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This is a pioneering work on Urhobo language, and since language is not the restricted domain of only scholars of linguistics, other aspects of the language or issues that impinge on language use are also discussed in this collection of essays by a eleven experts drawn from research institutes and universities. Since literature is a vehicle of language, the proverbs and axioms of the language as well as the oratorical and performance traditions in Urhobo are also covered competently. Other cultural aspects, especially music, are also seen as enhancers of the language. To underscore the significance of religion and language, some contributors here examine the relationship between the Urhobo language and Christian evangelisation and between the language and the people's belief systems. Another also explores the place of language in what has come to be known as Urhobo "disco" music. The essays reinforce each other and some points are repeated for emphasis because of their cultural significance. The closeness of several topics, especially the challenges of the language and culture and on evangelisation in Urhobo as well as Gospel music in Urhobo, is intended to exhaustively open up the Urhobo language debate." Tanure Ojaide is Professor of African-American and African Studies at the University of North Carolina at Charlotte, where he teaches African/Pan-African literature and art. Rose Aziza is the Head of Department of Languages and Linguistics and Director of the Urhobo Studies Programme at the Delta State University in Nigeria.
This book is ideal for anyone who wants to learn or improve their Urbobo. The book will also help parents actively teaching their children the Urhobo language by providing a structured approach to the learning experience. The book covers the rudimentary aspects of learning the language and offers practice exercises which will aid the individual leaner or teacher. The sections on the book include: * Urhobo Alphabets* Urhobo Numerals* Urhobo Tone System* Urhobo Grammar* Speaking Urhobo* Learning New Words* Time and Day* Colours* I am a child of Urhobo Whether you are a learner or a teacher, you will find this book helpful.
History of The Urhobo People of Niger Delta is the most comprehensive compilation and study of various aspects of the history of the Urhobo people of Nigeria's Niger Delta. It begins with an examination of the prehistory of the region, with particular focus on the Urhobo and their close ethnic neighbour, the Isoko. The book then embarks on a close assessment of the advent of British imperialism in the Western Niger Delta. History of The Urhobo People of Niger Delta also probes the arrival and impact of Western Christian missions in Urhoboland. Urhobo history is notable for the sharp challenges that the Urhobo people have faced at various points of their di?cult existence in the rainforest and deltaic geographical formation of Western Niger Delta. Their history of migrations and their segmentation into twenty-two cultural units were, in large part, e?orts aimed at overcoming these challenges. History of The Urhobo People of Niger Delta includes an evaluation of modern responses to challenges that confront the Urhobo people, following the onrush of a new era of European colonization and introduction of a new Christian religion into their culture. The formation of Urhobo Progress Union and of its educational arm of Urhobo College is presented as the Urhobo response to modern challenges facing their existence in Western Niger Delta and Nigeria. History of The Urhobo People of Niger Delta extends its purview to various other fragments of the Urhobo historical and cultural experience in modern times. These include the di?culties that have arisen from petroleum oil exploration in the Niger Delta in post-colonial Nigeria.
This unique book is the product of pioneering research carried out by scholars native to the Urhobo culture and language. Unlike many of the other major ethnic cultures in Nigeria, which were studied by Western anthropologist in the nineteenth and twentieth centuries, the Urhobo language and culture remained neglected. Studies in Urhobo Culture represents a comparatively new area of research, approached from an indigenous perspective. The result is a wide-ranging survey of Urhobo culture in Nigeria, offering diverse perspectives on topics such as: naming traditions and practices of the Urhobo; religious beliefs, values and movements; traditions of marriage; artistic productions, food and dress subcultures; and the geography of Urhoboland and agricultural practices. In-depth consideration is given to Urhobo traditional poetry and the intellectual aspects of Urhobo culture and language, within the wider complex of the Edoid languages and cultures. The contributors further situate the language question within the global context of language endangerment, arguing the Urhobo case is an example of how English and Pidgin are imperilling small and medium-sized languages in Africa, and weakening the hold of indigenous cultures on the younger generation.
