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'So funny -- Nabokov meets Spinal Tap.' - Stephen Merchant 'Brilliant, brilliant, brilliant.' - Tim Key 'Absolutely miraculous.' - Jesse Eisenberg 'A brain-swirlingly funny quest.' - Robert Popper Richard Ayoade's fictional quest to rescue Harauld Hughes - the almost mythical mid-century playwright - from obscurity. The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published. Ayoade embarked on a documentary, The Unfinished Harauld Hughes, to understand the unfathomable collapse of Hughes's final film O Bedlam! O Bedlam!, taking us deep inside the most furious British writer since the Boer War. This is the story of the story of that quest.
Richard Ayoade edits and introduces this defining work of the great midcentury visionary of stage and screen -- rediscovered and republished by Faber & Faber. This volume of Harauld Hughes's first three screenplays includes a preface by the author, as well as new critical appreciations by Richard Ayoade, Chloë Clifton-Wright and his current widow, Lady Virginia Lovilocke. THE SWINGING MODELS The film that started it all: Hughes's searing indictment of the bikini business's (literal) underbelly. THE ESPECIALLY WAYWARD GIRL A new student discovers her classmates have a thirst for human blood, which makes it hard to focus on the syllabus. THE MODEL AND THE ROCKER A dream collage of catwalks, crispy beats and crustaceans takes shape in this - one of Hughes's most confusing narratives.
Richard Ayoade edits and introduces this defining work of the great midcentury visionary of stage and screen -- rediscovered and republished by Faber & Faber. This volume of Harauld Hughes's last four screenplays includes a preface and afterword by the author. THE TERRIBLE WITCH A feisty undergraduate uncovers fresh witchy business in Ipswich. THE AWFUL WOMAN FROM SPACE Two top feminist scientists find their sense of sisterhood challenged by the arrival of an intergalactic uber-femme. THE DEADLY GUST This ill wind blows no one any good in one of Hughes's most elliptical works for the screen. THE GLOWING WRONG When two research scientists are asked to move their lab facility into a cursed church, they awake an ancient evil at the heart of the British government.
Richard Ayoade edits and introduces this defining work of the great midcentury visionary of stage and screen -- rediscovered and republished by Faber & Faber. Comprising Hughes's monumental works for the stage, poetry, lyrics, interviews, acceptance speeches, written warnings and wordless sketches, this essential volume includes extensive critical reflections by leading critics Augustus Pink, Chloë Clifton-Wright, Richard Ayoade, Leslie Francis (director of . . . And?!), and Hughes's final wife, Lady Virginia Lovilocke. Plays, Prose, Pieces, Poetry collects together, for the first time, the dramas that made Hughes's name adjectival, in all new fonts, and exhaustively punctuated according to the instructions left in his last will and testament. Platform Table Roast Roost Prompt Shunt Flight Dependence See why some people are still calling Hughes 'the loudest playwright of his generation'.
Richard Ayoade - in this foren, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet's gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."
In this book Richard Ayoade - actor, writer, director, and amateur dentist - reflects on his cinematic legacy as only he can: in conversation with himself. Over ten brilliantly insightful and often erotic interviews, Ayoade examines himself fully and without mercy, leading a breathless investigation into this once-in-a-generation visionary. Only Ayoade can appreciate Ayoade's unique methodology. Only Ayoade can recognise Ayoade's talent. Only Ayoade can withstand Ayoade's peculiar scent. Only Ayoade can truly get inside Ayoade. They have called their book Ayoade on Ayoade: A Cinematic Odyssey. Take the journey, and your life will never be the same again. Ayoade on Ayoade captures the director in his own words: pompous, vain, angry and very, very funny.
From the New York Times bestselling author of The Unlikely Pilgrimage of Harold Fry comes an exquisite love story about Queenie Hennessy, the remarkable friend who inspired Harold’s cross-country journey. “This lovely book is full of joy. Much more than the story of a woman’s enduring love for an ordinary, flawed man, it’s an ode to messy, imperfect, glorious, unsung humanity.”—The Washington Post A runaway international bestseller, The Unlikely Pilgrimage of Harold Fry followed its unassuming hero on an incredible journey as he traveled the length of England on foot—a journey spurred by a simple letter from his old friend Queenie Hennessy, writing from a hospice to say goodbye. Harold believed that as long as he kept walking, Queenie would live. What he didn’t know was that his decision to walk had caused her both alarm and fear. How could she wait? What would she say? Forced to confront the past, Queenie realizes she must write again. In this poignant parallel story to Harold’s saga, acclaimed author Rachel Joyce brings Queenie Hennessy’s voice into sharp focus. Setting pen to paper, Queenie makes a journey of her own, a journey that is even bigger than Harold’s; one word after another, she promises to confess long-buried truths—about her modest childhood, her studies at Oxford, the heartbreak that brought her to Kingsbridge and to loving Harold, her friendship with his son, the solace she has found in a garden by the sea. And, finally, the devastating secret she has kept from Harold for all these years. A wise, tender, layered novel that gathers tremendous emotional force, The Love Song of Miss Queenie Hennessy underscores the resilience of the human spirit, beautifully illuminating the small yet pivotal moments that can change a person’s life.
Screen Deep is a book about the immense potential of screen storytelling to defeat an evil both historic and urgently topical: racism. Everyone watches TV and movies. Everyone has an interest in building a more just and equitable world. Screen Deep goes beyond the many film books and anti-racist manuals by demonstrating the connection between these two aspects of modern life. In Screen Deep Ellen E. Jones combines her personal experience as a mixed-race woman who cares about racism with her professional expertise as a film and TV journalist of twenty years standing, to ask - and answer - several questions: Is there such a thing as an Indigenous western? Is race comedy 'cancelled'? Where are all the films for white people? And most importantly: Can you still fight the good fight with a mouthful of popcorn?
NOW A MAJOR MOTION PICTURE • “[Dunthorne’s] precocious talent and cheerful fondness for the teenage male are showcased in Submarine. . . . Oliver’s voice is funny and dead-on.”—The New York Times Book Review(Editors’ Choice) At once a self-styled social scientist, a spy in the baffling adult world, and a budding, hormone-driven emotional explorer, Oliver Tate is stealthily nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the mystifying beings in his orbit. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, Oliver Tate aims to damn the torpedoes and take the plunge. BONUS: This edition contains an excerpt from Joe Dunthorne's Wild Abandon. Praise for Submarine “[Joe Dunthorne is] probably destined to be compared with Mark Haddon and Roddy Doyle.”—The Miami Herald “This absolutely winning debut novel isn’t so much a coming-of-age tale as it is a reflection on what it means to be a certain age and of an uncertain mind.”—Los Angeles Times “A brilliant first novel by a young man of ferocious comic talent.”—The Times (London) “Preternaturally wise, slightly devious and highly entertaining.”—USA Today