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Threon, the Vagabond King, is torn from a life in the palace by raiders and forced to scrape a living on the streets of a foreign land.
First published in 1799, George Walker's The Vagabond was an immediate popular success. Offering a vitriolic critique of post-Bastille Jacobinism and sansculotte-style mob rule, its true-to-life satirical portraits of many of the radical men and women who fought in the forefront of the "British Revolution" are nonetheless full of playful banter and farce. With swipes at Hume, Rousseau, Godwin, Wollstonecraft, and Paine; the French Revolution; and the ideas of the noble savage, natural virtue, liberty, equality, and romantic primitivism, The Vagabond offers a unique cross-section of 1790s radicalism. This Broadview edition contains a critical introduction and a wide selection of primary source materials that situate the novel in the context of the revolutionary debate of the 1790s. Appendices include contemporary reviews of the novel and excerpts from the writings of a variety of radicals and reactionaries engaged in the debate, such as Hume, Rousseau, Paine, Thelwall, Wollstonecraft, Godwin, Burke, Playfair, Malthus, and Cobbett, among many others.
When his mother dies and he discovers the man he believed was his father is not, sixteen year old Chris is haunted by a mysterious apparition that forces him to question his pampered existence and embark upon a quest to find himself. Hoping she will "make a man of him," he seeks sanctuary in the home of Magda, a middle aged waitress with a penchant for sex, only to discover she lives with her father, a cigarette smoking, beer swilling immigrant. Chris hates his shabby new surroundings at the end of the street and the shabby old man at the end of his life who spends his days listening to old blues records and making Chris fetch him fresh cans of beer. But, when the old man tells tales of Communist Hungary, torture, escape and the mysterious medallion he wears, Chris learns that, like the old man's skipping records, history repeats itself and the roles we play have been played many times before.
From New York Times bestselling author Bernard Cornwell, the sequel to The Archer's Tale—the spellbinding tale of a young man, a fearless archer, who sets out wanting to avenge his family's honor and winds up on a quest for the Holy Grail. In 1347, a year of conflict and unrest, Thomas of Hookton returns to England to pursue the Holy Grail. Among the flames of the Hundred Years War, a sinister enemy awaits the fabled archer and mercenary soldier: a bloodthirsty Dominican Inquisitor who also seeks Christendom's most holy relic. But neither the horrors of the battlefield nor sadistic torture at the Inquisitor's hands can turn Thomas from his sworn mission. And his thirst for vengeance will never be quenched while the villainous black rider who destroyed everything he loved still lives. "Cornwell writes the best battle scenes of any writer I've read past or present."—George R.R. Martin
"Bibliographical notes": pages 206-[207] Foreword.--Introduction: The vagabond element in modern literature--I. William Hazlitt.--II. Thomas De Quincey.--III. George Borrow.--IV. Henry D. Thoreau.--V. Robert Louis Stevenson.--VI. Richard Jefferies.--VII. Walt Whitman.
The French classic in which a group of guards to the king engage in adventure and mishap protecting the throne.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.