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The interaction with happened-upon street art is both physical and emotional, provoking a reaction and hopefully a conversation about the work this worldwide phenomenon. From backs of street signs to corporate boardrooms, its visibility, popularity, and diversity is what makes it so beloved. Highlighting some of the best work from around the world, The Urban Canvas is an extensive look at this art form and the artists that make it great. Whether created as political message, social commentary, or simply visual entertainment, street art has reclaimed art from the privileged and brought it back into the open for everyone to experience. Art professor, critic, and historian G. James Daichendt presents street art from around the world in The Urban Canvas, an exploration of how this global art form has been influenced by local customs and culture. Featuring the art of Banksy • Kenny Scharf •Shepard Fairey • Ron English • Blu • Keith Haring • Os Gêmeos • Vhils • D*Face • JR • Escif • Swoon • Barry McGee • ROA • Invader • Eduardo Kobra • Robbie Conal • Fin DAC • Chase • Toxicómano • Gaia • Herr von Bias • Herakut • Pixel Pancho • Cranio • Hyuro • Blek le Rat • Boa Mistura • Aryz • Stik • Stinkfish • CRISP • Adnate • Lady Aiko • Faith47 • C215 • Rone • Case Maclaim • El Seed • P183 • Clet • Bukruk • El Mac • Yuree Kensaku • David Flores • Plastic Jesus • Hueman • Tristan Eaton • Bumblebee • Nychos • Thierry Noir • Smug • Ericailcane • Fintan Magee • Alexis Diaz • Liqen • André • Ludo • . . . and many more! Territories featured: North America, South America, Australia, Europe, Asia, Africa
...This case study traces the contemporary mural movement in three cities: Boston, Philadelphia, and Los Angeles; it examines the evoluation of mural art from impromptu political protest to programs administered and funded by municipalities; this paper explains how mural arts projects can establish communal bands in urban centers rife with racial, social, and economic divides, how they can build social and intellectual capital in "at risk" youth, and how they can enhance the physical perception and quality of urban neighborhoods...
Take a Journey with the Master of the Urban Landscape! John Salminen is one of the most accomplished watercolor artists working today, earning awards and recognition all over the world. Whether depicting the trees of Central Park, the architecture of San Francisco or the busy streets of Beijing, John Salminen's watercolor paintings are snapshots of urban life that are both rich in detail and universal in appeal. In Master of the Urban Landscape, Salminen shares over 150 pieces of his artwork, spanning his entire career. His early abstracts and recent plein air work in the book's Introduction set the groundwork for four chapters of remarkable watercolor paintings that highlight different aspects of his work: architectural form, organic form, human form and light and shadow. Throughout, Salminen shares the inspiration for his paintings, challenges he encountered and techniques he used to capture unique scenes from cities around the world. Embark on an amazing watercolor journey with John Salminen—Master of the Urban Landscape. "John Salminen is a master of the medium of watercolor. His sense of light and design sets him apart from his contemporaries, and he has emerged as one of the finest living artists of our times with a style very much his own." --Dean Mitchell
Antonio López García’s Everyday Urban Worlds: A Philosophy of Painting is the first book to give the famed Spanish artist the critical attention he deserves. Born in Tomelloso in 1936 and still living in the Spanish capital today, Antonio López has long cultivated a reputation for impressive urban scenes—but it is urban time that is his real subject. Going far beyond mere artist biography, Benjamin Fraser explores the relevance of multiple disciplines to an understanding of the painter’s large-scale canvasses. Weaving selected images together with their urban referents—and without ever straying too far from discussion of the painter’s oeuvre, method and reception by critics—Fraser pulls from disciplines as varied as philosophy, history, Spanish literature and film, cultural studies, urban geography, architecture, and city planning in his analyses. The book begins at ground level with one of the artist’s most recognizable images, the Gran Vía, which captures the urban project that sought to establish Madrid as an emblem of modernity. Here, discussion of the artist’s chosen painting style—one that has been referred to as a ‘hyperrealism’—is integrated with the central street’s history, the capital’s famous literary figures, and its filmic representations, setting up the philosophical perspective toward which the book gradually develops. Chapter two rises in altitude to focus on Madrid desde Torres Blancas, an urban image painted from the vantage point provided by an iconic high-rise in the north-central area of the city. Discussion of the Spanish capital’s northward expansion complements a broad view of the artist’s push into representations of landscape and allows for the exploration of themes such as political conflict, social inequality, and the accelerated cultural change of an increasingly mobile nation during the 1960s. Chapter three views Madrid desde la torre de bomberos de Vallecas and signals a turn toward political philosophy. Here, the size of the artist’s image itself foregrounds questions of scale, which Fraser paints in broad strokes as he blends discussions of artistry with the turbulent history of one of Madrid’s outlying districts and a continued focus on urban development and its literary and filmic resonance. Antonio López García’s Everyday Urban Worlds also includes an artist timeline, a concise introduction and an epilogue centering on the artist’s role in the Spanish film El sol del membrillo. The book’s clear style and comprehensive endnotes make it appropriate for both general readers and specialists alike.
What happens when you look at graffiti and street art as unlimited art forms instead of urban phenomena? Concrete Canvas does just that; investigating the media the artists work with, the canvases they work on, the themes that arise through their work, and the way their art redefines the spaces in which it is set. Concrete Canvas is filled with stunning photos of works from new and exciting artists, as well as established names, including Ron English, Phlegm, Daim, Invader and more. It examines how the curation of public space is affecting our cities and moving art into the future. Global Street Art is the largest online archive of street art photography. Here, its founder Lee Bofkin shares some of his best stories of documenting street art, which variously feature big guns, massive dogs and lots of abandoned buildings.
A visual account of the birth of graffiti and street art, showcasing as-yet-unseen works collected by preeminent artist Martin Wong. Referred to by the New York Times as an artist "whose meticulous visionary realism is among the lasting legacies of New York’s East Village art scene of the 1980s," Martin Wong (1946–1999) was firmly entrenched in the NYC street art world of the late ’70s and ’80s. City as Canvas chronicles the most important chapter in the street art movement and the artists involved. Showcasing Wong’s enormous graffiti art collection, the book contains artwork, photographs, black books, letters, postcards, posters, and flyers made by Wong and his artist friends. The book contains previously unpublished art by famous street artists such as Futura 2000, Jean-Michel Basquiat, Christopher "Daze" Ellis, LA II, Lady Pink, and Keith Haring, to name only a few. City as Canvas traces the origins of urban self-expression and the era of "outlaw" street art in New York, which primed the floodgates for graffiti art to spread worldwide. Exhibition Schedule: Museum of the City of New York: Opens October 2013
Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.
Urban art - the decoration of public spaces - combines street art and graffiti and is an international creative practice. Many urban artists address issues such as human rights, the environment and lifestyle choices by challenging and confronting established thinking. Some artists feature heroes or icons in their work, others use illusions to lure the viewer into examining the art and trying to figure out what is real and what is not. Others still pay homage to less wellknown people who have worked for the good of humanity. Along with the urban landscape, this art form is evolving all the time, reflecting the zeitgeist, asking questions, and grabbing the attention of the passing city dweller.