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"The year is 1884 and Emma M. Lion has, at long last, gained her majority. Entering a golden age of friendship with Pierce, Islington, and Hawkes, Emma is confident that she will manage whatever comes her way. It is the season she must help Arabella secure a husband, while navigating the threat of Aunt Eugenia, the unflagging adoration of Charles Goddard, and the amusing unpredictability of St. Crispian's. But the secrets of her trusted friends are what might very well bring about disaster"--provided by publisher.
"I've arrived in London without incident. There are few triumphs in my recent life, but I count this as one. My existence of the last three years has been nothing but incident." The Year is 1883 and Emma M. Lion has returned to her London neighborhood of St. Crispian's. But Emma's plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispian's. Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be, which comprise a series of novella-length volumes. Armed with wit and a sideways amusement, Emma documents the curious realities of her life at Lapis Lazuli House. Readers have compared Beth Brower's writing to Jane Austen, Oscar Wilde, P.G. Wodehouse, and L. M. Montgomery.
“Expansive, romantic, and powerful.” —Gayle Forman, #1 New York Times bestselling author of If I Stay and I Have Lost My Way Susannah Ramos has always loved the water. A swimmer whose early talent made her a world champion, Susannah was poised for greatness in a sport that demands so much of its young. But an inexplicable slowdown has put her dream in jeopardy, and Susannah is fighting to keep her career afloat when two important people enter her life: a new coach with a revolutionary training strategy, and a charming fellow swimmer named Harry Matthews. As Susannah begins her long and painful climb back to the top, her friendship with Harry blossoms into passionate and supportive love. But Harry is facing challenges of his own, and even as their bond draws them closer together, other forces work to tear them apart. As she struggles to balance her needs with those of the people who matter most to her, Susannah will learn the cost—and the beauty—of trying to achieve something extraordinary.
CAN QUINCY ST. CLAIRE KEEP THE Q? A dying man with a scheme. A charming smuggler one step ahead of the law. A former foundling with a mangled hand. A family of kingmakers. A printing tycoon. A constable on the trail of justice. An idealistic solicitor with secrets of his own. And the genius at the center of it all, Quincy St. Claire. On New Year's Eve, Quincy St. Claire's well-ordered world is set askew. Her Uncle Ezekiel tells her that, upon his demise, she must fulfill a list of requirements in order to inherit his publication, The Q. But Quincy is not to be told what those requirements are, and the only person in possession of that knowledge is her silent, disapproving solicitor, James Arch. All of Rhysdon is intrigued by Quincy's genius and her adeptness at turning a profit through her fierce focus on business, excluding all else. Surrounded by a unique cadre of individuals who find their way to the offices of The Q, Quincy is determined to win her Uncle's absurd game, and keep the only thing she has ever cared about.
My name is Sophie. This book is about me. It tells the heart-stoppingly riveting story of my first love. And also of my second. And, okay, my third love, too. It's not that I'm boy crazy. It's just that even though I'm almost fifteen I've been having sort of a hard time trying to figure out the difference between love and lust. It's like my mind and my body and my heart just don't seem to be able to agree on anything.
Darrow fell in love with Elinor at first sight. But she was already engaged. To two men. He joined the Merchant Marine to train as a radio operator. His letters from Gallups Island and then the war charmed her, but Elinor had changed. Women entered the working world--as boatbuilders and micrometer testers and even riveters and movie stars--and she wanted to become Something Big. Marriage wasn't for her. Darrow's letters kept coming. . . . . . the same letters my sister and I discovered in a large photo box after our parents? deaths. Their romance was interrupted by the war and by the fledgling dreams of a woman, a Bishop's daughter, who wanted to do something more than carry on the traditional roles women had in the forties. The tale of this romance is in both voices--Elinor's from the homefront and Darrow's from the war.
“For this brief moment, the two sisters could be ‘together in heart and affection’, and through such letters bridge the distance of empire.” We often learn about the commerce, diplomacy, and military campaigns of the British empire without reference to the intimate side of life in these times—the development of self, the position of women, and the importance of family. In this book, the story of empire, so often told from a man’s perspective, is given a unique vantage point through Eliza Hillier’s letters to her younger sister, Martha. Written largely from Hong Kong, Shanghai, England, and Siam, the letters allow us to become a member of her family and follow the daily tribulations associated with the life of a young British woman in the port cities of Asia. We are thus able to share Eliza’s experiences as she leaves home to embark on married life, starts and raises a family, grieves at the abrupt and tragic loss of her husband, Charles Batten Hillier, and then sets about re-building her life. At once a reflection on the daily components of empire, an entertaining narrative of familial relationships, and the story of one woman’s inner feelings, My Dearest Martha guides us through the vagaries of life for a family who were very much a part of imperial careering and missionary circles in East and Southeast Asia. The letters are complemented by images and commentary from the author, a descendant of Eliza, providing context and depth, which together give us a fuller picture of British colonial life in the mid-1800s from a perspective that will resonate with readers around the world.
At a time when the French monarchy traced its origins back to ancient Troy, Homeric epic was fated to play a significant political role. Homer came to Renaissance France packaged with an ancient interpretive tradition that made him an authority on all matters but also distinctly separate from Virgil and the Aeneid, rival Italy's foundational myth. Thus, once French humanists learned to read Homer in Greek, they quickly began putting him in the service of their king in order to teach him prudence and amplify his authority. Homer and the Politics of Authority in Renaissance France provides a stimulating perspective on how Homeric authority went from being used by humanists in the role of royal counselors to being exploited by both monarchical and anti-monarchical forces in the service of ideologies, most especially in the Wars of Religion (1562-1598). In turn, French writers of the period transitioned from being monarchical advisors to stirring crowds as actors on the larger political stage. In this study, Marc Bizer not only analyzes a number of works by key authors and humanists-including Michel de Montaigne, Joachim du Bellay, Guillaume Budé, and Jean Dorat, among others- but also examines their poetry, art, pamphlets, and plays. Although there have been several studies of the Homeric legacy in western literature and even in early modern French literature, none has analyzed the political role that Homer played in sixteenth-century France for this circle of important writers. The captivating results of this approach to the post-classical usage of Homer will appeal not only to historians and literary scholars, but also to political scientists, classicists, and art historians.
One of the most important women of the 20th Century, Eleanor Roosevelt (1884-1962) was also one of its most prolific letter writers. Yet never before has a selection of her letters to public figures, world leaders, and individuals outside her family been made available to general readers and to historians unable to visit the archives at Hyde Park. It Seems to Me demonstrates Roosevelt's significance as a stateswoman and professional politician, particularly after her husband's death in 1945. These letters reveal a dimension of her personality often lost in collections of letters to family members and friends, that of a shrewd, self-confident woman unafraid to speak her mind. In her letters, Roosevelt lectured Truman, badgered Eisenhower, and critiqued Kennedy. She disagreed with the Catholic Church over aid to parochial schools, made recommendations for political appointments, expressed her opinion on the conviction of Alger Hiss. Some letters demonstrate her commitment to civil rights, many her understanding of Cold War politics, and still others her support of labor unions. As a whole, this collection provides unique insights into both Eleanor Roosevelt's public life, as well as American culture and politics during the decades following World War II.
Captured by the Comanches at the age of nine, Helen dreams of escape for more than fourteen years yet, when the time comes to choose freedom she discovers no choice exists as she has become absorbed in the Comanche culture.