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This continuation of the Marquis de Sade saga pits its vampire hero against Marie Laveau, the infamous voodoo queen of New Orleans.
The notorious Marquis de Sade continues on as a vampire, his perverse desires still unquenched after two centuries. His offspring--vampires of his own making--have desires of their own, the strongest of which is revenge. An eternally young woman and her half-vampire companion will stop at nothing to find Sade and put an end to his master vampire's reign. (June) Copyright © Libri GmbH. All rights reserved.
Beverly and Carl find love together, until she realizes that he is slowly turning her into a living corpse, trapped and powerless, only able to pray that Carl's next victim, Megan, can stop the cycle and save her life. Original.
The Marquis de Sade still lives as one of the undead, and rumors of his evil deeds don't begin to describe what the Marquis has become. His tastes remain the same, but his desire for blood has become a hunger. The first three books in Mitchell's series about the undead de Sade are reissued.
If you like Pandora Hearts, then you'll love Crimson-Shell, Jun Mochizuki-sensei's debut! Rescued from the darkness by Xeno, a mysterious swordsman, Claudia the Rose Witch is the foundation of the Crimson-Shell, a special division of the Red Rose-an organization aiming to capture the results of one mad scientist's experiments, the deadly Black Roses. But when Xeno's loyalties are called into question, will Claudia be strong enough to believe in her dearest friend? And what is the color of the rose blooming in Xeno's heart-a deep, passionate crimson...or a traitorous jet-black?
· Are any vampire myths based on fact? · Bloodsucking villain to guilt-ridden loner—what has inspired the redemption of the vampire in fiction and film? · What is Vampire Personality Disorder? What causes a physical addiction to another person’s blood? · Are there any boundaries in the polysexual world of vampires? · How could a vampire hide in today’s world of advanced forensic science? · What is the psychopathology of the vampire? · What happens in the brain of a vampire’s victim? Si...
A detailed, analytical study of the life and times of this brilliant but bizarre personality (and the sexually erotic times he lived in), containing the essence of all his writings, based on research by Bloch in private archives of the French Government, and Bloch's discovery of de Sade's unpublished manuscript of 120 Days of Sodom in Marseilles. The work contains a precis of the 120 Days of Sodom, the first attempt systematically to catalog and describe abnormal sexual behavior -- 100 years before Krafft-Ebing. A serious academic study of France during de Sade's time, its sexual morality, de Sade's works, and the role of sadism in literature, etc., this biography precedes de Beauvoir's Faut-il Brule de Sade? and began the resuscitation and modern study of De Sade. The author Iwan Bloch, a German physician, won a distinguished name in the world of science in the fields, of medical history and anthropology.
In late 19th century England, Oscar Wilde popularized aestheticism, also known as art-for-art’s-sake – the idea that art, that beauty, should not be a vehicle for morality or truth, but an end in-and-of-itself. Rothko and Jackson Pollock enthroned the idea, creating paintings that are barely graded panels of color or wild splashes. Today, pop culture is aestheticism’s true heir, from the perfect charismatic emptiness of Ocean’s Eleven to the hyper-choreographed essentially balletic movements in the best martial arts movies. But aestheticism has a dark core, one that Social Justice Activists are now gathering to combat, revealing the damaging ideology reflected in or concealed by our most beloved pop culture icons. Taking Bryan Fuller’s television version of Hannibal “The Cannibal” Lecter as its main text – and taking Žižek-style illustrative detours into Malcolm in the Middle, Dark Knight Rises, Harry Potter, Interview with a Vampire, Dexter and more – this book marshals Walter Pater, Camille Paglia, Nietzsche, the Marquis de Sade, Kant and Plato, as well as Dante, Shakespeare, Milton, Blake, Baudelaire, Beckett, Wallace Stevens and David Mamet to argue that Fuller’s show is a deceptively brilliant advance of aestheticism, both in form and content – one that investigates how deeply art-for-art’s-sake, and those of us who consciously or unconsciously worship at its teat, are necessarily entwined with evil.
Continuing from the success of the first four Necronomicon books, volume five again seeks out controversial and transgressive cinema from around the globe. The dark underbelly of this tome reveals yet more perverse delights within cult, horror and erotic cinema. the cult film genre is still very popular with big budget releases such as Grindhouse 28, 28 Weeks Later and Hostel 2 showing with Residents Evil: Extinction, Rogue & Doomsday, all due at cinemas by December 07.