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A second chance leads to sudden pregnancy in USA TODAY bestselling author Janice Maynard's epic Texas Cattleman's Club: After the Storm prequel novella… Texas financier Jed Farrell always gets what he wants—except when it comes to the one who got away, Kimberly Fanning. Now he's here to settle old scores with his high school sweetheart at their ten-year reunion. But when they end up back between the sheets, the man with a plan soon gets an unplanned baby surprise. Will old doubts and differences scuttle their second shot at a future together? The time for answers is running out as a storm literally brews on the horizon…. This exciting prequel novella also includes the first chapter in the continuing story STRANDED WITH THE RANCHER by USA TODAY bestselling author Janice Maynard, only from Harlequin® Desire!
An untamable bachelor meets his match in this contemporary Western romance from the USA Today–bestselling author. After a shocking betrayal, Dan Crenshaw left behind his corporate empire to live a solitary life in the Gulf of Mexico. All he wants to do on the small Texas island is keep away from trouble—especially the kind that turns heads in a strapless dress. But his seclusion is shattered by the arrival of Shannon Doyle, his kid sister’s friend. Refusing to be broken by a bad relationship, Shannon has decided to follow her heart—and go after the man she’s dreamed of since her teens. Soon, the vulnerable beauty is infiltrating Dan’s lone existence with caring smiles and home-cooked meals. But Dan has sworn off becoming a family man. And though he dreams of taking Shannon to the depths of passion, his honor wouldn’t allow him to take her innocence . . . unless he slipped a ring on her finger. . . .
The author uses letters, journals, and travel accounts to show the early attitudes toward the uses of indigenous birds and mammals of Texas. Surviving on nature's bounty and remorselessly exterminating her threats--wolves, cougars, and other wily critters--settlers exploited Texas' pristine fecundity. Some species benefited from disturbed environments; others were unable to adjust to human presence and disappeared. By the 1880s concern about the diminishing numbers of many preferred species led to enactment of game laws and other efforts to protect and manage wildlife. Today, the author argues, habitat change is the most pressing issue confronting conservationists.
William Faulkner examines the life and work of the American modernist whose experiments in style and form radically challenged not only the experience of time in narrative, but also conceptions of the American South, race, and the explosive fear of miscegenation. Beginning with the 1929 publication of The Sound and the Fury (his fourth novel), Faulkner produced a dazzling series of masterpieces in rapid order, including As I Lay Dying; Sanctuary; Light in August; Absalom, Absalom!; and Go Down, Moses—novels and stories that alternately exhilarated and exasperated critics and left readers gasping to keep pace with his storytelling innovations. Transforming his hometown of Oxford, Mississippi, into the fictional Yoknapatawpha County, Faulkner created his own microcosm in which compassion and personal honor struggle to stand up to the violence, lust, and greed of the modern world. As prolific as Faulkner was, however, the career of this Nobel laureate was neither easy nor carefree. He was perpetually strapped for cash, burdened with supporting a large extended family, ambivalent toward his marriage, and vulnerable to alcoholism. Honoring both the man and the artist, this book examines how Faulkner strained to balance these pressures and pursue his literary vision with single-minded determination.
That Man From Texas by Quinn Wilder released on Apr 24, 1986 is available now for purchase.
Daniel Hoffman’s bold new readings reveal unsuspected dimensions in Faulkner’s The Unvanquished, The Hamlet, and Go Down, Moses. He shows how these works, often regarded as disunified collections of short stories and novellas, are coherent and successful experiments in novelistic form. These last three novels of Faulkner’s great period are striated with folklore and structured with myths. They teem with folk motifs of comic exaggeration, deception, horse-trading, tall-tale humor. Hitherto, critics unversed in folklore have been able to treat these aspects only in generalities. Here, drawing on fieldwork from the Mississippi Writers Project in the 1930s, the author of Poe Poe Poe Poe Poe Poe Poe and the influential Form and Fable in America Fiction demonstrates in detail Faulkner’s ironical, subversive, and transformative appropriations of folklore plots, characters, comedy, language, and the style of oral tale-telling, setting these in the full complexity of the works they animate. Hoffman, shows, too how in imagining his dynastic novels, Faulkner interprets myth as history, history as myth. He challenges recent deconstructive, post-Marxist and structuralist readings of “The Bear,” and demonstrates the necessity on the reader’s part for an historical imagination to complement Faulkner’s own. Written with verve, Faulkner’s Country Matters enriches our reading of Faulkner by presenting his work in its necessary settings of southern history and culture. Faulkner’s modernism is restated as a continuance of the great American fiction tradition of Hawthorne, Melville, and Mark Twain.