‘Dracula’ by Bram Stoker and ‘Interview with the Vampire’ by Anne Rice, is analyzed. Thereby, the study investigates those elements that have been adopted, those ones that have developed over the time, and the consequences that go along with the manner of construction.
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, , language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today’s society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stoker ́s Gothic novel "Dracula", written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice’s vampires from the novel "Interview with the Vampire", written in 1973, have these attributes. Rice’s vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century.
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, language: English, abstract: To understand what makes vampires attractive to people nowadays, at first one has to look at the vampire myth and where it comes from. Next this paper will look into the supernatural abilities the vampires in Bram Stoker's "Dracula" and Anne Rice's "Interview with the Vampire" have. After that it will focuse on the characters and their relationships to each other. In the end, the results will be summarized and brought into relation with today's society. The vampires in media nowadays own seductive attributes and superpowers. These are attributes the first vampire in literature, Count Dracula, did not have. Nevertheless, Bram Stokers Gothic novel "Dracula," written in 1897, laid the foundations for all vampire genres afterwards. Count Dracula was the first vampire in history who became so famous that everybody still knows him today. He has some superpowers but no romantic or sexual interests and no human soul, whereas, Anne Rice's vampires from the novel "Interview with the Vampire," written in 1973, have these attributes. Rice's vampires were the first ones who had a soul and feelings. Hence they were the example for the modern vampires of the 20th and 21th century."
Essay from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,3, Justus-Liebig-University Giessen, course: Victorian Vampires, language: English, abstract: The paper shows the differences between the different portraits of vampires in Bram Stoker’s novel “Dracula” and Anne Rice’s “Interview with the Vampire”. The vampires today own seductive features since they are mainly very good-looking and irresistible. These are characteristics the ancient vampire in literature do not have. Bram Stoker’s Dracula laid the foundation for the vampire cult in 1897. In 1976 Anne Rice published her novel Interview with the Vampire. Her novels turned the image of vampire’s upside down because her vampires become good-looking and live with us, since her protagonists were not only monstrous creatures. They have feelings and thoughts and also human problems.
The media vampire has roots throughout the world, far beyond the shores of the usual Dracula-inspired Anglo-American archetypes. Depending on text and context, the vampire is a figure of anxiety and comfort, humor and fear, desire and revulsion. These dichotomies gesture the enduring prevalence of the vampire in mass culture; it can no longer articulate a single feeling or response, bound by time and geography, but is many things to many people. With a global perspective, this collection of essays offers something new and different: a much needed counter-narrative of the vampire's evolution in popular culture. Divided by geography, this text emphasizes the vampiric as a globetrotting citizen du monde rather than an isolated monster.
NATIONAL BESTSELLER • In this ambitious, rich vampire novel of vision and power, the indomitable vampire hero, Lestat de Lioncourt, returns ... caught up in an urgent and fundamental quest to understand the origins of the Undead and the deeper meanings of existence for both mortals and immortals. “In my dreams, I saw a city fall into the sea . . . And all the world was shaken . . .” Now Lestat, Prince of the vast tribe of the undead, finds himself at war with a strange, ancient, otherworldly form that has somehow taken possession of his immortal body and spirit, and it is through this perilous and profound struggle that we come to be told the hypnotic tale of a great sea power of ancient times: a mysterious heaven on earth situated on a boundless continent in the Atlantic Ocean. As we learn of the mighty, resonant powers and perfections of this lost kingdom of Atalantaya, the lost realms of Atlantis, we come to understand how and why the vampire Lestat, indeed all the vampires, must reckon so many millennia later with the terrifying force of this ageless, all-powerful Atalantaya spirit. An exhilarating novel that deepens Rice’s vampire mythology as it brings together the ancient worlds and beings of the Vampire Chronicles and opens up to us a whole new universe of characters, history, storytelling, and legend.
NATIONAL BESTSELLER • “Rice allows [her vampires] to do what they do best: wreak havoc and evoke terror. All while impeccably dressed.” —The Washington Post The vampire world is in crisis ... Old vampires, roused from deep slumber in the earth, are doing the bidding of a Voice commanding that they indiscriminately burn their kin in cities across the globe, from Paris to Mumbai, Hong Kong to San Francisco. Left with little time to spare, a host of familiar characters including Louis de Pointe du Lac, Armand, and even the vampire Lestat, must embark on a journey to discover who—or what—is driving this mysterious being.
The 13 essays in this volume explore Stephenie Meyer's wildly popular Twilight series in the contexts of literature, religion, fairy tales, film, and the gothic. Several examine Meyer's emphasis on abstinence, considering how, why, and if the author's Mormon faith has influenced the series' worldview. Others look at fan involvement in the Twilight world, focusing on how the series' avid following has led to an economic transformation in Forks, Washington, the real town where the fictional series is set. Other topics include Meyer's use of Quileute shape-shifting legends, Twilight's literary heritage and its frequent references to classic works of literature, and the series' controversial depictions of femininity.
Gender in the Vampire Narrative addresses issues of masculinity and femininity, unpacking cultural norms of gender. This collection demonstrates the way that representations of gender in the vampire narrative traverse a large scope of expectations and tropes. The text offers classroom ready original essays that outline contemporary debates about sexual objectification and gender norms using the lens of the vampire in order to examine the ways those roles are undone and reinforced through popular culture through a specific emphasis on cultural fears and anxieties about gender roles. The essays explore the presentations of gendered identities in a wide variety of sources including novels, films, graphic novels and more, focusing on wildly popular examples, such as The Vampire Diaries, True Blood, and Twilight, and also lesser known works, for instance, Byzantium and The Blood of the Vampire. The authors work to unravel the ties that bind gender to the body and the sociocultural institutions that shape our views of gendered norms and invite students of all levels to engage in interdisciplinary conversations about both theoretical and embodied constructions of gender. This text makes a fascinating accompanying text for many courses, such as first-year studies, literature, film, women’s and gender studies, sociology, popular culture or media studies, cultural studies, American studies or history. Ultimately this is a text for all fans of popular culture. “Hobson and Anyiwo chase the vampire through history and across literature, film, television, and stage, exploring this complexity and offering insightful and accessible analyses that will be enjoyed by students in popular culture, gender studies, and speculative fiction. This collection is not to be missed by those with an interest in feminist cultural studies – or the undead.” – Barbara Gurr, University of Connecticut “Hobson and Anyiwo push the boundaries of the scholarship as it has been written until now.” –Catherine Coker, Texas A&M University Amanda Hobson is Assistant Dean of Students and Director of the Women’s Resource Center at Indiana State University. U. Melissa Anyiwo is a Professor of Politics & History and Coordinator of African American Studies at Curry College in Massachusetts.