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The Subject itself is the Subject of the Machine. What does it mean to be human? We live in a technological age, where rapid advances in personal tech and the science of Artificial Intelligence are challenging us in ways never before imagined. A book in two parts, The Universal Subject of Our Time begins with an exploration of 20th Century post-modernism's undermining of subjectivity with thinkers such as Foucault, Derrida, Baudrillard and Althusser and continues with a description of the science wars, where physical realists challenged the post-modernists up to the 1990s when the intellectual conflict resulted in an uncompromising stand-off after the Sokal Hoax. In Part II the subject is resurrected by taking a look at arguments for machine intelligence and AI and also, from the perspective of physics, examines what subjectivity means, particularly in relation to black holes or black stars, and look to what lies ahead in the future, in terms of space exploration, Martian habitats and even the possibility of first contact with extra-terrestrials.
"Everybody who has ever read a book will benefit from the way Keith Houston explores the most powerful object of our time. And everybody who has read it will agree that reports of the book’s death have been greatly exaggerated."— Erik Spiekermann, typographer We may love books, but do we know what lies behind them? In The Book, Keith Houston reveals that the paper, ink, thread, glue, and board from which a book is made tell as rich a story as the words on its pages—of civilizations, empires, human ingenuity, and madness. In an invitingly tactile history of this 2,000-year-old medium, Houston follows the development of writing, printing, the art of illustrations, and binding to show how we have moved from cuneiform tablets and papyrus scrolls to the hardcovers and paperbacks of today. Sure to delight book lovers of all stripes with its lush, full-color illustrations, The Book gives us the momentous and surprising history behind humanity’s most important—and universal—information technology.
Translation is based on the 3rd French ed. of La Russie en 1839."A Gateway edition."
The intimate and long-awaited memoir of guitar legend Carlos Santana. In 1967 at San Francisco's Fillmore Auditorium, a young guitarist played a blistering solo that announced a prodigious talent. Two years later he played a historic set at Woodstock, and the world came to know Carlos Santana by name. THE UNIVERSAL TONE is a tale of musical self-determination and self-discovery. It traces his journey from his teen days playing in Tijuana, and the establishment of his signature guitar sound; his roles as husband, father and rock star; and his recording of some of the most influential rock albums of all time, up to and beyond the sensational SUPERNATURAL, which garnered nine Grammy awards. The book abounds with a fearlessness that finds humour in the world of high-flying fame, speaks plainly of personal revelations, and celebrates the divine and infinite possibility Santana sees in each person he meets.
Ortega traces the course of Western civilization backward, searching out what makes a civilization rise or fall and offering a way of looking at our own time. Based on a series of lectures on A. J. Toynbee's A Study of History.
Our critically acclaimed smash hit Cartographies of Time is now available in paperback. In this first comprehensive history of graphic representations of time, authors Daniel Rosenberg and Anthony Grafton have crafted a lively history featuring fanciful characters and unexpected twists and turns. From medieval manuscripts to websites, Cartographies of Time features a wide variety of timelines that in their own unique ways, curving, crossing, branching, defy conventional thinking about the form. A fifty-four-foot-long timeline from 1753 is mounted on a scroll and encased in a protective box. Another timeline uses the different parts of the human body to show the genealogies of Jesus Christ and the rulers of Saxony. Ladders created by missionaries in eighteenth-century Oregon illustrate Bible stories in a vertical format to convert Native Americans. Also included is the April 1912 Marconi North Atlantic Communication chart, which tracked ships, including the Titanic, at points in time rather than by their geographic location, alongside little-known works by famous figures, including a historical chronology by the mapmaker Gerardus Mercator and a chronological board game patented by Mark Twain. Presented in a lavishly illustrated edition, Cartographies of Time is a revelation to anyone interested in the role visual forms have played in our evolving conception of history
Eisenhower for Our Time provides an introduction to the Eisenhower presidency, extracting lessons for today's world. Steven Wagner proposes that the need to maintain balance defines Eisenhower's presidency. Wagner examines a series of defining moments that were among Eisenhower's greatest challenges, some of which resulted in his greatest accomplishments: the decision to run for president, his political philosophy of the "Middle Way," the creation of a national security policy, the French Indochina War, Senator Joseph McCarthy, the Little Rock Desegregation Crisis, the Race for Space, and the famous Farewell Address. Wagner looks at Eisenhower's executive ability, leadership, decision making, and willingness to compromise, as well as the qualities of duty, integrity, and good character. The moments detailed in Eisenhower for Our Time show Eisenhower as a president intimately engaged in the decisions that defined America in his time and that apply to ours today. The President's actions place him among the most successful presidents and provide many lessons to guide us in our time and in the future.
By examining the history of universal history from the late Middle Ages until the early nineteenth century we trace the making of the global. Early modern universal history can be seen as a response to the epistemological crisis provoked by new knowledge and experience. Traditional narratives were no longer sufficient to gain an understanding of events. Inspired by recent developments in theory of history, the volume argues that the relevance of universal history resides in the laboratory of intense, diverse and mainly unsuccessful attempts at thinking history and universals together. They all shared the common aim of integrating all time and space: assemble the world and keep it together.
The book as object, as content, as idea, as interface. What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term “book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.