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In this thought-provoking volume, experts explore the disturbing ramifications of portrayal of the Middle East by the U.S. media; analyze the stereotypes and misconceptions that Americans have of Arabs, Iranians, and other Middle Easterners; and discuss the far-reaching political and cultural impact of the United States on the Middle East. Focusing on the U.S. media (books, magazines, newspapers, motion pictures, television) coverage and portrayal of Arabs, Palestinians, the Intifada, Middle Eastern women, Iran, Islam, Turkey, and the Persian Gulf War, the book also examines the impact of motion picture classics on young children and the perceptions of American students relative to the Middle East. College students, educators, media professionals, policy makers, researchers, writers, and all those concerned about political communication, cross-cultural education, media effects, and international communication will find startling information about a critical topic on which very little has been written.
Middle Eastern newspapers evolved in the 19th century and were shaped during a period of accelerated change into a unique political, social and cultural role. Drawing on a wealth of sources, this study explores the press as a fundamental Middle Eastern institution.
The important relationship between the United States and the Middle East has historically been examined from a one-dimensional perspective. This volume brings together noted scholars and diplomats from the Middle East, North America, and Europe to provide a comprehensive multidimensional and cross-cultural reassessment of American policy toward the region in the twentieth century, from the King-Crane Commission following World War I through the current Israeli-PLO peace accords.The book begins by examining the evolution of the U.S. role in the Middle East, from untested international actor to Cold War participant in the 1950s. The discussions explore how the perceived idealism of the Wilsonian approach gave way to economic diplomacy following World War II, which in turn was replaced by a more goal-oriented foreign policy commensurate with the onset of the Cold War. The second section analyzes the varied roles of the United States in the “peace process” in the aftermath of the 1967 Arab-Israeli War and discusses each role in relation to specific events and relationships that characterized the process.Contributors then turn to the 1990-1991 Gulf War, which helped bring about a new regional configuration and created an enhanced role for the United States. The final section offers a retrospective look at the Cold War era in the Middle East and at the new challenges and opportunities that lie ahead for American foreign policy. Among these are the transformation of the relationship between the United States and the Soviet Union/Russia, the effects of socioeconomic distress on many Arab states, and the corresponding rise of Islamist movements, which many view as inimical to U.S. foreign policy objectives.
Media, War and Terrorism analyses, for the first time, responses to the events of 9/11 and it's repercussions from the point of view of Asian and Middle Eastern countries. Perhaps controversially, the contributors argue that while the US, and to an extent European, media seems largely unified in their coverage and silence in public debate of the events surrounding the attacks on the World Trade Centre, there exists open, critical debate in other parts of the world. By examining the use of media as an instrument of warfare and analyzing the construction of public opinion in mediated electronic warfare, this book clearly shows the difference in perspectives between public opinion in the US and the rest of the world. Moving away from popular assumptions that societies in the West are democratic and progressive and those in the Middle East and Asia are either authoritarian or under-developed, this examination of the media in those countries suggests the exact opposite. In combining an examination of the general, theoretical issues concerning the use of the media as an instrument of warfare with rich, geographically diverse case studies, the editors are able to provide a diverse and intriguing analysis of the impact and inter-connectedness of national and global medias. Bringing together contributions from academics, journalists and media practioners from all over the world, Media, War and Terrorism is an essential read for all of those seeking an informed, non-Western perspective on the events following 9/11.
Examines how popular culture has shaped the ways Americans define their "interests" in the Middle East. Author McAlister argues that U.S. foreign policy, while grounded in material and military realities, is also developed in a cultural context. American understandings of the region are framed by narratives that draw on religious belief, news media accounts, and popular culture. This book skillfully weaves readings of film, media, and music with a rigorous analysis of U.S. foreign policy, race politics, and religious history.--From publisher description.
In the field of American studies, attention is shifting to the long history of U.S. engagement with the Middle East, especially in the aftermath of war in Iraq and in the context of recent Arab uprisings in protest against economic inequality, social discrimination, and political repression. Here, Alex Lubin and Marwan M. Kraidy curate a new collection of essays that focuses on the cultural politics of America's entanglement with the Middle East and North Africa, making a crucial intervention in the growing subfield of transnational American studies. Featuring a diverse list of contributors from the United States, the Arab world, and beyond, American Studies Encounters the Middle East analyzes Arab-American relations by looking at the War on Terror, pop culture, and the influence of the American hegemony in a time of revolution. Contributors include Christina Moreno Almeida, Ashley Dawson, Brian T. Edwards, Waleed Hazbun, Craig Jones, Osamah Khalil, Mounira Soliman, Helga Tawil-Souri, Judith E. Tucker, Adam John Waterman, and Rayya El Zein.
You are being lied to by people who don't even exist. Digital deception is the new face of information warfare. Social media has been weaponised by states and commercial entities alike, as bots and trolls proliferate and users are left to navigate an infodemic of fake news and disinformation. In the Persian Gulf and the wider Middle East, where authoritarian regimes continue to innovate and adapt in the face of changing technology, online deception has reached new levels of audacity. From pro-Saudi entities that manipulate the tweets of the US president, to the activities of fake journalists and Western PR companies that whitewash human rights abuses, Marc Owen Jones' meticulous investigative research uncovers the full gamut of tactics used by Gulf regimes and their allies to deceive domestic and international audiences. In an age of global deception, this book charts the lengths bad actors will go to when seeking to impose their ideology and views on citizens around the world.
After 9/11, there was an increase in both the incidence of hate crimes and government policies that targeted Arabs and Muslims and the proliferation of sympathetic portrayals of Arabs and Muslims in the U.S. media. Arabs and Muslims in the Media examines this paradox and investigates the increase of sympathetic images of “the enemy” during the War on Terror. Evelyn Alsultany explains that a new standard in racial and cultural representations emerged out of the multicultural movement of the 1990s that involves balancing a negative representation with a positive one, what she refers to as “simplified complex representations.” This has meant that if the storyline of a TV drama or film represents an Arab or Muslim as a terrorist, then the storyline also includes a “positive” representation of an Arab, Muslim, Arab American, or Muslim American to offset the potential stereotype. Analyzing how TV dramas such as The Practice, 24, Law and Order, NYPD Blue, and Sleeper Cell, news-reporting, and non-profit advertising have represented Arabs, Muslims, Arab Americans, and Muslim Americans during the War on Terror, this book demonstrates how more diverse representations do not in themselves solve the problem of racial stereotyping and how even seemingly positive images can produce meanings that can justify exclusion and inequality.
As its interests have become deeply tied to the Middle East, the United States has long sought to develop a usable understanding of the people, politics, and cultures of the region. In Imagining the Middle East, Matthew Jacobs illuminates how Ameri
This volume addresses the changes in the Middle East—and in the United States as well—that has significantly affected the US-Middle Eastern dynamic. It provides an objective, cross-cultural assessment of U.S. foreign policy in the Middle East.