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"A remarkable piece of invention, a flight from the world of the familiar and the real into the exotic universe of dream and desire." —New York Times Book Review When a light aircraft crashes into the Thames at Shepperton, the young pilot who struggles to the surface minutes later seems to have come back from the dead. Within hours everything in the dormitory suburb is transformed. Vultures invade rooftops, luxuriant tropical vegetation overruns the quiet avenues, and the local inhabitants are propelled by the young man’s urgent visions through ecstatic sexual celebrations toward an apocalyptic climax. In this characteristically inventive novel Ballard displays to devastating effect the extraordinary imagination that has established him as one of the twentieth century’s most visionary writers.
A New York Times Book Review Editors’ Choice Selection A Kirkus Reviews Best Book of the Year (Fiction) “J.G. Ballard is the undisputed laureate of suburban psychosis.... A brilliant novel.” —Literary Review A violent novel filled with insidious twists, Kingdom Come follows the exploits of Richard Pearson, a rebellious, unemployed advertising executive, whose father is gunned down by a deranged mental patient in a vast shopping mall outside Heathrow Airport. When the prime suspect is released without charge, Richard’s suspicions are aroused. Investigating the mystery, Richard uncovers at the Metro-Centre mall a neo-fascist world whose charismatic spokesperson is whipping up the masses into a state of unsustainable frenzy. Riots frequently terrorize the complex, immigrant communities are attacked by hooligans, and sports events mushroom into jingoistic political rallies. In this gripping, dystopian tour de force, J.G. Ballard holds up a mirror to suburban mind rot, revealing the darker forces at work beneath the gloss of consumerism and flag-waving patriotism.
In this acclaimed speculative novel, the author of Crash imagines an exclusive business park that hides a ghastly mystery: “One of his finest” (San Francisco Chronicle). For forty years, J.G. Ballard has shared his unnervingly prescient vision of where civilization was headed. He kept his unflinching eye on the point where technological progress has worn away our humanity. And Super-Cannes is Ballard at his best: “Rarely has his vision been so total, his creation so complete” (Minneapolis Star-Tribune). Eden-Olympia is more than just a multinational business park. Isolated and secure, overlooking the French Riviera, it is a virtual city-state offering the latest in services and facilities for the most elite high-tech industries. Yet one day Dr. Greenwood from Eden-Olympia’s clinic goes on a suicidal shooting spree. Dr. Jane Sinclair is hired as his replacement, and she and her husband, Paul, are given Dr. Greenwood’s house as a residence. Convalescing after an accident, Paul becomes fascinated with Dr. Greenwood and his shocking crimes. Clues in the house lead him to question Eden-Olympia’s official account. While Jane is lured deeper into Eden-Olympia’s inner workings, Paul uncovers the dangerous psychological vents that maintain its smoothly running surface. Soon he finds himself in race against crushing forces that may be beyond anyone’s control.
"As Dr. Mallory watches his clinic fail on the parched terrain of central Africa, he dreams of discovering a third Nile that will make the Sahara bloom. When there is a trickle on the local airstrip, and soon a river, the obsessed Mallory claims it as his own creation. Joined by Noon, a silent adolscent girl who as a child ran with the local guerrillas; Professor Sanger, a documentary filmmaker with a fading reputation; and Nora Warrer, the widow of a Rhodesian veterinary surgeon, the remains of whose menagerie flourish exotically amid the land's new fertility, Mallory sets out for the river's source."--Dust jacket.
"Harsh and ingenious! High Rise is an intense and vivid bestiary, which lingers unsettlingly in the mind." —Martin Amis, New Statesman When a class war erupts inside a luxurious apartment block, modern elevators become violent battlegrounds and cocktail parties degenerate into marauding attacks on “enemy” floors. In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.
"A remarkable piece of invention, a flight from the world of the familiar and the real into the exotic universe of dream and desire." —New York Times Book Review When a light aircraft crashes into the Thames at Shepperton, the young pilot who struggles to the surface minutes later seems to have come back from the dead. Within hours everything in the dormitory suburb is transformed. Vultures invade rooftops, luxuriant tropical vegetation overruns the quiet avenues, and the local inhabitants are propelled by the young man’s urgent visions through ecstatic sexual celebrations toward an apocalyptic climax. In this characteristically inventive novel Ballard displays to devastating effect the extraordinary imagination that has established him as one of the twentieth century’s most visionary writers.
The author of Empire of the Sun and other acclaimed novels and stories, British science fiction writer J. G. Ballard is here given a penetrating analysis, his work being explored in terms of its internal coherence, its continuity and development, and its mythic and metaphysical aspects. Ballard's fiction is widely considered to be a critique of our secular, rational, technological culture, but this study departs from earlier ones that label him a fatalistic or nihilistic writer obsessed with entropy, devolution, and dissolution in showing him, instead, to be most deeply concerned with the redemption and regeneration of the human psyche. With Ballard's focus so much on visionary perception and mystical transcendence, Gregory Stephenson argues for his placement in the Romantic visionary tradition. A comprehensive examination of Ballard's work, this study traces his output and accomplishments over four decades, exploring their thematic development. Ballard is considered in relation to a number of British and American writers of the post-World War II era--within and beyond the often too-rigidly applied categorization of science fiction, as well as to poets and novelists of the past.
Peter Brigg examines the life and work of British author J.G. Ballard, from his science fiction to his mainstream fiction. Starmont Reader's Guide 26.
Providing an extensive reassessment of dominant and recurring themes in Ballard's writing, including historical violence, pornography, post 9/11 politics, and urban space, this book also engages with Ballard's 'late' modernism; his experimentation with style and form; and his sustained interests in psychology and psychopathology.