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This book constitutes a carefully arranged selection of papers presented at the Forum on Research and Technology Advances in Digital Libraries, ADL'95, held in McLean, Virginia, USA in May 1995. Besides 15 revised refereed technical contributions, the book presents four invited survey papers by key persons heading institutions and projects essentially advancing the state of the art: France Cordova (NASA), James H. Billington (The Library of Congress), Raj Reddy (CMU), and Larry Smarr (NCSA, University of Illinois). The technical papers are organized in topical sections on visualization, document handling and information retrieval, network-based information and resource discovery, and design issues and prototyping.

Music on the Internet

United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, the Internet, and Intellectual Property

Published: 2001

Total Pages: 102


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In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms. Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics. Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism. Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource. By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay.
This collection of essays (first published in Big Reel) lovingly recalls the glory days of the movie serial. The primary focus is on the fans of the serials--what they thought of them in their heyday, what they think of them now, and why these episodic tales are still so popular. Preceding each article is a brief commentary about the essay explaining why the topic was chosen and the reader response it evoked when first published.
For more than half a century, broadcast recordings have reflected an important aspect of our culture and history. An increasing number of archivists and private collectors have restored and exchanged radio and television materials. However, despite the awareness of these primary resource materials, there is still some reluctance to utilize this aural and visual history resource. A part of this reluctance is due to the fact that little is known about the existence of many collections throughout the nation. This volume provides a comprehensive directory of electronic media archives in the United States and Canada. It describes each collection, focusing on its speciality, providing the serious researcher with ready access information to these electronic media program resources. Focusing on both private and institutional collections, it is organized by state and city with indexes to provide the scholar with subject and location of specific topics of interest.