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Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
This edition includes: -Several illustrations from the original work -Extended and up to date introduction -A discussion of the structure of the book First published in 1516, Saint Thomas More's Utopia is one of the most important works of European humanism. Through the voice of the mysterious traveller Raphael Hythloday, More describes a pagan, communist city-state governed by reason. Addressing such issues as religious pluralism, women's rights, state-sponsored education, colonialism, and justified warfare, Utopia seems remarkably contemporary nearly five centuries after it was written, and it remains a foundational text in philosophy and political theory. Precminent More scholar Clarence H. Miller does justice to the full range of More's rhetoric in this new translation. Professor Miller includes a helpful introduction that outlines some of the important problems and issues that Utopia raises, and also provides informative commentary to assist the reader throughout this challenging and rewarding exploration of the meaning of political community.
Child-molesting priests, embezzled church treasures, philandering ministers and rabbis, even church-endorsed pyramid schemes that defraud gullible parishioners of millions of dollars: for the past decade, clergy misconduct has seemed continually to be in the news. Is there something about religious organizations that fosters such misbehavior? Bad Pastors presents a range of new perspectives and solidly grounded data on pastoral abuse, investigating sexual misconduct, financial improprieties, and political and personal abuse of authority. Rather than focusing on individuals who misbehave, the volume investigates whether the foundation for clergy malfeasance is inherent in religious organizations themselves, stemming from hierarchies of power in which trusted leaders have the ability to define reality, control behavior, and even offer or withhold the promise of immortality. Arguing that such phenomena arise out of organizational structures, the contributors do not focus on one particular religion, but rather treat these incidents from an interfaith perspective. Bad Pastors moves beyond individual case studies to consider a broad range of issues surrounding clergy misconduct, from violence against women to the role of charisma and abuse of power in new religious movements. Highlighting similarities between other forms of abuse, such as domestic violence, the volume helps us to conceptualize and understand clergy misconduct in new ways.
Utopia City.Rebuilt from the ashes of America's most horrific terror attack and transformed into a paragon of technological advancement, this city stands as a beacon of possibility where almost anything can happen.Jericho Hansen certainly hopes so; as a gay superhero in the deep South, his ambition is to achieve lifelong recognition by joining Force Majeure, America's best-known superhero team. But to do that, he must first travel to Utopia and learn the hard way if he's got what it takes. The events that transpire when he gets there will turn his entire world upside down. He will experience love and loss, triumph and tragedy. Mysteries will be solved and fresh inquiries opened.Welcome to Utopia, where the most important lesson is that nothing is truly as it seems.
Utopias come in every conceivable cultural and sexual shade: communist, fascist, anarchist, green, techno-fantastic, all male, all female. John Carey's anthology encompasses many noble schemes, as well as chilling attempts at social control.
In the Utopia, where all major decisions are made by the Computer, life is far from idyllic for many. Three ordinary people find their lives intertwined in a society that demands conformity and obedience. Deron Boyd, a man struggling with loss and addiction, has been convicted of a crime he doesn’t remember committing. Even though there’s surveillance footage of him breaking into a Store and stealing drugs, he feels that something isn’t quite right. Everything in the Utopia is free—there is no money—so why didn’t he just wait until the Store opened? Matthew Tucker is a guard who transports criminals to the Utopia’s labour camp, a place where Utopians work for twelve hours a day. He lives in constant fear of failing his duties and being sent back to the Camp himself. So when the leaders of the Utopia ask him, a lowly guard, for a meeting, he doesn’t know what to think. Sakura Saito’s story mirrors that of Deron’s, with loss and addiction affecting every part of her life. When she arrives at the Camp, she becomes a beacon of hope and love in Deron’s darkest days, though soon their relationship is strained with the inevitable hanging over them—Sakura’s release and their unavoidable separation. But a friend thinks he has a plan to keep them together, though it requires them to risk it all.
The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).
Utopian literature has given voice to the hopes and fears of the human race from its earliest days to the present. The only single-volume anthology of its kind, The Utopia Reader encompasses the entire spectrum and history of utopian writing-from the Old Testament and Plato's Republic, to Sir Thomas More's Utopia and George Orwell's twentieth century dystopia, Nineteen Eighty-Four, through to the present day. The editors of this definitive collection demonstrate the various ways in which utopias have been used throughout history as veiled criticism of existing conditions and how peoples excluded from the dominant discourse-such as women and minorities-have used the form to imagine empowering alternatives to present circumstances. An engaging tour through the dissident, polemic, and satirical tradition of utopian writing, The Utopia Reader ultimately provides a telling portrait of civilization's persistent need to imagine and construct ideal societies.