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On June 8, 1912, Carl Laemmle of the Independent Motion Picture Company, Pat Powers of Powers Picture Company, Mark Dintenfass of Champion Films, and Bill Swanson of American Eclair, meeting in New York City, signed a contract to merge their studios. The four formed a storied name in Hollywood history--the Universal Motion Picture Manufacturing Company.From A la flamme le papillon se brule les ailes, a 1912 French Eclair film distributed by Universal, to Zip and His Gang (1915), this is a comprehensive filmography of 9,397 silent-era feature, split reel, and one, two, and three reel films produced or distributed by Universal Motion Picture Manufacturing Company. The film entries include title, release date, copyright date, producer, director, scenarist, author, length of the film, and major cast members. The work also includes the 74 serials released by Universal.
On June 8, 1912, Carl Laemmle of the Independent Motion Picture Company, Pat Powers of Powers Picture Company, Mark Dintenfass of Champion Films, and Bill Swanson of American Eclair, meeting in New York City, signed a contract to merge their studios. The four formed a storied name in Hollywood history--the Universal Motion Picture Manufacturing Company. This is a comprehensive filmography of 9,397 silent-era feature, split reel, and one, two, and three reel films produced or distributed by this new company.
American women who contributed their talents to the silent film industry are still largely unrecognized, in spite of their great influence. This book, with a new foreword by the author, details the lives and careers of America’s first women directors, unveiling the history of those who helped pave the way for females in the film industry today.
The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
During the Roaring Twenties--from 1921 through 1928--Walt Disney and his friends made more than ninety silent cartoons, turning them out as often as one or two per month. Years before Mickey Mouse, the young entrepreneur recruited and nurtured an extraordinary array of talented people. Drawing on interviews with Disney's coworkers, Disney's business papers, promotional materials, scripts, drawings, and correspondence, the richly illustrated Walt in Wonderland reconstructs Disney's silent film career and places his early films in critical perspective.
Critically engaging, illustrative and with numerous examples, The Silent Revolution delivers a philosophically informed introduction to current debates on digital technology and calls for a more active role of humans towards technology.