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Reprint of the original, first published in 1849.
In this path-breaking study of the intersections between visual and literary culture, Christopher J. Lukasik explores how early Americans grappled with the relationship between appearance and social distinction in the decades between the American Revolution and the Civil War. Through a wide range of evidence, including canonical and obscure novels, newspapers, periodicals, scientific and medical treatises, and plays as well as conduct manuals, portraits, silhouettes, and engravings, Discerning Characters charts the transition from the eighteenth century's emphasis on performance and manners to the search for a more reliable form of corporeal legibility in the wake of the Revolution. The emergence of physiognomy, which sought to understand a person's character based on apparently unchanging facial features, facilitated a larger shift in perception about the meanings of physical appearance and its relationship to social distinction. The ensuing struggle between the face as a pliable medium of cultural performance and as rigid evidence of social standing, Lukasik argues, was at the center of the post-Revolutionary novel, which imagined physiognomic distinction as providing stability during a time of cultural division and political turmoil. As Lukasik shows, this tension between a model of character grounded in the fluid performances of the self and one grounded in the permanent features of the face would continue to shape not only the representation of social distinction within the novel but, more broadly, the practices of literary production and reception in nineteenth-century America across a wide range of media. The result is a new interdisciplinary interpretation of the rise of the novel in America that reconsiders the political and social aims of the genre during the fifty years following the Revolution. In so doing, Discerning Characters powerfully rethinks how we have read—and continue to read—both novels and each other.
The dramatic story of George Washington's first crisis of the fledgling republic. In the war’s waning days, the American Revolution neared collapsed when Washington’s senior officers were rumored to be on the edge of mutiny. After the British surrender at Yorktown, the American Revolution blazed on—and as peace was negotiated in Europe, grave problems surfaced at home. The government was broke and paid its debts with loans from France. Political rivalry among the states paralyzed Congress. The army’s officers, encamped near Newburgh, New York, and restless without an enemy to fight, brooded over a civilian population indifferent to their sacrifices. The result was the so-called Newburgh Conspiracy, a mysterious event in which Continental Army officers, disgruntled by a lack of pay and pensions, may have collaborated with nationalist-minded politicians such as Alexander Hamilton, James Madison, and Robert Morris to pressure Congress and the states to approve new taxes and strengthen the central government. A Crisis of Peace tells the story of a pivotal episode of George Washington's leadership and reveals how the American Revolution really ended: with fiscal turmoil, out-of-control conspiracy thinking, and suspicions between soldiers and civilians so strong that peace almost failed to bring true independence.
Similar to the "digital revolution" of the last century, the colonial and early national periods were a time of improved print technologies, exploding information, faster communications, and a fundamental reinventing of publishing and media processes. Between the early 1700s, when periodical publications struggled, and the late 1790s, when print media surged ahead, print culture was radically transformed by a liberal market economy, innovative printing and papermaking techniques, improved distribution processes, and higher literacy rates, meaning that information, particularly in the form of newspapers and magazines, was available more quickly and widely to people than ever before. These changes generated new literary genres and new relationships between authors and their audiences. The study of periodical literature and print culture in the eighteenth century has provided a more intimate view into the lives and tastes of early Americans, as well as enabled researchers to further investigate a plethora of subjects and discourses having to do with the Atlantic world and the formation of an American republic. Periodical Literature in Eighteenth-Century America is a collection of essays that delves into many of these unique magazines and newspapers and their intersections as print media, as well as into what these publications reveal about the cultural, ideological, and literary issues of the period; the resulting research is interdisciplinary, combining the fields of history, literature, and cultural studies. The essays explore many evolving issues in an emerging America: scientific inquiry, race, ethnicity, gender, and religious belief all found voice in various early periodicals. The differences between the pre- and post-Revolutionary periodicals and performativity are discussed, as are vital immigration, class, and settlement issues. Political topics, such as the emergence of democratic institutions and dissent, the formation of early parties, and the development of regional, national, and transnational cultural identities are also covered. Using digital databases and recent poststructural and cultural theories, this book returns us to the periodicals archive and regenerates the ideological and discursive landscape of early American literature in provocative ways; it will be of value to anyone interested in the crosscurrents of early American history, book history, and cultural studies. Mark L. Kamrath is associate professor of English at the University of Central Florida. Sharon M. Harris is Lorraine Sherley Professor of Literature at Texas Christian University.