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THE USUAL SUSPECTS - ULTIMATE TRIVIA BOOK: TRIVIA, CURIOUS FACTS AND BEHIND THE SCENES SECRETS OF THE FILM DIRECTED BY BRYAN SINGERCREATED BY: FILMIC UNIVERSE-Do you think you know everything about THE USUAL SUSPECTS?Do you want to know more than 100 curious facts and secrets of Bryan Singer's film?This eBook is full of information about one of the best movies of 1995. You will find and REALLY LOVE abundant behind the scenes secrets. You can test your knowledge about this movie here.-HERE SOME EXAMPLES:- Christopher McQuarrie had previously worked for a detective agency, and this influenced the depiction of criminals and law enforcement officials in the script.- Benicio Del Toro's bizarre dialect in the film was reportedly so unintelligible that during one scene, Stephen Baldwin actually forgot his cue due to being unable to understand what Del Toro had said.- The part of Verbal Kint was always intended for actor Kevin Spacey.- The idea for this movie started only with the concept of a movie poster of five men in a lineup.- All the actors were encouraged to ad lib perplexed reactions to Benicio Del Toro's oddball vocal stylings.- Shot on a budget of $6 million over a period of 35 days.- Kevin Spacey met with doctors and experts on cerebral palsy to discuss how it might affect his characterization.AND MUCH MORE!-So, if you want to relive the memories of this great movie or just want to be entertained and learn more about it, do not hesitate to READ this Book!
Indianapolis Monthly is the Circle City’s essential chronicle and guide, an indispensable authority on what’s new and what’s news. Through coverage of politics, crime, dining, style, business, sports, and arts and entertainment, each issue offers compelling narrative stories and lively, urbane coverage of Indy’s cultural landscape.
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
This book represents the culmination of Thomas Elsaesser’s intense and passionate thinking about the Hollywood mind-game film from the previous two decades. In order to answer what the mind-game film is, why they exist, and how they function, Elsaesser maps the industrial-institutional challenges and constraints facing Hollywood, and the broader philosophic horizon within which American cinema thrives today. He demonstrates how the ‘Persistence of Hollywood’ continues as it has adapted to include new twists and turns, as well as revisions of past concerns, as film moves through the 21st century. Through examples such as Minority Report, Mulholland Drive, Source Code, and Back to the Future, Elsaesser explores how mind-game films challenge us and play games with our perception of reality, creating skepticism and (self-) doubt. He also highlights the mind-game film's tendency to intervene in a complex fashion in the political moment by questioning the dominant power’s intent to program both body and mind alike. Prescient and compelling, The Mind-Game Film will appeal to students, scholars, and enthusiasts of media studies, film studies, philosophy, and politics.
Following a mysterious absence of several years, the Man of Steel comes back to Earth in the epic action-adventure Superman Returns. While an old enemy plots to render him powerless once and for all, Superman faces the heartbreaking realization that the woman he loves, Lois Lane, has moved on with her life. Superman's bittersweet return challenges him to bridge the distance between them while finding a place in a society that has learned to survive without him. In an attempt to protect the world he loves from destruction, Superman embarks on an epic journey of redemption that takes him from the depths of the ocean to the far reaches of outer space. This is the full, original screenplay to the new movie, along with storyboards and exclusive input from the screenwriters and director.
Kevin Spacey is considered one of the most talented thespians of his generation. Voted “Greatest Actor of the Nineties” by Empire Magazine, placed third in a 2001 FilmFour poll of the hundred greatest-ever movie stars, he is a double Oscar winner and has been equally successful on the stage, being appointed Artistic Director of London’s Old Vic Theatre in 2003. Yet like his most famous screen character, Keyser Söze, he has remained a shadowy and mysterious figure, notoriously protective of his private relationships and giving few intimate interviews. Looking Closer, the first published biography of Spacey, explores the background and career of this enigmatic man. This revised edition includes several rare and previously unseen photographs from Kevin’s family archives.
“A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star).
5 criminals brought together in a framed police line-up . . . 27 bodies in Long Beach Harbour . . . 1 dying, terrified eyewitness . . . 1 dogged cop determined to unravel the truth . . . And at the root of this twisting tale, the notorious - mythical? - Hungarian master criminal, Keyser Souml;ze. Christopher McQuarrie's fiendishly tricky script for director Bryan Singer earned him both the US Academy Award and BAFTA for Best Original Screenplay of 1995. The taut, sinewy writing weaves a densely textured yarn that is as satisfying on the page as it is on screen.