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Fitzpatrick analyzes Johnson's commentary on the Scopes trial, denunciation of the Ku Klux Klan, defense of President Franklin Roosevelt's New Deal, criticism of Senator Joseph McCarthy, and battles with the Republican Party during President Eisenhower's two terms. He was, to borrow his own phrase, a "disturber of the peace."".
While much has been written about hate groups and extreme right political movements, this book will be the first that addresses the crucial role that place and context play in generating and shaping them. Ranging across geographical scales the essays start with the home, and then move from the local to the regional, to the national to-finally-the global. In this collection, much of the focus is on the U.S., as the contributors consider a variety of hate activity and hate groups across the country, including; rural white supremacist and neo-Nazi movements; anti-black sentiment directed towards cities; anti-gay activity in cities and rural areas and the resurgent Southern nationalist movement. Closing with pieces from those who combat hate activity, the intention of Spaces of Hate is to recognize specific geographic settings likely to foster hate activity.
This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice. The 95 entries here represent a substantial revision and expansion of the material on historical memory and manners in the original edition. They address such matters as myths and memories surrounding the Old South and the Civil War; stereotypes and traditions related to the body, sexuality, gender, and family (such as debutante balls and beauty pageants); institutions and places associated with historical memory (such as cemeteries, monuments, and museums); and specific subjects and objects of myths, including the Confederate flag and Graceland. Together, they offer a compelling portrait of the "southern way of life" as it has been imagined, lived, and contested.
Gutzon Borglum, the sculptor of Mount Rushmore National Memorial, hoped that ten thousand years from now, when archaeologists came upon the four sixty-foot presidential heads carved in the Black Hills of South Dakota, they would have a clear and graphic understanding of American civilization. Borglum, the child of Mormon polygamists, had an almost Ahab-like obsession with Colossalism--a scale that matched his ego and the era. He learned how to be a celebrity from Auguste Rodin; how to be a political bully from Teddy Roosevelt. He ran with the Ku Klux Klan and mingled with the rich and famous from Wall Street to Washington. Mount Rushmore was to be his crowning achievement, the newest wonder of the world, the greatest piece of public art since Phidias carved the Parthenon. But like so many episodes in the saga of the American West, what began as a personal dream had to be bailed out by the federal government, a compromise that nearly drove Borglum mad. Nor in the end could he control how his masterpiece would be received. Nor its devastating impact on the Lakota Sioux and the remote Black Hills of South Dakota. Great White Fathers is at once the biography of a man and the biography of a place, told through travelogue, interviews, and investigation of the unusual records that one odd American visionary left behind. It proves that the best American stories are not simple; they are complex and contradictory, at times humorous, at other times tragic.
Before the Civil Rights movement, southern liberal journalists played a crucial role in shaping southern thought on race and racism. John Kneebone presents a richly detailed intellectual history of southern racial liberalism between World War I and World War II by examining the works of five leading southern journalists -- Gerald W. Johnson, Baltimore Evening Sun; George Fort Milton, Chattanooga News; Virginius Dabney, Richmond Times-Dispatch; Hodding Carter, Greenville (Miss.) Delta Democrat-Times; and Ralph McGill, Atlanta Constitution. The South's leading liberal journalists came from varied backgrounds and lived in different regions of the South, but all had one characteristic in common: as public advocates of southern liberalism, each spoke as a southerner with deep roots in the southern past. Yet their editorials were not intended solely for local audiences; they wrote essays for national and regional journals of opinion as well, and each of these men published important books on the South and its history. Through their writings, they gained reputations throughout the country as articulate spokesmen for southern liberalism. Their essays, editorials, books, and letters provide rich and abundant sources for studying the changing patterns of southern liberal thought in the critical years from the 1920s to the 1940s. Moreover, these journalists were members of southern liberal organizations -- Will W. Alexander's Commission on Interracial Cooperation, the Southern Commission on the Study of Lynching, the Southern Policy Committee, the Southern Conference for Human Welfare, and the Southern Regional Council -- and so they helped devise the reform programs that they in turn publicized. While they believed that social and economic change in the modern South required reform of race relations, the journalists felt that these reforms could be accommodated within the framework of racial segregation. The protests of blacks against segregation during World War II challenged that way of thinking and created a crisis for southern liberals. Kneebone analyzes this crisis and the disconnection between the southern liberalism of the 1920s and 1930s and the Civil Rights movement. Originally published in 1985. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Breaking the Bronze Ceiling uncovers a glaring omission in our global memorial landscape—the conspicuous absence of women. Exploring this neglected narrative, the book emerges as the foremost guide to women's memorialization across diverse cultures and ages. As global memorials come under intense examination, with metropolises vying for a more inclusive recognition of female contributions, this book stands at the forefront of contemporary discussion. The book’s thought-provoking essays artfully traverse the complex terrains of gender portrayal, urban tales, ancestral practices, and grassroots activism—all anchored in the bedrock of cultural remembrance. Rich in the range of cases discussed, the book sifts through multifaceted representations of women, from Marians to Liberties, to handmaidens, to particular historical women. Breaking the Bronze Ceiling offers a panoramic view of worldwide memorials, critically analyzing grandiose tributes while also honoring subtle gestures—be it evocative plaques, inspiring namesakes, or dynamic demonstrations. The book will be of interest to historians of art and architecture, as well as to activists, governmental bodies, urban planners, and NGOs committed to regional history and memory. More than a mere compilation, Breaking the Bronze Ceiling epitomizes a movement. The book comprehensively assesses the portrayal of women in public art and offers a fervent plea to address the severe underrepresentation of women in memorials. Contributors: Carolina Aguilera, Manuela Badilla, Daniel E. Coslett, Erika Doss, Tania Gutiérrez-Monroy, Daniel Herwitz, Katherine Hite, Lauren Kroiz, Ana María León, Fernando Luis Martínez Nespral, Pía Montealegre, Sierra Rooney, Daniela Sandler, Kirk Savage, Susan Slyomovics, Marita Sturken, Amanda Su, Dell Upton, Nathaniel Robert Walker, and Mechtild Widrich