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Tom Taylor-the real-life counterpart of his father's famous fictional boy-wizard creation, a living bridge between our reality and the realities of every tale ever told-knows the power of stories only too well. Now he's the star of his most important story yet. It's a quest straight out of King Arthur, filled with black knights, ensorcelled swords, and maidens who are fair to a fault. If his heart is pure and his courage true, he can enter the Chapel Perilous, find the Grail, complete his quest, and save existence as we know it. If not, we are verily screwed. Hark! Storytellers Mike Carey, Peter Gross, and Chris Chuckry approach, singing tales of valor and treachery in THE UNWRITTEN: APOCALYPSE! This final volume in THE UNWRITTEN saga collects issues #6-12.
Tom Taylor's life was screwed from the word go. His father created the mega-popular Tommy Taylor boy-wizard fantasy novels. But dad modeled the fictional epic so closely to Tom that fans constantly compare him to his counterpart, turning him into a lame, Z-level celebrity. When a scandal hints that Tom might really be the boy-wizard made flesh, Tom comes into contact with a mysterious, deadly group that's secretly kept tabs on him all his life. Now, to protect his life and discover the truth behind his origins, Tom will travel the world, to all the places in world history where fictions have shaped reality.
A New York Times Bestseller! One of Publishers Weekly's Hot Fall Books of 2013! Tom Taylor has lived his life being mistaken for Tommy Taylor, the boy wizard from the world-famous series of novels penned by Tom's long-lost father Wilson. However,after a series of strange events start to parallel the lives of both Taylors—fictional and real—Tom realizes that he might be the character on page made flesh. In this first-ever original graphic novel spinning off from the pages of the criticallyacclaimed THE UNWRITTEN series, writer Mike Carey explores the origins behind Tom's mysterious powers and the odyssey his father has sent him on.
The academy may claim to seek and value diversity in its professoriate, but reports from faculty of color around the country make clear that departments and administrators discriminate in ways that range from unintentional to malignant. Stories abound of scholars--despite impressive records of publication, excellent teaching evaluations, and exemplary service to their universities--struggling on the tenure track. These stories, however, are rarely shared for public consumption. Written/Unwritten reveals that faculty of color often face two sets of rules when applying for reappointment, tenure, and promotion: those made explicit in handbooks and faculty orientations or determined by union contracts and those that operate beneath the surface. It is this second, unwritten set of rules that disproportionally affects faculty who are hired to "diversify" academic departments and then expected to meet ever-shifting requirements set by tenured colleagues and administrators. Patricia A. Matthew and her contributors reveal how these implicit processes undermine the quality of research and teaching in American colleges and universities. They also show what is possible when universities persist in their efforts to create a diverse and more equitable professorate. These narratives hold the academy accountable while providing a pragmatic view about how it might improve itself and how that improvement can extend to academic culture at large. The contributors and interviewees are Ariana E. Alexander, Marlon M. Bailey, Houston A. Baker Jr., Dionne Bensonsmith, Leslie Bow, Angie Chabram, Andreana Clay, Jane Chin Davidson, April L. Few-Demo, Eric Anthony Grollman, Carmen V. Harris, Rashida L. Harrison, Ayanna Jackson-Fowler, Roshanak Kheshti, Patricia A. Matthew, Fred Piercy, Deepa S. Reddy, Lisa Sanchez Gonzalez, Wilson Santos, Sarita Echavez See, Andrew J. Stremmel, Cheryl A. Wall, E. Frances White, Jennifer D. Williams, and Doctoral Candidate X.
"Tom Taylor's life was screwed from the word go. His father created the mega-popular Tommy Taylor boy-wizard fantasy novels. But dad modeled the fictional epic so closely to Tom that fans constantly compare him to his counterpart, turning him into a lame, Z-level celebrity. When a scandal hints that Tom might really be the boy-wizard made flesh, Tom comes into contact with a mysterious, deadly group that's secretly kept tabs on him all his life. Now, to protect his life and discover the truth behind his origins, Tom will travel the world, to all the places in world history where fictions have shaped reality" -- from publisher's web site.
Costumed crimefighter Empowered finds herself the desperate prey of a maniacal supervillain whose godlike powers have turned an entire city of suprahumans against her. Not good! Outnumbered and under siege, aided only by a hero's ghost, can Emp survive the relentless onslaught long enough to free her enslaved teammates and loved ones, or is this--*gulp*--The End? From comics overlord Adam Warren comes Empowered, the acclaimed sexy superhero comedy--except when it isn't, as in this volume's no-nonsense, wall-to-wall brawl guaranteed to bring tears to the eye and fists to the face!
This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization. In The Legitimacy of the Middle Ages, modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire, a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career. Contributors: Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel
A year after The War of Words and nearly unbearable tragedy and loss, Tom Taylor's life is finally knitting itself back together. However, disconnected from the power of Leviathan and the manipulation of the Cabal, the real world and the fictional world are facing a sweeping tide of chaos, and the damage seems to be spreading. When a rash of mysterious disappearances catches the eye of young detective Didge Patterson, it becomes apparent that the cult known as The Church of Tommy is involved. When ghosts, vampires and unicorns are also mixed in, Tommy finds that an even more complicated tale is about to unfold. Can Tommy discover the secrets behind the cult’s mysterious façade and heal "The Wound" before the real and fictional worlds crumble? The Eisner Award-nominated creative team of Mike Carey (JOHN CONSTANTINE: HELLBLAZER) and Peter Gross (LUCIFER) present UNWRITTEN VOLUME 7: THE WOUND - a tumultuous tale where the lines between fiction and reality are irreparably blurred. Collects issues #36-41.
Get lost in the fantastic world of Bill Willingham's acclaimed, Eisner Award-winning series Fables, now collected in a beautiful and story-packed compendium! When a savage creature, known only as the Adversary, conquered the fabled lands of legends and fairy tales, the famous inhabitants of folklore were forced into exile. Disguised among the normal citizens of a modern New York, these magical characters created their own peaceful and secret society, which they called Fabletown. But when Snow White's party-girl sister, Rose Red, is apparently murdered, it's up to Fabletown's sheriff -- the reformed Big Bad Wolf, Bigby -- to find the killer. Meanwhile, trouble of a different sort brews at the Fables' upstate farm, where non-human inhabitants are preaching revolution...and threatening the carefully nutured secrecy of Fabletown. Collecting issues #1-41, Fables: The Last Castle, Fables: 1,001 Nights of Snowfall, and a short story from Fables: Legends in Exile!
Blake's two finished epics have been widely regarded as combinations of brilliant set pieces which yield to no systematic rhetorical criticism. Susan Fox contests this view, discovering in Milton an elaborate verbal structure that is fully congruent with the poem's philosophy. She has made the first full exposition of the formal principles of a late Blake poem, and it suggests that the late prophecies are as profound in their artistic structures as they are in their thematic ones. The author begins by tracing throughout Blake's poetry the development of the techniques found in Milton. She then provides an analysis in two chapters organized, as she perceives the poem to be, in parallel three-part units. Her examination reveals the exhaustive parallelism of the poem's books, as well as more local devices such as paired stanzas and circular rhetoric. The rhetorical pattern which emerges raises several major thematic issues which are treated in the concluding chapter. In demonstrating the coherence and control of the intricate formal patterns of Milton, this study provides a new measure of Blake's late verbal art. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.