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. . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre-9/11 and pre-Obama world. Nana Adusei-Poku contextualizes the term post-black in its sociohistorical and cultural context.
"Accompanying a major traveling exhibition, this first-ever survey of the rarely seen notebooks of Basquiat features the artist's handwritten notes, poems, and drawings, along with related works on paper and large-scale paintings. With no formal training, Jean-Michel Basquiat (1960-1988) succeeded in developing a new and expressive style to become one of the most influential artists in the postmodern revival of figurative during the 1980s. In a series of notebooks from the early to mid-1980s, never before exhibited, Basquiat combined text and images reflecting his engagement with the countercultures of graffiti and hip-hop in New York City, as well as pop culture and world events. Filled with handwritten texts, poems, pictograms, and drawings, many of them iconic images that recur throughout his artwork-teepees, crowns, skeleton-like silhouettes, and grimacing masks-and these notebooks reveal much about the artist's creative process and the importance of the written word in his aesthetic. With over 150 notebook pages and numerous drawings and paintings, this important book sheds new light on Basquiat's career and his critical place in contemporary art history."--
An award-winning writer rescues seven first-rate twentieth-century women artists from oblivion--their lives fascinating, their artwork a revelation. Who hasn't wondered where-aside from Georgia O'Keeffe and Frida Kahlo-all the women artists are? In many art books, they've been marginalized with cold efficiency, summarily dismissed in the captions of group photographs with the phrase "identity unknown" while each male is named. Donna Seaman brings to dazzling life seven of these forgotten artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self-portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art-world superstar in her heyday but omitted from recent surveys of her era. These women fought to be treated the same as male artists, to be judged by their work, not their gender or appearance. In brilliant, compassionate prose, Seaman reveals what drove them, how they worked, and how they were perceived by others in a world where women were subjects-not makers-of art. Featuring stunning examples of the artists' work, Identity Unknown speaks to all women about their neglected place in history and the challenges they face to be taken as seriously as men no matter what their chosen field-and to all men interested in women's lives.
"Before the rise of underground comics in the late 1960s, there was no place for eccentric talent in the comics industry. Rather than creating super heroes like Superman and Spider-Man, comic strips like Peanuts and Krazy Kat, or graphic novels like Jimmy Corrigan: The Smartest Kid on Earth and Ghost World, the artists represented in Art Out of Time created their own "ingenious" versions of the super hero, western, romance, humor, and horror genres that dominated the comics of their day." "Their visions found a home, but were mostly obscured by the more accessible mainstream work of others. These artists have a distinct, fully formed visual sensibility, and their comics stray from the usual thematic and visual ideas of what we now consider the medium to be. All of them were under-recognized in their lifetimes, and all of them remain outside the usual narratives of comic book history." "Art Out of Time reprints complete comic book and comic strip stories, most of which are being reprinted here for the first time since their initial publication. In five thematic sections, this anthology is a "counter history" of comics, containing nearly thirty often-unknown visionary American cartoonists from 1900 to 1969. These artists foreshadowed and influenced the innovations within the comics medium of today. Together for the first time, these oddballs and obsessives truly constitute an underground that wasn't."--BOOK JACKET.
In the life cycle of being an artist, the thorny issue of moving past emulating not only other artists but also yourself is a perennial one. There is a path through this predicament.Being an artist is about continually evolving your art. It's about cultivating your fullest self-expression and getting to the elusive deepest work your heart yearns to create. Learn the science of creativity, the art of the possible- the adjacent possible This is a revolutionary method influenced by groundbreaking research in biology and physics to guide you to embrace the unfolding of your art. Every brushstroke, every decision in your art, creates a set of possible paths that were not only invisible before, but didn't exist before you made that creative move. This is the adjacent possible. This book will:- guide you to evolve your art- nudge you to create art that excites, scares and wows you- inspire you to move past emulating not only others, but yourself in your art Becoming a great artist is about the movement of coming closer to who you are and reaching the fullest expression of YOU in your art. With one foot in the known and one foot in the unknown, you'll become aware of your creative edge where the adjacent possible lives. At the pivot point between creation and collapse, you'll experience a state of poised instability. This is the art and science of the possible- a world of continuous creation.
Toward the Unknown is a series of parables about the martial–arts quest, and a meditation on the art of discipleship. A careful reading of the text will lead teachers and practitioners of all martial arts to examine their motives, to go beyond superficial prizes and awards, to rise above a focus on fighting technique, and ultimately to transcend the known. The stories included here chronicle the exploits of Master Lam, the greatest fighter and teacher of his time. Lam, following the example of his late master, Tai–Ahn, seeks to create an environment in which the student might be both challenged physically and enlightened spiritually. He teaches by example, following classical methodology, which focuses on moral, ethical, and spiritual growth in addition to technical competence. As the exciting and spiritually uplifting sequel to Beyond the Known, this book, through philosophy and fiction, leads the reader toward the unknown.
"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.
This comprehensive book is the first in English to examine two of the most successful and important postwar Japanese artists, Kazuo Shiraga (1924–2008) and Sadamasa Motonaga (1922–2011). During an 18-year engagement with the Gutai Art Association, both artists experimented with unorthodox techniques, such as Motonaga's use of smoke and water, or Shiraga's method of painting with his feet. Relatively little, however, is known in the West about Shiraga and Motonaga beyond their involvement with Gutai. Essays aim to assert the importance of Shiraga's and Motonaga's post-Gutai careers—when they pursued exciting new styles and themes in their work—as well as to evaluate the legacy of Japan's postwar avant-garde. Never-before-translated interviews with the artists, incisive essays by experts in the field, and a beautiful color plate section featuring many works never before seen outside of Japan complete this impressive catalogue.
A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.