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Accessible to general reader, derived from the original The Body of God Sculptures are thoroughly discussed and accompanied with related stories Dr D Dennis Hudson's path-breaking book presents his extraordinary interpretation of the Vaikunta Perumal Temple in Kanchipuram as a three-dimensional mandala. His insight, based on Tirumangai Alvar's poetry and a close study of the Bhagavata Purana, illuminates layers of meaning embodied in the architecture and sculpture of his temple. This volume is a 'summary interpretation' for the general reader, of a larger academic work entitled The Body of God, published in the US. It is the inspired response of a scholar who has been passionately involved with his subject for several decades.
Although Hudson died without completing 'The Body of God', the work has been edited and brought to fruition by Margaret Case. The book is a detailed study of a renowned Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 CE). Hudson uses this temple as an illustration of a major current and historical stage in South Indian Vaisnava religion.
Paper presented at the Conference on "Indian Painting : The Lesser Known Traditions", held at Houston in March 2008.
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Kanchi, the ancient capital city of the South, teems with historic temples of great beauty and grandeur. The magnificent temple of Lord Varadaraja, situated in Vishnu-Kanchi, has played a remarkable part in fostering the growth of Sri-Vaishnavism and has justly been ranked with the famous temples of Srirangam and Tirupati as the holiest of the holies. This is the first comprehensive and illustrated treatise on this hoary temple, focusing attention of the various aspects like the origin and the growth of the temple, critical review of the temple traditions, the role of the temple in the growth of Sri-Vaishnavism, the association of the acharyas like Ramanuja with the temple, besides the pivotal role the temple has played in the social and cultural life of the community. The vast literature that has grown round the temple and the five hundred and odd inscriptions that crowd the wall-spaces of the shrines provide a sumptuous source material for this study. One of the largest temple complexes of South India, the temple presents interesting variety of architectural and sculptural styles of different schools. The temple is particularly rich in Vaishnava iconography. The book provides a detailed study and interpretation of these features with the help of hitherto unpublished photographs and drawings. The book also brings to light the presence of fine paintings of the Vijayanagar times that are found in the dark cloister around the sanctum. The book is a distinct contribution to the field of historical and architectural studies of ancient Indian temples.
This is a heritage book which takes readers on a spiritual voyage of legends, mythology, saints, temples and dynasties. It presents vignettes of India’s rich cultural background. As one of the seven mokshapuris (centers of salvation) and the nerve-centre of vedic schools, Kanchipuram has always been a role model. Adi Sankaracharya, brought religious renaissance in the country by providing a new meaning to sanatana dharma. He established the KanchiKamakotipeetham which continues to be a center of learning and devotion. The town is credited with having around one thousand temples at one time. While Pallava rulers built most of these temples, these were extensively renovated later by Cholan and Vijayanagara kings. Exhaustive Annexures about the various rules and dynasties are also provided. The book is amply illustrated with maps and photographs, which will be of great interest to general readers and to tourists and pilgrims in particular.
Attempts To Bridge The Gap Between Art History And Religion History By Placing Some Of The Greatest Monumnets Of Tamil Nadu Within An Appropriate Religion And Ritualistic Context. Richly Illustrated-Has Introduction And Comes Kanchipuram, Thiruvannamalai, Chidambaram, Srirangam And Madurai.