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Montague Summers (1880-1948) did a fantastic job researching the folklore and beliefs about vampires in many civilizations reading many books in different languages, including Greek, Latin, German, Italian (dialets), French, and English, to create one of the best works about vampires ever written and published. The author, a member of the Roman Catholic clergy, wrote numerous books about witches, vampires, werewolves, and other related subjects too. The Vampire, his Kith and Kin: The History of Vampirism is definitively a great book.
The Vampire: His Kith and Kin is an academic study of vampires. Its author, Montague Summers, was at one time an Anglican priest, although his later religious affiliation and status is unknown. Summers takes his study of the occult very seriously, genuinely believing that vampires, werewolves, witches and the like exist and citing evidence from a wide variety of sources.
“The Vampire - His Kith and Kin” is a 1928 work by English clergyman and author Montague Summers. Within it, Summers discusses the vampire phenomena from a Catholic point of view, offering an a veritably academic study of the subject. Contents include: “The Origins of the Vampire”, “The Generation of the Vampire”, “The Traits and Practice of Vampirism”, “The Vampire in Assyria, the East, and Some Ancient Countries”, and “The Vampire in Literature”. Augustus Montague Summers (1880 – 1948) was an English clergyman and author most famous for his studies on vampires, witches and werewolves—all of which he believed to be very much real. He also wrote the first English translation of the infamous 15th-century witch hunter's manual, the “Malleus Maleficarum”, in 1928. Other notable works by this author include: “A Popular History of Witchcraft” (1937), “Witchcraft and Black Magic” (1946), and “The Physical Phenomena of Mysticism” (1947).
In his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize.
In all the dark pages of the supernatural there is no more terrible tradition than that of the vampire, a pariah even among demons. Summers offers a serious and fully documented study of how this absorbing subject and its lore came about.
A historical journey in pursuit of the history, legend and lore of vampires. Where do they come from? Why do they have so much appeal today? As Twilight hits the book charts and billboards, and True Blood is on TV there are vampires in downtown clubs and never has it been more fashionable to be pale. M J Trow looks at the story of vampires and charts its origins a long way from the shopping mall in the story of the warrior prince, Vlad of Wallachia.
Since the publication of John Polidori's The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an "undead" creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker's 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire's beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.
THE VAMPIRE, His Kith and Kin examined the reasons for the old belief in Vampirism, its growth and dissemination in many lands, and its crystallization into a permanent and determinate legend. This new volume, The Vampire in Europe, uniform with the other, deals with the subject from a historical point of view and presents the evidence which gave rise to the theories. This evidence, drawn from little-known authors, musty chronicles, and the obscurer occultists, is in many cases derived from official sources, civil and ecclesiastical. The first chapter treats of Vampirism in ancient Greece and Rome. Accounts of the extraordinary outbreaks of Vampirism in England during the twelfth and thirteenth centuries have been gathered from Geoffrey of Monmouth and William of Newburgh. Particular attention is paid to the alleged irritation which gave rise to so much literature in the early eighteenth century, while the curious situation in modern Greece is fully discussed. Included in this critical edition are the authoritative text, rare contextual and source materials, illustrations, criticism, contemporary reviews, and Greek and Latin translations. A biographical note is also included.