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The remake of a classic horror film awakens something violent from the past, and only the Krewe of Hunters can stop it, in book 6 of the fan-favorite suspense series, only from New York Times bestselling author Heather Graham. At Hollywood's Black Box Cinema, a young starlet dies a terrifying death. When a movie mogul's son is charged with the grisly murder, he calls agent Sean Cameron, who specializes in irregular investigations. As part of the FBI's paranormal team, Cameron knows that nightmares aren't limited to the silver screen. Working with special-effects artist Madison Darvil—who has her own otherworldly gifts—Cameron delves into the malevolent force animating more than one movie monster. But will they be in time to stop the next noir scenario come to life?
Despite their rocky history, Detective Claire Codella and Precinct Detective Brian Haggerty come together when senior churchwarden Philip Graves’s bloody body is found lying in the herb garden of historic St. Paul’s Episcopal Church on Manhattan’s Upper West Side just two days before Good Friday. Upon first glance, it looks like a random act of big city violence, but it soon becomes clear churchwarden Philip’s death was the result of a meticulously calculated ploy by someone who knew him. There are five vestry members and a choir director in addition to the ten homeless men asleep in the church basement. Any one of them could have done it, but what did Philip Graves do to warrant such a merciless death? Struggling to share the case and salvage their personal relationship, Claire, Brian and trusted Detective Eduardo Muñoz work around the clock to uncloak the desires, secrets, and resentments that find home through the iron gates and into the hidden beauty of one historic Romanesque church in Unholy City, the haunting third installment in Carrie Smith’s Claire Codella mysteries.
As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.
An award-winning novel, The Unholy is a dramatic story of Claire Sanchez, a young medicine woman, intent on discovering the closely-guarded secrets of her past. Forced into a life-and-death battle against an evil Archbishop, William Anarch, she confronts the dark side of religion and the horror of one man's will to power. Set in the mystic land of Aztlan, The Unholy is a supernatural tale of destiny as healer and slayer. Native lore of dreams and visions, shape changing, and natural magic work to spin a neo-gothic web in which sadness and mystery lure the unsuspecting into a twilight realm of discovery and decision.
The year 1998 marked the quincentennial of the publication of Albrecht Durer's illustrated edition of the Apocalypse. Here Robert Smith provides an introduction to and a commentary on the book of Revelation that is keyed to the Durer woodcuts.
The Death of Christian Britain examines how the nation’s dominant religious culture has been destroyed. Callum Brown challenges the generally held view that secularization was a long and gradual process dating from the industrial revolution. Instead, he argues that it has been a catastrophic and abrupt cultural revolution starting in the 1960s. Using the latest techniques of gender analysis, and by listening to people's voices rather than purely counting heads, the book offers new formulations of religion and secularization. In this expanded second edition, Brown responds to commentary on his ideas, reviews the latest research, and provides new evidence to back his claims.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
For those searching for a way to demystify the often puzzling book of Revelation or for those seeking a splendid pathway into the Apocalypse, this commentary is an extraordinary aid to grasping the central visions-and to being grasped by them. Albrecht Durer's woodcuts are incorporated together with an introduction that describes both the Seer of Patmos and the artist of Nuremberg and gives a very brief overview of various ways of reading these texts (fundamentalist, mainline, liberation). It is followed by a commentary on the book of Revelation accompanied by and keyed to the woodcuts.