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Marcus Harper is a FBI agent who is assinged a case that gives him a glimps into a world most know nothing about. The case almost kills him. Due to his actions during the case he is reassigned to the Unknown Division. There he is partnered with a sarcastic agent named Jack Priest. Marcus learns in this division they deal with vampires,werewolves,jinn,shapshifters,angels and demons. He also learns of an old race known as the nephilim. They are half man half angel, and they have a mission. Its on Marcus Harper, Jack Priest, and the Unknown Division to stop the nephilim.
Using the latest research in cognitive science and learning theory to craft a multi-sensory learning experience, the book uses a visually rich format designed for the way your brain works, not a text-heavy approach that puts you to sleep.--Publisher's note.
'Genuinely funny: indeed, the story will… keep you entertained for a very long time' Sunday Times Joy Division changed the face of music. Godfathers of the current alternative scene, they reinvented rock in the post-punk era, creating a new sound - dark, hypnotic, intense - that would influence U2, Morrissey, R.E.M., Radiohead and many others. This is the story of Joy Division told by the band's legendary bassist, Peter Hook. 'Hook has restored a flesh-and-blood rawness to what was becoming a standard tale. Few pop music books manage that'Guardian 'An honest, enthusiastic account … It's a window like no other into the reality of life in this most aloof of bands' METRO 'An immense account of Joy Division's rise…Having read Hook's book, you'll feel like you were the fifth member of the band' GQ 'A bittersweet, profanity filled recollection… If you like Joy Division, you really have to read it' Q Magazine 'Hook lifts the lid on the real Ian Curtis' NME 'He's frank, incredibly funny, and isn't shy'Artrocker
Joy Division's career has often been shrouded by myths. But the truth is surprisingly simple: over a period of several months, Joy Division transformed themselves from run-of-the-mill punk wannabes into the creators of one of the most atmospheric, disturbing, and influential debut albums ever recorded. Chris Ott carefully picks apart fact from fiction to show how Unknown Pleasures came into being, and how it still resonates so strongly today. EXCERPT The urgent, alien thwack of Stephen Morris' processed snare drum as it bounced from the left to right channel was so arresting in 1979, one could have listened to that opening bar for hours trying to figure how on earth someone made such sounds. Like John Bonham's ludicrous, mansion-backed stomp at the start of "When The Levee Breaks"-only far less expensive-the crisp, trebly snare sound with which Martin Hannett would make his career announced Unknown Pleasures as a finessed, foreboding masterpiece. Peter Hook's compressed bass rides up front as "Disorder" comes together, but it's not until the hugely reverbed, minor note guitar line crashes through that you can understand the need for such a muted, analog treatment to Hook's line. Layering a few tracks together to create a six-string shriek, Hannett's equalization cuts the brunt of Sumner's fuller live sound down to an echoing squeal, revealing a desperation born of longing rather than rage. This is the way, step inside.
It is 1944 and the British Army has the ¿strangest, most individualistic and most secret unit to wear uniform. . .X-Troop¿. This special unit of anti-Nazi German, Hungarian and Austrian volunteers are given new British identities. One of them, Stephen Rigby, is a German Jew by birth. He is chosen for a secret and dangerous assignment: to present himself to the Germans in France as a French spy. He has to convince them that the planned Allied landing is to be at the Pas de Calais, diverting the Germans from the location of the real invasion. Thousands of lives depend on his success.
Telling the harrowing stories of noncombatants caught up in the maelstrom of war, The Unknown Dead surveys this crucial battle and its consequences from an entirely new perspective. Peter Schrijvers, a native Belgian, describes in detail the horrific war crimes committed by German military units on the front lines and by Nazi security services behind the battle lines. He also reveals the devastating effects of Allied responses to the enemy threat, including incessant artillery barrages and massive bombings of small towns.
NASA SP-2004-4407. NASA History Series. Edited by John M. Logsdon, et al. 6th in a series containing a selection of key documents in the history of the United States civil space program. Includes chapters on solar physics, space physics, life sciences, and Earth science. LC. card 96-9066.
Herbert Gladstone (1854-1930) was the only one of the sons of the renowned nineteenth-century Prime Minister William Ewart Gladstone to enjoy a significant political career in his own right. Yet he has been generally relegated to the wings of history's stage, destined, it seems, to remain permanently in the shadow of his illustrious parent. Such an outcome would not have troubled him unduly, for his whole life was shaped by deep affection and respect for his father while as a political actor he was happiest operating in the political shadows rather than in the limelight - serving for 30 years as a Liberal MP for Leeds with short periods as Home Secretary (1905-1910) and, as Viscount Gladstone, Governor-General of South Africa (1910-1914). In exploring the intimate connection between Herbert Gladstone's public and private lives this new biography, the first for eighty years, reveals an unambitious, self-effacing man of faith and throws new light not only on his own career but also on significant episodes in British Victorian and early-twentieth century history.