The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of "Where Gods and Mortals meet," the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades.
This volume traces the theme of the loss of language and culture in numerous post-colonial contexts. It establishes that the aphasia imposed on the indigenous is but a visible symptom of a deeper malaise — the mismatch between the symbiotic relation nurtured by the indigenous with their environment and the idea of development put before them as their future. The essays here show how the cultures and the imaginative expressions of indigenous communities all over the world are undergoing a phase of rapid depletion. They unravel the indifference of market forces to diversity and that of the states, unwilling to protect and safeguard these marginalized communities. This book will be useful to scholars and researchers of cultural and literary studies, linguistics, sociology and social anthropology, as well as tribal and indigenous studies.
Poetry, Performance, and Art is the first transcribed and translated collection and study of the udje poetry of Nigeria's Urhobo people. Udje is an integrative performance of song and dance by specially costumed performers at annual festivals. Udje dance songs were used to establish and maintain social norms. In addition to being an important compilation and study of African indigenous poetry, this book profiles three of the greatest udje poets and performers. Ojaide also explores the history of udje, including its development and the modern factors threatening its survival. Poetry, Performance, and Art will be of great interest not only to students and scholars of African oral traditions, African literature, and African studies, but also to poets in general and scholars of comparative anthropology, cultural studies, folklore, literature, performance arts, and sociology. "His translations are among the best that have ever been attempted in African oral literature." -- Ode S. Ogede, Research in African Literature
Professor Darah turned seventy on Wednesday November 22, 2017 and to celebrate his very productive career, his colleagues and many of those he has mentored thought it appropriate to mark his official exit from the university in a dignified way by commissioning for publication, in the now acceptable festschrift tradition, the highly compelling and outstanding collection of essays titled: Scholarship and Commitment: Essays in Honour of G.G. Darah. The book is a ground-breaking collection of essays; some are couched as tributes to the ebullient celebrant, there are others on more serious discourses in the areas of literary theories and criticism, language and linguistics, popular literature and politics, the African woman, identity and contemporary realities, oral literature, the news media and cultural studies. The essays, on their own, attest to the vivacity and liveliness as well as the encouraging state of health of publishing in the Nigerian academia, which in this collection alone, parades forty-two essays in different fields or discourses.
The Untold Story of a Nigerian Royal Family presents the story of the Urhobo ruling family of Okpe Kingdom and its political power in Nigeria. It traces the origins and history of the Okpe people and their social and political organization. Topics include: - The Okpe revolution of the sixteenth century and the assassination of Esezi I - British Colonial rule of the kingdom, late 1800s-1960 - Civil war between the Okpe and Olomu of Itsekiri and the palm oil trade rivalry - Urhobo-Itsekiri collaboration in the slave trade, and slavery in eighteenth- and nineteenth-century Okpe. - The political role played by traditional chiefs - Feminists who campaigned for women's rights to participate in the council of elders - The effort by HRH Esezi II to promote the democratic system of government within the Okpe council. - The story of the uncrowned king of Okpe Kingdom, including a brief history of the Nigerian Civil War of 1967-70 - The reign of HRH Orhoro I. - The story of the author's candidacy for Okpe King after the death of Orhoro I - Nigeria oil policy - Muslim-Christian strife and human rights abuses
This book is a convergence of heterogeneous insights (from languages and literature, history, music, media and communications, computer science and information studies) which previously went their separate ways; now unified under a single framework for the purpose of preserving a unique heritage, the language. In a growing society like ours, description and documentation of human and scientific evidence/resources are improving. However, these resources have enjoyed cost-effective solutions for Western languages but are yet to flourish for African tone languages. By situating discussions around a universe of discourse, sufficient to engender cross-border interactions within the African context, this book shall break a dichotomy of challenges on adaptive processes required to unify resources to assist the development of modern solutions for the African domain.