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This unique approach to the compilation of Hebrew Scripture will affect the way it is read and understood
'Return to me', declares Yhwh of Hosts, 'and I will return to you', declares Yhwh of Hosts. The sentence stands at the head of the prophecy of Zechariah. But what does it mean to 'return to Yhwh'? And what does it mean that Yhwh 'will return to you'? LeCureux argues that it is this call to repentance, and Yhwh's responses to it, that form the unifying and organizing theme of return for the Book of the Twelve. While studies on the development and composition of the Twelve have proved fruitful in recent years, this book attempts to expand on those works by looking closely at the final form of the Twelve, particularly of its opening and closing books and the role that canonical position and theme play within the Book. This project begins by defining the function of theme in biblical books, and then compares the role theme plays in Isaiah with its role in the Twelve, before engaging in the primary task of exegesis.
Taking a literary approach to the Old Testament in this New Studies in Biblical Theology volume, Stephen G. Dempster traces the story of Israel through its family lines and locales—and reflects on its meaning for New Testament revelation.
Until the late 1960s the scholarly consensus was that Chronicles-Ezra-Nehemiah was a single, unified literary work. Then arguments began to be mounted for treating Chronicles as a distinct composition, and the majority of scholars were swayed by these arguments, though others retained the older consensus view. In recent years, some scholars have begun to suggest that Ezra and Nehemiah are distinct literary entities. This new debate is the occasion for the present volume. Here scholars from around the globe (Canada, Finland, Germany, Guatemala, Israel, Korea, the Netherlands, United Kingdom, United States) showcase current scholarly explanations for the final shape of this literary complex known as Ezra-Nehemiah. Fourteen scholars present their approach to the unity or disunity of this literature employing research methodologies that range from the diachronic to the synchronic. Critical responses to this emerging research are provided by three reviewers (Joseph Blenkinsopp, Tamara Eskenazi and Hugh Williamson) whose work laid the foundation in earlier decades for much of the discussion today. The result is a rich conversation which provides an enlightening resource for the study of these biblical books in particular as well as for reflection on the impact of one's interpretive framework on the study of ancient literature in general.
This landmark work represents an imaginative and important new analysis of the basic development of the Scriptures through the centuries. Christensen explores the overall unity of the entire Bible, not just as a collection of sixty-six or seventy-two individual books, nor just as the Old and New Testaments, but as a single literary work that comprises today’s Christian Bible. He shows how it emerged over the course of centuries in distinct stages. The Hebrew Scriptures or Old Testament developed in three steps from the formation of the Pentateuch and Prophets that took place up to the time of Josiah in the seventh century B.C.E., followed by the production of the Deuteronomic Canon during and following the Exile, and then the completion of the whole Hebrew Canon as we now have it. This was followed by a second major phase – the development of the Apostolic writings to be added to the First Testament as a Second (or New) Testament. After tracing the growth of the Bible in these stages, Christensen examines the structure and literary art of each major section from the Pentateuch (Torah) to the New Testament.
An independent student of the Bible based in Connecticut, Reis offers insight on 11 passages of the Old Testament. Among them are the utility of the wife/sister motif, the bridegroom of blood, Jephthah's daughter, Saul and the witch of Endor, and women's agency and the rape of Tamar. Annotation c. B
Writing from a Jewish perspective, Jon Levenson reviews many often neglected theoretical questions. He focuses on the relationship between two interpretive communities--the community of scholars who are committed to the historical-critical method of biblical interpretation and the community responsible for the canonization and preservation of the Bible.
Ever wish someone could give you a big handle on the entire Bible without years of study? Well, this book not only promises to give you that big handle—it will deliver on the promise. You should be asking, how is this possible? The Bible is one story told over and over again, with many variations on the same theme. This structure is the Bible’s DNA. This basic seven-point pattern is the heartbeat of the Creation. It is the cycle of a human day and a human life. It is the pattern of the Tabernacle. It is the process of agriculture. It undergirds the speeches and Laws of God. It orders the rise and fall of nations and empires. It is also the structure of our worship. It is the rhythm of Christ, and it will open the Bible for you like never before.
Rebelling against a century of Old Testament scholarship, Isaac M. Kikawada and Arthur Quinn persuasively argue that the first eleven chapters of Genesis are not a literary patchwork by different editors as widely supposed, but are the work of one author of extraordinary subtlety and skill. Comparing Genesis 1-11 with primeval histories from the ancient Near East, Kikawada and Quinn urge their readers to appreciate the ingenuity of Genesis's author: "When we think we find this author napping, we had better proceed very carefully. As with Homer or Shakespeare, when you think you have seen something wrong, there may well be something wrong with your own eyes. You are more likely to be wrong than either of them." Providing a solid case for the unity of Genesis's first eleven chapters, Kikawada and Quinn move on to show how these chapters provide a formal structure for other Old Testament histories. Destined to have lasting impact on biblical scholarship, Before Abraham Was will give scholars, clergy, and students a new appreciation of critical biblical studies and a new hypothesis for the formation of Genesis.