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The Universal proposes a radically new philosophical system that moves from ontology to ethics. Drawing on the work of De Beauvoir, Sartre, and Le Doeuff, among others, and addressing a range of topics from the Asian sex trade to late capitalism, quantum gravity, and Merleau-Ponty's views on cinema, Dorothea Olkowski stretches the mathematical, political, epistemological, and aesthetic limits of continental philosophy and introduces a new perspective on political structures. Straddling a course between formalism and conventionalism, Olkowski develops the concept of an ontological unconscious that arises from our "sensible" relation to the world-the information we absorb and emit that affects our encounters with the environment and others. In this "realm of the senses," or the field of vulnerability defined by our experience with pleasure and pain, Olkowski is able to rethink the space-time relations put forth by Irigaray's notion of the "interval," Bergson's "recollection," Merleau-Ponty's idea of the "flesh," and Deleuze's "plane of immanence." This aesthetic sense is shared by all humankind and nonhuman entities in the organic and inorganic world. The sensible universal can be applied to categories of pure and practical reason; experiential binaries of male-female and subject-object; and issues of autonomy, moral laws, and the regulation of perception.
The French philosopher Jacques Rancière is well known across the world for his groundbreaking contributions to aesthetic and political theory and for his radical rethinking of the question of equality. This much-needed new collection situates Rancière's thought in a range of practical and theoretical contexts. These specially commissioned essays cover the complete history of Rancière's work and reflect its interdisciplinary reach. They span his early historical research of the 1960s and '70s, his celebrated critique of pedagogy and his later political theory of dissensus and disagreement, as well as his ongoing analysis of literature and 'the aesthetic regime of art'. Rancière's resistance to psychoanalytic thinking is also explored, as are his most recent publications on film and film theory. Contributors include Tom Conley, Carolyn Steedman, Geneviève Fraisse, Jean-Luc Nancy, Jeremy Lane, and many more. The book also includes a brand new interview with Rancière, reflecting on his intellectual project and developing new lines of thought from his latest major work, Aisthesis. Rancière Now will be essential reading for students and scholars across the humanities and social sciences; it will stimulate and inspire discussion of Rancière’s work for years to come.
New translations of the central mediaeval texts on the problem of universals are presented here in an affordable edition suitable for use in courses in mediaeval philosophy, history of mediaeval philosophy, and universals. Includes a concise Introduction, glossary of important terms, notes, and bibliography.
The essays in this volume, first presented at an international conference held at the University of Urbino, Italy, in 2011, explore the different senses of realism, arguing both for and against its distinctive theses and considering these senses from a historical point of view. The first sense is the metaphysical thesis that whatever exists does so, and has the properties it has, independently of whether it is the object of a person's thought or perception. The second sense of realism is epistemological, wherein realism claims that, in some cases, it is possible to know the world as it exists in and of itself. A third sense, which has become known as ontological realism, states that universals exist as well as individuals. The essays collected here make new contributions to these fundamental philosophical issues, which have largely defined western analytic philosophy, from Plato and Aristotle to the present day.
Are Brian McLaren, Tony Jones, Doug Pagitt, and Rob Bell “yesterday’s news,” as many evangelicals seem to think? Truth and the New Kind of Christian (2005) tried to provide a balanced assessment of McLaren’s and Jones’s views. But, they seem to be right about much more that is affecting evangelicals than was realized then. Also, that book misunderstood one of their core claims: everything is interpretation. Moreover, their views have developed over the years, e.g., ethically about colonialism, its influences, and how we should live now. They also have advanced several further claims about the gospel and traditional doctrines. To what extent should Christians embrace their views? Are these the ways to go forward toward a more authentic Christianity, one that is morally better, and a better fit, for our times? Like Truth, this book gives careful attention to their thought. It also offers its own portrait of major shaping influences on Western, Americanized Christianity. But, there remains a root issue that keeps the Western church, whether progressive emergents or evangelicals, in its “Babylonian captivity.” It is liberation from that root that will lead to an authentically emergent Christianity.
Erman Kaplama explores the principle of transition (Übergang) from metaphysics to physics developed by Kant in his unfinished magnum opus, Opus Postumum. Drawing on the Heraclitean logos and Kant’s notions of sense-intuition (Anschauung) and reflective judgment, Kaplama interprets transition as an aesthetic principle. He revises the idea of nature (phusis) as the principle of motion referring to Heraclitus’ cosmology as well as Heidegger’s and Nietzsche’s lectures on the pre-Socratics. Kaplama compares the Kantian sublime and Nietzschean Dionysian as aesthetic theories representing the transition from the sensible to supersensible and as cosmological theories that consider human nature (ethos) as an extension of nature. In light of such Nietzschean notions as the eternal recurrence and will to power, the Dionysian is shown to trigger the transition by which nature and art are redefined. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh’s Starry Night in an excursus.
This book is a reaction against young Levy Bruhl's position that the world's (African) thought is pre- logical. Systematically therefore it exposes first the influence of positivism and two valued Logic on Bruhl which made him to be anti- spiritualism and second interpreted African thought from two- valued logic point of view. This wrong interpretational tool resulted to his ''onslaught on African thought'' which is the subject of the book's reaction. This book 's position is that every interpretation stems from a particular logic and this logic needs to evolve from the same ontological context with the phenomenon that is to be interpreted. The implication of this is that, there is a bio conditional structural relationship between every logic and its cultural ontology. The book investigates this assertion using prevalent (2vl) of the West and the prevalent ontology of the the same culture. The investigation proved positive. On the above discovery the book developed the theory of structural analogy and logical functionalism (SAALF) as a justification for the derivation of a prevalent trinitarian logic from African trinitarian prevalent ontology. From this theoretical standpoint, the book in agreement with some twentieth century analytic logicians defines logic as a science of relation between realities from which principles of argumentation and reasoning can be developed. This book goes ahead to use this logic to explain some African phenomena such as the concept of African healing oath-taking and education. For the benefit of doubt the book differentiates between Harmonious monism and Hermeneutics as an answer to some questions of the critics.