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This Upanishad forms a part of the Brahmana belonging to the Katha Shakha of the Krishna Yajur Veda. It stands in a class by itself. It combines charming poetry, elevating mysticism, and profound philosophy. The subject of the mystery of death is introduced through the medium of an interesting anecdote; and the teaching of the Upanishad is presented in the form of a dialogue between a mere boy, Nachiketa, and Yama, the King of Death. With the text of the Upanishad in Devanagari, a lucid and faithful translation of the text and commentary, relevant notes, reference to quotations, and index to texts, this Upanishad is a must for all students of Vedanta. Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math.
Excerpt from The Upanishads, Vol. 2: The Katha-Upanishad; The Mundaka-Upanishad; The Taittiriyaka-Upanishad; The Brihadaranyaka-Upanishad; The Svetasvatara-Upanishad; The Prasna-Upanishad; The Maitrayana-Brahmana-Upanishad These eleven have sometimes 2 been called the old and genuine Upanishads, though I should be satisfied to call them the eleven classical Upanishads, or the fundamental Upanishads Of the Vedanta philosophy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The commentary of Shankara on the Gita is regarded as an outstanding specimen of Indian scholarship. The translator has accomplished his task in a most praiseworthy manner by giving a faithful translation, without in any way detracting from the strength or clarity of the original commentary. The inclusion of a ‘word index’ of the entire text has added to the worth of the book.
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The Upanishads are called shruti, revelations. Mandukya Upanishad, though the shortest of all Upanishads, is a revered, profound Upnaishad that teaches us about four states of consciousness: the waking, dreaming and sleeping states and Turiya, the fourth state, beyond the first three. In this Upanishad, there is a unique combination of psychology and profound philosophy, a clear exposition of the four states of consciousness.
Excerpt from The Upanishads, Vol. 2 This second volume completes the translation of the principal Upanishads to which Sahkara appeals in his great commentary on the Vedanta-Sutras, viz,: 1. Khândogya-upanishad, 2. Talavakâra or Kena-upanishad, 3. Aitareya-upanishad, 4. Kaushitaki-upanishad, 5. Vagasaneyi or Isa-upanishad, 6. Katha-upanishad, 7. Mundaka-upanishad, 8. Taittiriyaka-upanishad, 9. Brihadaranyaka-upanishad, 10. Svetasvatara-upanishad, 11. Praña-upanishad. These eleven have sometimes been called the old and genuine Upanishads, though I should be satisfied to call them the eleven classical Upanishads, or the fundamental Upanishads of the Vedanta philosophy. Vidyarañya, in his 'Elucidation of the meaning of all the Upanishads,' Sarvopanishadarthanubhuti-prakaisa, confines himself likewise to those treatises, dropping, however, the Îsâ, and adding the Maitrayana-upanishad, of which I have given a translation in this volume, and the Nrisimhottara-tapanîya-upanishad, the translation of which had to be reserved for the next volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.