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Thomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
Thomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
Thomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
Thomas Moore was one of the most prominent authors of the early 19th century. This collection presents over 600 previously unpublished letters from numerous libraries, archives and other sources worldwide. Vail's extensively-annotated edition will make available a treasure trove of material which will prove invaluable to any Romantic scholar.
This is the first book to detail the musical and cultural significance of the songster.
Once regarded as Ireland’s national bard, Thomas Moore's reputation rests on the ten immensely popular collections of drawing-room songs known as the Irish Melodies. At home and abroad, these 124 songs created a realm of influence that continued to define Irish culture throughout the nineteenth century and into the twentieth. In this book, Una Hunt provides the first detailed assessment from a combined musical and literary standpoint, contextualizing the songs through an examination of their ‘sources’ and ‘style’. Further attention is given to the collaborative work of composers Sir John Stevenson and Henry Rowley Bishop and the study is completed by a reappraisal of the musical sources.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1853 edition. Excerpt: ...it, to see a little more of America than before I had an opportunity of doing; so that, about the end of summer, darling mother, you may look to the signal-post for your Tom, who will bring you back a sunburnt face, a heart not the worse for the wear, and a purse, like that, of most honest fellows, as empty as--richer fellows' heads! Never mind, though! I am young and free, and the world is a field for me still. While I have such motives for exertion as you, my dear father, and sisters, I may say " warring angels combat on my side." I shall leave this letter open, in case I have anything further to add, as the brig which is to take it, I find, does not sail till to-morrow. I have but just time to close my letter in a hurry, as the vessel is on the point of sailing. God bless you, my sweet mother, my own dear father, and good, good little girls. Write to Carpenter to say I sent a letter to him last month, and that I shall be the bearer of my work to him myself. Give my dearly remembered Joice the best wishes of my heart; and to all those who love or recollect me, say every thing kind that you can imagine me to feel. Again Heaven bless you all, for your own, Tom. I enclose some letters for people here: the English one you will get franked, and that to Switzerland you must have put into the Foreign Office in London, not in Dublin. I kiss you, darlings. No. so. To his Mother. New York, May 7. 1804. My dearest Mother, I have but just time to say, here I am, after a passage of nine days from Bermuda; never was better; and the novelty of this strange place keeps me in a bustle of spirits and curiosity. The oddest things I have seen yet, however, are young Buonaparte and his bride." My plans are not settled yet. Captain Douglas, of the Boston...
Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore. This collection reflects the rich variety of cutting-edge work being done on this significant and prolific figure. Sarah McCleave and Brian Caraher have contributed an introduction that positions Moore in his own time (1800-1850), addresses subsequent neglect in the twentieth century, and contextualises the contemporary re-evaluation of Thomas Moore as a figure of considerable interdisciplinary artistic and cultural significance. The contributions to this collection establish Moore’s importance in the fields of Neoclassical and Romantic lyricism, musical performance, song-writing, postcolonial criticism, Orientalism and biographical writing— as well as defining the significance of his voice as an engaged social and political commentator of a strongly cosmopolitan and pluralistic inclination.