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Is the Nag Hammadi Apocalypse of Paul a Valentinian text? Many would say no, few would say yes. The Valentinian Temple brings together all the available evidence to produce a systematic argument in favour of the Apocalypse of Paul’s Valentinian origins. From Valentinus himself to the Gospel of Truth and the Gospel of Philip, this book traces one of the most neglected trajectories in Valentinian Christianity, namely the pursuit of mystical experiences oriented around a heavenly temple. Starting with the divine Name in the fragments of Valentinus, the development of a high-priestly Christology is uncovered across a range of primary sources, culminating in the Gospel of Philip’s temple-based rituals of initiation. The Valentinian Temple argues that it is against this intellectual background that the Apocalypse of Paul ought to be understood. This book will be of interest to experts and students in Gnosticism, Valentinianism, early Christianity, Coptic and biblical literature, and Pauline studies.
Is the Nag Hammadi Apocalypse of Paul a Valentinian text? Many would say no, few would say yes. The Valentinian Temple brings together all the available evidence to produce a systematic argument in favour of the Apocalypse of Paul's Valentinian origins. From Valentinus himself to the Gospel of Truth and the Gospel of Philip, this book traces one of the most neglected trajectories in Valentinian Christianity, namely the pursuit of mystical experiences oriented around a heavenly temple. Starting with the divine Name in the fragments of Valentinus, the development of a high-priestly Christology is uncovered across a range of primary sources, culminating in the Gospel of Philip's temple-based rituals of initiation. The Valentinian Temple argues that it is against this intellectual background that the Apocalypse of Paul ought to be understood. This book will be of interest to experts and students in Gnosticism, Valentinianism, early Christianity, Coptic and biblical literature, and Pauline studies.
This book is the first comprehensive study of the doctrines and history of "Valentinianism," making full use of the documents from Nag Hammadi as well as the reports of the Church Fathers.
This study is intended to unearth the salient Jewish features of AM which is the most ancient form of the anaphora still in use.
Integrates Jewish/Judean and Christian experts into a wider and more diverse class of religious activity Argues that certain Christian forms of religion first took shape within a class of freelance experts.
Oskar Skarsaune gives us a new look into the development of the early church and its practice by showing us the evidence of interaction between the early Christians and rabbinic Judaism. He offers numerous fascinating episodes and glimpses into this untold story.
Who wrote the Gospel of John? The author identifies himself only as "the disciple whom Jesus loved," and Christian tradition tells us that this disciple was the apostle John. However, during the past century, scholars have increasingly come to doubt that attribution. In 1902, Rudolf Steiner wrote that the author of the Gospel of John was in fact Lazarus. Steiner's position stemmed from his insight that Lazarus's encounter with death involved far more than people realized --an initiation into higher spiritual realities that uniquely qualified him to write this gospel. Edward Smith takes up this argument and shows that subsequent research has tended to favor Lazarus for reasons grounded in John's Gospel itself. More important, Smith shows that subsequent discoveries at Nag Hammadi and Mar Saba corroborate Steiner's reasoning about the nature of the raising of Lazarus, pointing to Lazarus as "the rich young ruler" of Mark's Gospel.
Michael Peppard provides a historical and theological reassessment of the oldest Christian building ever discovered, the third-century house-church at Dura-Europos. Contrary to commonly held assumptions about Christian initiation, Peppard contends that rituals here did not primarily embody notions of death and resurrection. Rather, he portrays the motifs of the church’s wall paintings as those of empowerment, healing, marriage, and incarnation, while boldly reidentifying the figure of a woman formerly believed to be a repentant sinner as the Virgin Mary. This richly illustrated volume is a breakthrough work that enhances our understanding of early Christianity at the nexus of Bible, art, and ritual.