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"Ada Louise Huxtable turns her attention to our preference for invented environments - theme parks, shopping malls, historic restorations, and heritage marketplaces, new towns like Disney's Celebration, and the latest developer dream houses. These unreal places have created a fantasy world where the authentic is neither admired nor desired. The result is a compelling examination of our curious passion for the synthetic place and the surrogate experience, and the way this affects our attitudes and values."--BOOK JACKET.
There are thousands of highly practical and often entertaining astrology books freely available to consumers who have become familiar with the basic parameters of astrology. The authors of these books, and most other astrologers, analyze only the "ten planets"--the sun and the nine planets of our solar system. Author William Noah asserts that this simple method is insufficient because the energy of mankind is not solely captured in the planets. Noah's all-inclusive work serves as a tutorial and reference for the world of asteroids and planets. Of the thousands of asteroids in the universe, Noah has selected twenty key asteroids that are the most relevant to the events, experiences, encounters, and future possibilities of the astrology-interested public. Noah's comprehensive work includes: Charts with meaning and symbolism of zodiac signs and houses Lists of planetary symbolism and meaning Alignment of chart interpretation with the complementary astro-mythic energy characterization of triangular Grand Trine formations depicting the meaning and permanent effect for life momentum Natal charts for every president of the United States Natal charts for popular American celebrities The "Astrology of America" goes beyond analysis of the planets to prepare horoscopes by introducing preselected asteroids into the astrological mix. Noah believes his use of these asteroids, along with planetary placement, builds a framework that identifies the surest way to reach success and meaning in life.
From the Reliance Building and Coney Island to the Kimbell Museum and Disney Hall, the United States has been at the forefront of modern architecture. American life has generated many of the quintessential images of modern life, both generic types and particular buildings. Gwendolyn Wright’s USA is an engaging account of this evolution from the late nineteenth century to the twenty-first. Upending conventional arguments about the origin of American modern architecture, Wright shows that it was not a mere offshoot of European modernism brought across the Atlantic Ocean by émigrés but rather an exciting, distinctive and mutable hybrid. USA traces a history that spans from early skyscrapers and suburbs in the aftermath of the American Civil War up to the museums, schools and ‘green architecture’ of today. Wright takes account of diverse interests that affected design, ranging from politicians and developers to ambitious immigrants and middle-class citizens. Famous and lesser-known buildings across America come together--model dwellings for German workers in rural Massachusetts, New York’s Rockefeller Center, Cincinnati’s Carew Tower, Frank Lloyd Wright’s Taliesin West in the Arizona desert, the University of Miami campus, the Texas Instruments Semiconductor Plant, and the Corning Museum of Glass, among others--to show an extraordinary range of innovation. Ultimately, Wright reframes the history of American architecture as one of constantly evolving and volatile sensibilities, engaged with commerce, attuned to new media, exploring multiple concepts of freedom. The chapters are organized to show how changes in work life, home life and public life affected architecture--and vice versa. This book provides essential background for contemporary debates about affordable and luxury housing, avant-garde experiments, local identities, inspiring infrastructure and sustainable design. A clear, concise and richly illustrated account of modern American architecture, this timely book will be essential for all those who wonder about the remarkable legacy of American modernity in its most potent cultural expression.
Known for her well-reasoned and passionately held beliefs about architecture, Ada Louise Huxtable has captivated readers across the country for decades, in the process becoming one of the best known critics in the United States. Her brilliance over so many years is unmatched, and her range has always been vast-from a plea to save a particular architectural treasure to an ongoing discussion about whether modern architecture is dead. Her keen eye and vivid writing have reinforced to readers how important architecture is and why it continues to be both controversial and fascinating. Since so much of her writing has been in newspapers, it has quickly become unavailable to her many fans. On Architecture will bring together her best work from the New York Times, New York Review of Books, her more recent essays in the Wall Street Journal, and her various books. She is personally selecting and organizing the pieces into sections like "Art and Culture" and "The Art of Architecture," and is revising them as needed to bring them up to date. Whether you love modern architecture or desire a return to Beaux Arts design, this book will give you insight into the mind and heart of a critic who has artfully brought the discussion of architecture, architects and our environment to readers for five decades.
This study conceives the literary and cinematic category of 'noir' as a way of understanding the defining conflict between authenticity and consumer culture in post-World War II America. It analyses works of fiction and film in order to argue that both contribute to a 'noir tradition' that is initiated around the end of World War II and continues to develop and evolve in the present.
Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This anthology includes papers from the 31st annual conference held in Los Angeles, California. Topics covered include Chicano theatre, the Vietnam War and 9/11 in the French theatre, actresses and modern Hamlet, Asian theatre, Antigone in pre- and post-communist Germany, adapting an Internet comic strip for the stage, and the future of dramatic literature in the academy, among others.
Now includes “The Life Inc. Guide to Reclaiming the Value You Create” In Life Inc, award-winning writer Douglas Rushkoff traces how corporations went from being convenient legal fictions to being the dominant fact of contemporary life. The resulting ideology, corporatism, has infiltrated all aspects of civics, commerce, and culture—from the founding of the first chartered monopoly to the branding of the self, from the invention of central currency to the privatization of banking, from the Victorian Great Exhibition to the solipsism of Facebook. Life Inc explains why we see our homes as investments rather than places to live, our 401(k) plans as the ultimate measure of success, and the Internet as just another place to do business. Most important, Rushkoff illuminates both how we’ve become disconnected from our world and how we can reconnect to our towns, to the value we can create, and, mostly, to one another. As the speculative economy collapses under its own weight, Life Inc shows us how to build a real and human-scaled society to take its place.