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While away on an undercover mission, Undertaker Will Ritter has made an unthinkable alliance...with a Corpse! But though Robert Dillin (aka 'The Zombie Prince') is indeed one of those alien invaders who animate and possess the bodies of the dead -- unlike the rest of his kind, Dillin isn't evil. In fact, he wants to help. And Will needs that help, because the Queen of the Dead has learned the location of Haven, the Undertakers' secret HQ, and is planning a massive and deadly assault.With the last day of the Corpse War finally upon them, Will and his friends find themselves in a desperate race to close the Rift between worlds and forever kill the Corpses. But can they do it before Haven is overrun?For that matter, can they do it at all?
The Corpse War is over. Or at least Will Ritter thought the war was over. But Will quickly changes his mind when he is led through a doorway in time and finds himself in a future where the Earth has been all but destroyed. The Corpses, alien invaders who wear the dead like suits of clothing, have returned in horrific numbers. In the wake of their destructive onslaught, a rag-tag group of survivors with some of Will's now grownup friends among them is all that's left of mankind. Will must take part in a desperate, last ditch effort to rewrite history, prevent the Second Corpse War from ever happening, and defeat this evil that has consumed mankind once and for all. But victory, if such a thing is even possible, carries a heavy cost.
"Think Buffy the Vampire Slayer meets Harry Potter, with bug-filled corpses. Fans of comic-book heroes and video games will not be disappointed, and will be eager for further adventures. Fast paced and surprisingly moving."—School Library Journal Twelve-year-old Will Ritter and his rag-tag army of teenage resistance fighters may have triumphed over the Zombies (alien-possessed corpses) last time...but that's the thing about the dead—they keep coming back. A new Corpse leader has crossed the rift and taken command of the invasion: The Queen of the Dead is even more brilliant and ruthless than her predecessor, and her ambitions are even deadlier. Will and the crew must somehow rescue his mother, prevent an assassination, and show FBI Agent Ramirez the truth about the Corpses—and the danger the world faces. But how do a bunch of kids prove to a grown-up that monsters are real?
Reproduction of the original.
Charlotte Harkness has (quite cheerfully) accepted that she’ll never find love. An undertaker’s daughter who reads embalming manuals and hears the dearly departed? It’s enough to make any Victorian patriarch despair. When Lavinia Everly’s corpse arrives at Harkness and Sons, Charlotte is tormented by the girl’s final memories, her death at the hands of the mysterious “Jack.” Charlotte knows she must find the killer before madness consumes her. Dr. James Everly shuns society’s rules to find out who killed his little sister. When he joins forces with the undertaker’s daughter, he never expected his new ally to be so quick-witted and beautiful. James and Charlotte agree to pose as a courting couple to continue their investigations. Falling in love wasn’t part of the plan. As danger mounts, Charlotte and James race to stop “Jack” before he can strike again. Will they succeed, or become the next victims on his list?
The Corpses are up to something. U.S. Senator Lindsay Micha has been kidnapped and replaced with a &“dead&” ringer—the sister to Lilith Cavanaugh, the Queen of the Dead. Now, Will Ritter must go undercover in our nation's capitol to ferret out the truth and try to stop this ambitious deader. But his mission becomes even more dangerous when he learns of a mysterious 10-legged monster that prowls the halls of the Capitol Building—a lethal monster with a taste for Corpse flesh. Focusing more on scares and suspense than gore, the latest installment in this unforgettable zombie series will satisfy cravings in the hungriest of horror-minded young readers.
Engaging from the very first page, Ty Drago's thrilling children's debut has heart, it has humor, and it has straight up, gross-out horror. "On a sunny Wednesday morning in October, a day that would mark the end of one life and the beginning of another, I found out my grouchy next door neighbor was the walking dead. When you turn around expecting to see something familiar, and instead see something else altogether, it takes a little while for your brain to catch up with your eyes. I call it the 'Holy Crap Factor.'" Forced to flee his home and family, twelve-year-old Will Ritter falls in with the Undertakers—a rag-tag army of teenage resistance fighters who've banded together to battle the Corpses. Praise for Ty Drago: "...The author hardly sets a foot or a word wrong."—Publishers Weekly "More, if you please, Mr. Drago."—Booklist
In November 1939 Madeleine Blaess, a French-born, British-raised student, set off for Paris to study for a doctorate in Medieval French literature at the Sorbonne. In June 1940, the German invasion cut off her escape route to the ports, preventing her return to Britain. She was forced to remain in France for the duration of the Occupation and in October 1940 began to write a diary. Intended initially as a replacement letter to her parents in York, she wrote it in French and barely missed an entry for almost four years. Madeleine’s diary is unique as she wrote it to record as much as she could about everyday life, people and events so she could use these written traces to rekindle memories later for the family from whom she had been parted. Many diaries of that era focus on the political situation. Madeleine’s diary does reflect and engage with military and political events. It also provides an unprecedented day-by-day account of the struggle to manage material deprivation, physical hardship, mental exhaustion and depression during the Occupation. The diary is also a record of Madeleine’s determination to achieve her ambition to become a university academic at a time when there was little encouragement for women to prioritise education and career over marriage and motherhood. Her diary is edited and translated here for the first time.