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“Immediate, sensual, unrelentingly intense.” —NPR A breathtaking volume about the violence of desire and the peace of love from celebrated poet Li-Young Lee, The Undressing is a tonic for spiritual anemia; it attempts to uncover things hidden since the dawn of the world. Short of achieving that end, these mysterious, unassuming poems investigate the human violence and dispossession increasingly prevalent around the world, and the horrors the poet grew up with as a child of refugees. Lee draws from disparate sources including the Old Testament, the Dao De Jing, and the music of the Wu-Tang Clan. While the ostensive subjects of these layered, impassioned poems are wide-ranging, their driving engine is a burning need to understand our collective human mission.
Kristin Hersh was a preternaturally bright teenager, starting university at fifteen and with her band, Throwing Muses, playing rock clubs she was too young to frequent. By the age of seventeen she was living in her car, unable to sleep for the torment of strange songs swimming around her head - the songs for which she is now known. But just as her band was taking off, Hersh was misdiagnosed with schizophrenia. Paradoxical Undressing chronicles the unraveling of a young woman's personality, culminating in a suicide attempt; and then her arduous yet inspiring recovery, her unplanned pregnancy at the age of 19, and the birth of her first son. Playful, vivid, and wonderfully warm, this is a visceral and brave memoir by a truly original performer, told in a truly original voice.
In evocative shards of memory, a terminally ill young woman pieces together her family’s difficult past in this “lyrical, delicately affecting tale” (Publisher Weekly). At thirty, Piper Kincaid feels too young to be dying, even as breast cancer eats away her strength. Yet with all the questions of her future before her, she's adrift in the past, remembering the fateful summer she turned fourteen and her life changed forever. It was back then that what Piper dreaded came to pass: her restless, artistic mother, finally left. She had a brother who loved her, but her mother's absence, her father's distance, and a volatile secret threatened to shatter her whole world. Now Piper is back in her hometown of Quimby, Vermont—and once again left with the jagged pieces of a broken life. If she is ever going to survive, she'll have to begin with the summer that broke them all.
From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier * the eroticism of period costume in films such as The Piano and The Age of Innocence * clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction * generic male chic in Goodfellas, Reservoir Dogs, and Leon * pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.
A much needed tonic for every Christian parent.
In an alternate Brooklyn, New York, Lorna flirts with the idea of love despite the fact that any boy a Devonairre Street girl falls in love with is destined to die.
Taking it off in the name of history… Thirty-five-year-old American social media master Vanessa Roberts lives her thoroughly modern life with aplomb. So when her elderly Jane Austen–centric aunt needs her to take on the public relations for Julian Chancellor, a very private man from England who’s written a book called My Year as Mr. Darcy, Vanessa agrees. But she’s not “excessively diverted,” as Jane Austen would say. Hardbound books, teacups, and quill pens fly in the face of her e-reader, coffee, and smartphone… …Until she sees Julian take his tight breeches off for his Undressing Mr. Darcy show, an educational “striptease” down to his drawers to promote his book and help save his crumbling estate. The public relations expert suddenly realizes things have gotten…personal. But can this old-fashioned man claim her heart without so much as a GPS? It will take three festivals filled with Austen fans, a trip to England, an old frenemy, and a flirtatious pirate re-enactor to find out…
"Forgive my bluntness, but...Goddamn, Sam Sax can write some poems. Devastating, comic, inventive, weird, dangerous, smart as hell. I could talk about the diction sometimes glass and sometimes bouquet. Or the syntax jagged here, balletic there. Or the metaphors, good lord. But the bottom line is that when reading the poems in A GUIDE TO UNDRESSING YOUR MONSTERS, one after the next, I kept saying to myself, probably twisting my face a little bit or squirming in my seat, "Goddamn, Sam Sax can write some poems." Ross Gay
The candid and heartbreakingly honest memoir of Sylvia Kristel, the cinema icon of the 1970s who played the lead role in the worldwide sensation erotic Emmanuelle films.
"In O’Neill's book - at once a case-history, a novella, and something more than either - we have a remarkable story of what two people can do for each other if they can experiment with trust.†Adam PhillipsWhen therapist-in-training James O’Neill starts his placement at a therapy centre in west London, his first referral is Abraham, a silent and frightened young man in a tightly-zipped, hooded anorak.For the majority of their initial sessions, Abraham hardly speaks. But O’Neill gradually gains his trust and learns of the abuse and violence Abraham was subjected to as a child that caused him to hide away from the world - barely sleeping, too afraid to get undressed even in the shower.Over the many years they meet, Abraham’s unfolding story and bravery inspire O’Neill to confront his own complicated past. Together they achieve something radical, as Abraham creates his own kind of therapy and teaches O’Neill to do the same.