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First published in 1989 The Unquiet Countryside chronicles rural crime and unrest in the English countryside from seventeenth century down to the end of the Victorian era. The authors highlight some of the most striking aspects of the countryside of the past: the extent and nature of rural crime and protest; riots over food; the Swing riots of 1830; poaching, arson, and animal maiming; the relations between landowners and the rural community; and the eventual new outlet for farmworkers in the growth of labour organizations. The volume expands our understanding of the rural past and directs new light on Britain’s rural heritage. This book is an essential read for scholars and researchers of British history, agricultural history, and history in general.
This book analyses the specific ways in which family lives have changed and how they have been affected by the major structural and cultural changes of the second half of the twentieth century.--
We rarely hear the past voices of the rural poor - the laborers dependent on casual employment, the workhouse inmates, the dispossessed. This book lets them tell their own story. It is, frequently, a story of bitterness and resentment, and one that bursts occasionally into outright rebellion. To many who occupied the early-Victorian countryside, injustice seemed part of the landscape. Robert Lee draws on a remarkable set of historical sources from Norfolk which show how the experience of poverty could lead people into social transgression and political resistance. Using dramatizations of contemporary accounts he presents a series of disturbing true stories, and goes on to assess what each one can tell us about the reality of nineteenth-century rural society. Insurrection, riot, execution, witchcraft, seduction - Unquiet Country visits the dark side of the Age of Improvement.
This theoretical framework reveals how notions of the rural have been created to reflect and reinforce divisions amongst those living in the countryside.
Christopher Neves classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? Painting, says Neve, is a process of finding out, and landscape can be its thesis. What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, the spirit in the mass to David Bomberg. There are also chapters about painters ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.
Challenging the view that England had no peasantry or that it had disappeared before industrialization, this text shows that common right and petty landholding shaped social relations in English villages. Their loss at enclosure sharpened social antagonisms and imprinted a pervasive sense of loss.
Microfinance has long been considered a development strategy that can correct the failure of the global credit market and address the financial needs of the poor enabling them to create and run profitable business enterprises. The Microfinance Mirage argues that this neo-liberal oriented analysis overemphasises the economic argument whilst ignoring the cultural roots of inequality and subordination. Drawing on ethnographic research conducted among rural credit clients in the Northern region of Ethiopia, Esayas Bekele Geleta provides a nuanced critical analysis of microfinance challenging the common assumption that it facilitates the building of social capital, poverty reduction and the empowerment of women. Making a unique contribution to our further understanding of the microfinance industry the research shows that, in some cases, microfinance can result in the disintegration of pre-existing relationships and in the disruption and destruction of the livelihoods of the poor. Exploring the impact of microfinance in one of the poorest regions of sub-Saharan Africa, this book demonstrates its potential and problems and shows the complex and contradictory social and cultural environments in which projects are often located.
Drawing on a decade-long ethnographic study of seven Illinois farming communities, Salamon demonstrates how family land transfers serve as the mechanism fro recreating the social relations fundamental to midwestern ethnic identities. She shows how, along with the land, families pass on a cultural patrimony that shapes practices of farm management, succession, and inheritance and that ultimately determines how land tenure and the personality of rural communities evolve.